Parambrata Chatterjee’s biopic of Soumitra Chatterjee, Abhijan, aspires to be an account of the great actor. It tries to portray a collage of events through flashbacks interspersed with Soumitra playing himself at the very end of his life. Shot as one of the very last films of his, Abhijan is much awaited. Silhouette editor Amitava Nag doesn’t attempt a formal review of the film. Rather, he tries to gauge what the film tries to explore and why it falls short of his expectations.