Subha Das Mollick’s documentary Dwelling in Travelling explores the story of the Jewish community in Kolkata. A Silhouette review by Nirabari Bandopadhyay.
“Freed from the boundaries of time and space, I co-ordinate any and all points of the universe, wherever I want them to be. My way leads towards the creation of a fresh perception of the world. Thus I explain in a new way the world unknown to you.”
― Dziga Vertov
Cinematic Language of a documentary film depends on fusion of the cinematic journey along with the individual or collective experience. The real stories of real characters connect with the audience and address a changed society or change our perception about the society. The research goal is based on the conversation of past and present. Recently, Subha Das Mollick’s documentary Dwelling in Travelling tried to unfold the story of Jewish community in Kolkata. The film deals with the history of the community in the first half, backed by different kind of historical and cultural sources including the scriptures, painting and footages. To build a proper linearity, graphical representation has added visual appeal to the film.
Dwelling in Travelling talks about how the Jewish merchants used to travel to different parts of the world for trading of gems, perfume and spices. During the flight they migrated to different parts of Asia and started new chapters. Shalom Cohem came to Calcutta in 1700 and settled here. Interestingly, the film points out how Calcutta became the centre of a different linguistic practice: Judeo-Arabic, classical Arabic written in Hebrew script.
The film travels further from historical discourses to the personal memories tracing the scattered imprints in the city. From its different architectures to the personal albums, from the Jewish shops to the religion. It talks about Joseph Ezra, one of the biggest real estate tycoons in the city, who changed the cityscape with famous architecture like Aurobindo Bhavan, Chowringhee Mansion and Ezra hospitals.
The Ezra family had its influence not only in the social and cultural sphere but also in economic sphere. A new settlement grew up centered around Agarpara Jute Mill owned by the Ezra family. During the Second World War, Jewish people used to live mainly in Park Street and Bowbazar area of Kolkata, and around 20 Jewish families used to live in Agarpara.
The director has interviewed many Jewish people from different backgrounds and professions. The elements from their personal collection give us a vivid account of the period and about the community, which we do not usually get to know easily. The photographs speak about the fashion and the living condition of the community. Many patterns, fabric and sequences have their contribution in the Indian culture.
The film also talks about the business and retail hubs and Jewish food, that were there not only for the community but also as a delicacy for the whole city. From Halla Bread to Baklava, Jewish food was always talk of the town and till date the saga goes on. Nahoum & Sons, a popular Jewish bakery is still carrying its legacy of pleasing Kolkata taste-buds for over hundred years.
Dwelling in Travelling depicts how religion and synagogues became mediums for the community to stay together. Jewish people from all over the world used to travel to Calcutta to be part of the Jewish festivals. They prayed, sang and celebrated life as well as their existence, hand in hand, in the synagogues.
Calcutta as a city was always a welcoming space which embraced their art and culture which left its mark in the cultural meadows through music, art and literature. This leads to the significant emergence of the Jewish middle class, from famous sport personalities to musicians, bankers and teachers. They established the Jewish printing press and schools in the city. Probably these schools were one of a few which offered free education for the students.
Just like other communities of Bengal, the Jewish community too was witness to the important events in Calcutta such as the Indian freedom struggle, the Japanese air raids during World War 2, riots and famines. The socio-cultural integration of the community into this space wrote a narrative different from the history of the Jewish people living in Europe. During and after the Second World War, immigrants arrived here from different parts of Europe and even from Baghdad, bearing the trauma of the war and Holocaust. Their pain scripted in the tattoos on the hands returning from the concentration camp of Nazi Germany.
The Calcutta Jewish community protested against such heinous acts. They broadcast the musical programme titled ‘Music the Nazis Hate!’ May be this painful history was the reason for the community to stand for each other and believe in social harmony. It is not surprising that currently, 97 percent of the students of the Jewish school are from the Muslim community who are mentored by Hindu teachers.
The director of the film has taken us into the world of Middle Eastern folktales, tracing the footstep from the past to the conundrum of the present. The journey continues sometimes with the observant camera capturing the emotion and mundane activities, sometimes through the rhythms of the prayer and sometimes through the lyrical articulation of the facts. Essentially the film is a documentary of personal and collective memory of a community losing the battle to the urban space. Thanks to Subha Das Mollick for the reality check. We can surely say that “I feel ghosts around me”.
Subha Das Mollick’s documentary Dwelling in Travelling was screened at Victoria Memorial and was official selection in Mumbai International Film Festival and Kolkata International Film Festival.
More to read
For the Love of Cinema – the Story Behind the Calcutta Film Society
Calcutta Sonata – The City’s Sustained Love Affair with the Piano
Whether you are new or veteran, you are important. Please contribute with your articles on cinema, we are looking forward for an association. Send your writings to amitava@silhouette-magazine.com
We are editorially independent, not funded, supported or influenced by investors or agencies. We try to keep our content easily readable in an undisturbed interface, not swamped by advertisements and pop-ups. Our mission is to provide a platform you can call your own creative outlet and everyone from renowned authors and critics to budding bloggers, artists, teen writers and kids love to build their own space here and share with the world.
When readers like you contribute, big or small, it goes directly into funding our initiative. Your support helps us to keep striving towards making our content better. And yes, we need to build on this year after year. Support LnC-Silhouette with a little amount – and it only takes a minute. Thank you
Silhouette Magazine publishes articles, reviews, critiques and interviews and other cinema-related works, artworks, photographs and other publishable material contributed by writers and critics as a friendly gesture. The opinions shared by the writers and critics are their personal opinion and does not reflect the opinion of Silhouette Magazine. Images on Silhouette Magazine are posted for the sole purpose of academic interest and to illuminate the text. The images and screen shots are the copyright of their original owners. Silhouette Magazine strives to provide attribution wherever possible. Images used in the posts have been procured from the contributors themselves, public forums, social networking sites, publicity releases, YouTube, Pixabay and Creative Commons. Please inform us if any of the images used here are copyrighted, we will pull those images down.