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Two Legends and Their Lives: Uttam Kumar Suchitra Sen

The Magic of Uttam Kumar and Suchitra Sen

The Magic of Uttam Kumar and Suchitra Sen

With her sophisticated looks, fiery and expressive eyes, strong personality and bearing, Suchitra Sen was an instant hit with the youth of Bengal from the 1950s through the 1970s. Uttam Kumar, with his famous smile and charming demeanour, too was a phenomenon to reckon with. And together, they were an unbeatable romantic pair. Of the 60 films Suchitra Sen worked in, 30 were with Uttam Kumar. The duo gave a string of hits such as Sagarika (1956), Harano Sur (1957), Indrani (1958), Agnipariksha (1954), Saptapadi, Grihadaha (1967), all part of Bengali cinematic history today. Interestingly, these films are remembered not only as the best of Uttam and Suchitra, but as cinema that is poignant, sensitive and heart-rending. The star pair ushered in what came to be known as the golden era of Bengali cinema. A whole generation of men and women, especially from the 1950s to the 1970s, grew up on the Uttam and Suchitra magic. Coupled with astounding music and great scripts, Uttam and Suchitra starrers became simply unbeatable. Uttam Kumar and Suchitra Sen: Bengali Cinema’s First Couple is a tribute to this unparalleled star-duo of Bengali cinema.

About the Author
Maitreyee B Chowdhury is a web columnist and creative writer, and writes on cinema and social issues. She is the author of Reflections on My India, a book on Indian traditions and spirituality. Maitreyee is featured amongst other Indian writers such as Gulzar, Shashi Tharoor and Deepti Naval in an anthology of Indian writers Celebrating-India.

Silhouette Magazine is a platform for gathering myriad views on film (and allied art forms) and to continue with the flux of discourse. The Silhouette publications are our attempt to achieve this goal.
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Creative Writing

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Maitreyee B Chowdhury is a web columnist, poet and creative writer. She is author of three books 'Reflections on My India', 'Uttam Kumar and Suchitra Sen: Bengali Cinema's First Couple' and 'Where Even The Present Is Ancient: Benaras'. She writes on cinema and art too. Maitreyee writes for Criterion Literary Journal; a journal of media studies 'Kottaka'; Indian Express (Bay Area); Indian Ruminations; YOMO Art Gallery (South East Asian Art House); Gallery 2000 (French Art House); The Sip of Life, etc.
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“They're only crayons. You didn't fear them in Kindergarten, why fear them now?” ― Hugh MacLeod