A hand-picked basket of cherries from the world of most talked about books and popular posts on creative literature, reviews and interviews, movies and music, critiques and retrospectives ...
to enjoy, ponder, wonder & relish!
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The L&C-Silhouette Basket
A hand-picked basket of cherries from the world of most talked about books and popular posts on creative literature, reviews and interviews, movies and music, critiques and retrospectives ...
to enjoy, ponder, wonder & relish!
The whip remains, but the ‘dada’ changes. Piu Mahapatra explores how Uttam Kumar’s elder-brother roles across four decades mirror the changing Bengali family, and a changing Bengal.
The beauty of reading, and watching Hrishikesh Mukherjee’s cinema again and again, is that the themes of politics and gender emerge as normally in the narrative, as they need to be for...
The challenge of Nadiya kinare in Abhimaan was to create a supremely classical yet rustic song. SD Burman's music, Majrooh Sultanpuri's lyrics, Lata Mangeshkar's voice along with Jaya Bhaduri and...
Majrooh Sultanpuri and Dada Burman were both born October 1, 13 years apart. Dada was born in 1906 and Majrooh in 1919. Destined to come together and create magic for music lovers in Hindi cinema, they partnered...
Be it the tragedies like Anand, Mili and Satyakam or the hilarious comedies, Hrishida handled both genres with ease. He was the master of the masquerade. If Amol Palekar doubles up as twins in Golmaal,...
Jaya Bachchan is a name synonymous with endearing, real and honest characters in Hrishikesh Mukherjee films. However, the acting powerhouse has much more to her than her image. Her subtleties, mastery of craft and the ability...
In a brief repertoire, Asit Sen left an indelible mark in Hindi cinema with a handful of masterpieces that are brilliant examples of bold, women-centric themes, outstanding performances, tight and expert direction and...