Tanima Bhattacharya is an actress whose first film Saankal (Shackle) have got rave reviews at the different film festivals across the world. She is also the Director’s Assistant and Executive Producer of PISCEANN PICTURES who produced Saankal. Silhouette editor Amitava Nag interviews this young talent.
Saankal (Shackle) is Tanima Bhattacharya’s debut feature film where she plays Abeera, a rural Rajasthani woman who was forced to marry multiple times to grooms who were young teenage boys. This was a rare custom of a particular Rajasthani community whose ill effects had deep roots ingrained in an inhuman and ghastly social practice. Amitava Nag, editor, Silhouette got a chance to interview the actress who already have received accolades and a few awards for her acting in the complex yet subtle role.
Amitava: Please tell us about Saankal (Shackle) – how did you get the story?
Tanima: It was a true incident which came out as very small news in the newspapers. And as far as I am concerned it’s a gift to me from our Captain of the Ship Mr. Dedipya Joshii. He was very confident with me that I can do justice to the character Abeera.
Amitava: How did you shoot it – bet it must have been difficult to convince the local people and shoot the film? What challenges you faced?
Tanima: It was not easy to shoot . Not only because of the local people only, but the weather was also quite bad at the time. It was -3 degree so we were almost freezing. Also, there was no light in the evenings. The lights we used during our shooting were the only source of light for the particular area and the rest was all dark. But that was a unique experience.
Amitava: You are part of the Pisceann Pictures who produced the film. How did you land up in the role of Abeera?
Tanima: I work with Mr. Dedipya Joshii in PISCEANN PICTURES as Director’s Assistant and Executive Producer and also as freelance. I am blessed and lucky that Dedipyaji felt that I can do it and he gifted me Abeera along with Saankal.
Amitava: Tell us about the preparation you had taken to essay the role.
Tanima: It was not at all easy to portray the character in our film. My co-actor Mr. Chetan Sharma and I went to Jaisalmer in search of them and finally we found them. We spoke to them, had done some shoot with them to read them, to observe them again and again. That was the only one way I had done the total home work by mere observing the people there, the women how they walk, how they sit, how they behave. I must also mention the support I got from my co-Actor Mr. Chetan Sharma. His chemistry with me always took me in a different world to portray this role. Even in dubbing he supported me to clear my diction since in the dialogue there is a touch of rural Rajasthani which I initially found a bit difficult to adopt. I am immensely thankful to our director Mr. Joshii who was also the producer and screenplay writer of Saankal. I also need to thank the whole unit of PISCEANN PICTURES.
Amitava: The film won a lot of awards it seems. Can you please list the awards?
Tanima: I would love to answer this.
(Best Female Lead and Best Foreign film)
(Best Film and Best Actress)
(Best Film, Best Actress, Best Director)
(Gold Award – Foreign Film Competition)
Amitava: What is the response of the film and the role? What are the plans for releasing it?
Tanima: The response is too good. We really feel happy that whoever has seen our film each and everyone from any corner of the world came to know about this custom from us. The audience has always felt sad about the unfulfilled love story of Abeera and Kesar. The reaction has been too emotional from each and every person almost always. That makes us humbled and we feel blessed to connect with our audience.
We are planning to release our film in this year only. You know film industry is changing, now it is coming up with both types of films viz. Artistic and Commercial. To release our film we are looking for a joint venture with some distributor who can stand with us to support the film and the story we depict in it. We are hopeful that with the positive response that we are getting from the audience and the festivals where the film has travelled we will surely get a distributor.
Amitava: What are your next plans as an actress?
Tanima: I am only one film old as an actress! Right now I would love to just work a lot – probably in both mainstream films as well as parallel/art films.
Amitava: What is your observation on the low-budget, indie film scene in India – the prospects and future?
Tanima: I am probably not in the best place to comment about it yet. But whatever I have observed, it’s doing quite good now and I truly believe that slowly one day will come when the indie film will stand in the same position with other Bollywood Hindi Cinema.
Amitava: As a social person, do you feel films like Saankal having strong social messages will actually change the society a bit as well? What role does this film play in today’s society?
Tanima: This was the only one way in front of us to stand for them. We can’t go door to door.
And yes I must say again that the way we are getting response from each and every corner of the world we can always hope that with people getting more and more aware these types of rituals will change one day. Obviously we can’t be 100% sure but we can always hope for the best. That’s why our director Mr. Dedipya Joshii ended up our film with a positive ending.
Amitava: Dear Tanima, best of luck for Saankal and all your future films.
Tanima: Thank you so much, Amitava for this lovely interview.
More to read in Interviews
We are editorially independent, not funded, supported or influenced by investors or agencies. We try to keep our content easily readable in an undisturbed interface, not swamped by advertisements and pop-ups. Our mission is to provide a platform you can call your own creative outlet and everyone from renowned authors and critics to budding bloggers, artists, teen writers and kids love to build their own space here and share with the world.
When readers like you contribute, big or small, it goes directly into funding our initiative. Your support helps us to keep striving towards making our content better. And yes, we need to build on this year after year. Support LnC-Silhouette with a little amount – and it only takes a minute. Thank you
Whether you are new or veteran, you are important. Please contribute with your articles on cinema, we are looking forward for an association. Send your writings to [email protected]
Silhouette Magazine publishes articles, reviews, critiques and interviews and other cinema-related works, artworks, photographs and other publishable material contributed by writers and critics as a friendly gesture. The opinions shared by the writers and critics are their personal opinion and does not reflect the opinion of Silhouette Magazine. Images on Silhouette Magazine are posted for the sole purpose of academic interest and to illuminate the text. The images and screen shots are the copyright of their original owners. Silhouette Magazine strives to provide attribution wherever possible. Images used in the posts have been procured from the contributors themselves, public forums, social networking sites, publicity releases, YouTube, Pixabay and Creative Commons. Please inform us if any of the images used here are copyrighted, we will pull those images down.