The L&C-Silhouette Basket
A hand-picked basket of cherries from the world of most talked about books and popular posts on creative literature, reviews and interviews, movies and music, critiques and retrospectives ...
to enjoy, ponder, wonder & relish!
to enjoy, ponder, wonder & relish!
Amitava Nag's Blog
Life in Metaphors: Portraits of Girish Kasaravalli is a collection of portraits sketched by colleagues, friends, family, filmmakers and film critics,...
Mrinal Sen is one of the leading filmmakers of India. His films deal with poverty and other uncomfortable truths that plague India, probably a reason why his films have been less discussed and watched as...
With the expanse of digital technologies and internet there is a lot of data for every individual - be it taste, behavioral pattern or even social sentiment. This 'big' data is harnessed by companies as customer...
Anindya Chatterjee’s third feature film Manojder Adbhut Bari is a delightful children’s comedy which does justice to the superb humour and wit inherent in Sirshendu Mukherjee’s original text with...
Filmmakers have often relied on gore as a mode to make the audience uncomfortable with our very own physiology. Amitava and Shiladitya dig deeper into this genre....
Ingmar Bergman had written an essay ‘Film Has Nothing To Do With Literature’ translated by Lars Malmstrom and David Kushner which was part of his book ‘Four Screenplays’ published in 1960 . Parts of the essay...
A particular film has often achieved an iconic status in which the lead of the film has used her/his eyes, for instance Anthony Hopkins in Silence of the Lambs, or our every Om Puri in Ardh Satya. Eyes,...
Soukarya Ghosal’s latest Bengali film Rainbow Jelly raises hopes and questions, a welcome relief from the clutter of films that are unrealistic and unnecessarily didactic. ...
Atanu Ghosh’s Mayurakshi weaves a sensitive portrayal of an aged and ailing father and his son who comes to meet him from the USA. The father ceases to communicate with the world around him and the son is torn between...
Manas Mukul Pal's debut feature Sahaj Pather Gappo released in September 2017 is quite different from the popular or even the parallel trends in Bengali cinema....
Veteran film critic Shoma A Chatterji has more than 20 books to her credit in a career spanning more than 40 years. Famous for her tongue-in-cheek candid responses, Chatterji is a friend and well-wisher...
Bikas Ranjan Mishra's Pagla Ghoda (adapted from Badal Sircar's famous play with the same name) holds a mirror for us to reflect. The film which is available on Hotstar depicts four men in a crematorium reminiscing...
Abesh Das has written a Bengali book on Tapan Sinha’s oeuvre of unique cinema named Tapan Sinha – Sarbik Chalachchitra Bikhha. Silhouette editor Amitava Nag speaks to the author to explore what inspired...
Om Puri passed away on 6 January 2017 after four decades of acting. One of the pioneer faces of the Indian ‘parallel’ cinema movement of the 70s and 80s, Om Puri later on shifted to international cinema and remained a forceful...
The recently concluded Kolkata International Film Festival threw up a few interesting films including Katarina Zrinka Matijevic’s The Trampoline, Maria Govan’s Play the Devil, Kim Ki Duk’s Net and Kristina Grozeva-Petar...
Curated by film-maker Umesh Kulkarni, the Dharamshala International Film Festival 2016 (DIFF 2016) presents to the audience an eclectic mix of short films. Silhouette editor Amitava Nag peeks into a few of the...
Andrzej Wajda is one of the leading film directors of the world and probably the most prominent Polish one along with the likes of Krzysztof Zanussi, Roman Polanski and Krzysztof Kieślowski among others. Winner of...
5th Dharamshala International Film Festival 2016 will take place from 3 to 6 November 2016 in the beautiful mountain town of McLeod Ganj, Dharamshala....
This was no traditional screenplay. Satyajit Ray 'drew' the script of his first film Pather Panchali in a sketch book, using the sketches as a visual guide when he started shooting eventually. The...
Tanima Bhattacharya is an actress whose first film Saankal (Shackle) have got rave reviews at the different film festivals across the world. She is also the Director's Assistant and Executive Producer of PISCEANN...
Amartya Bhattacharyya is a young and independent film maker of India. All of Amartya's films, poems and other works are dark, mostly surreal, and psychoanalytic in nature. He names the genre of his films as 'Phychodrama'....
This is not a biography since Soumitra himself doesn’t believe in one as he mentions in his note on the book. It is also not a comprehensive analysis of Soumitra’s work; rather it is an introduction...
Suchitra Sen mirrored the independent woman – much earlier than the true feminist waves lapped on the Indian shores. A beautiful woman whose inner strength emanated into an eternal glow – is probably the best way...
The Dharamshala International Film Festival better known as DIFF will be held in McLeod Ganj from the 5-8 November 2015. The annual festival will enter its fourth year this time – a curtain raiser....
Srijit Mukherjee’s latest film Rajkahini traces back to history and narrates one of the many gruesome incidents that had happened during the Parition of Bengal in 1947. A drama of epic proportion, this review finds out...
Osianama’s cinematic retrospective of Adoor Gopalakrishnan from Friday 18th till Thursday 24th, 2015 is one of the most important things that could have happened in Mumbai in 2015....
The Society for the Preservation of Satyajit Ray Archives commemorated 60 years of Pather Panchali with a seminar. A report on the star-studded event,...
The Paradine Case is one of the least discussed films of Alfred Hitchcock. Yet it makes a very interesting viewing due to the characters’ obsession with love....
Michelangelo Antonioni and Ingmar Bergman both passed away on July 30, 2007 in the span of a few hours. Silhouette pays a tribute on their death anniversary....
Uttam Kumar remains the biggest hero of Bengali cinema till date – a ‘Maha nayak’. 35 years after his death, his shadow still looms large on an industry which had a golden past but is now reeling under poverty...
Rajesh Khanna, the first ‘superstar’ of Hindi cinema had passed away on July 18, 2012. Is the maverick star who lived lonely for many years still important? A Silhouette tribute. ...
Chhabi Biswas was truly the first international actor of Indian cinema – an actor for whom probably no laurel is worth enough. Silhouette Magazine pays tribute to this legendary charismatic actor on his birth anniversary today....
Aditya Vikram Sengupta’s Asa Jaoar Majhe (Labour of love) is an exceptional film – not because it doesn’t have any dialogues, but more so since it treads a different path. It is a poignant love story where the...
The film brought its fictional tension in the form of Turing’s alleged espionage links – which helped to intensify the drama and probably to bring him out as a man of integrity apart...
Salaam Cinema is more of a “personal” tribute to a few legendary figures of Indian Cinema. The exhibition will display some rare photographs though these are not presented in any historically chronological...
In a strange way Rituparno’s positioning in the Bengali cultural space has similarities and parallel with two most revered Bengali film-makers of all times – Satyajit Ray...
Soumitra narrowed his focus on Ray’s handling of actors – how awe-inspiring it was to find that he would probably never cast someone who doesn’t seem fit for the role apart from...
Southwest (Sudoeste, 2012) is an unusual film on multiple grounds – it was a project which materialized after 13 years of its inception, the film uses extreme wide aspect ratio and talks of a non-existent...
To Rituparno Ghosh’s credit he brought a section of the Bengali audience back to the cinema halls – to me this is his greatest contribution to Bengali cinema and any history of it will remain largely incomplete unless...
We need to look back and deep into the cinema of ours - with pride and reverence. The medium is developed and sharpened by the West but we use it to tell our story. The Indian film theory should emerge hence....
12
