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ISSN 2231 - 699X | A Publication on Cinema & Allied Art Forms
 
 
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Seemabaddha

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Seemabaddha

whether it is Indranath in Kanchanjanga or Shyamlendu in Seemabaddha or Natabar Mitter in Jana-Aranya, their very freedom to expound their beliefs makes them reveal their moral worthlessness to the viewer.

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