

In the present times, prejudice and disharmony rule the world. The story of Bhakta Salbeg stands as a testimony to the universal values of love, peace and tolerance.
His mother nursed him while continuously chanting the name of Lord Jagannath
Salbeg’s mother was a Brahman widow. A Muslim soldier married her forcefully. Salbeg grew up to become a soldier like his father and joined Aurangzeb’s army.
Once he was severely injured in battle. His mother nursed him while continuously chanting the name of Lord Jagannath.
After regaining his health, Salbeg became an ardent devotee of Lord Jagannath and began composing and singing bhajans in praise of the Lord. He settled down in Vrindavan.
Once desirous of seeking the blessings of his Lord he went to the temple at Puri but was not allowed to enter since he was a Muslim. Sometime later he again left for Puri to catch a glimpse of his Lord when he came out on the streets during the annual Rath Yatra. Salbeg fell ill on the way and prayed to the Lord to wait for him so that he could get his divine darshan. The chariot of the Lord waited till Salbeg arrived. Only after the great devotee got the darshan of his master and touched the ropes of the chariot did it move.
Even to this day the chariot stops at exactly the same point where it had halted for Bhakta Salbeg long ago. Another tribute to the great disciple’s devotion is the fact that the bhajans composed by Bhakta Salbeg are an integral part of the Rath Yatra celebrations.
Only after the great devotee got the darshan of his master and touched the ropes of the chariot did it move.
These stories have been republished from the book Tales of Lord Jagannath by Ramendra Kumar. This book is available on Amazon.in and has been published by:
B K Publications Pvt. Ltd.
The opinions shared by the writer is his personal opinion and does not reflect the opinion of Learning and Creativity Magazine.
We are editorially independent, not funded, supported or influenced by investors or agencies. We try to keep our content easily readable in an undisturbed interface, not swamped by advertisements and pop-ups. Our mission is to provide a platform you can call your own creative outlet and everyone from renowned authors and critics to budding bloggers, artists, teen writers and kids love to build their own space here and share with the world.
When readers like you contribute, big or small, it goes directly into funding our initiative. Your support helps us to keep striving towards making our content better. And yes, we need to build on this year after year. Support LnC-Silhouette with a little amount - and it only takes a minute. Thank you
Got a poem, story, musing or painting you would like to share with the world? Send your creative writings and expressions to editor@learningandcreativity.com
Learning and Creativity publishes articles, stories, poems, reviews, and other literary works, artworks, photographs and other publishable material contributed by writers, artists and photographers as a friendly gesture. The opinions shared by the writers, artists and photographers are their personal opinion and does not reflect the opinion of Learning and Creativity- emagazine. Images used in the posts (not including those from Learning and Creativity's own photo archives) have been procured from the contributors themselves, public forums, social networking sites, publicity releases, free photo sites such as Pixabay, Pexels, Morguefile, etc and Wikimedia Creative Commons. Please inform us if any of the images used here are copyrighted, we will pull those images down.
I am prasanta kumar mangaraj from odisha
Thanks for your contribution for children’s literature.