Master teacher Father...
To celebrate Javed Akhtar’s platinum...
Revelling in the song, its emotion, the fine...
Teesri Kasam was made in another...
Peeyush Sharma concludes his tribute...
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Despite the shadows of Partition repeatedly appearing as a motif in his Partition Trilogy (Meghe Dhaka Tara, Subarnarekha and Komal Gandhar), Ritwik Ghatak’s cinema transcended that to themes of dislocation and the rupture of human existence. Partha Pratim Ghosh finds out.