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Why Dance? I Had No Answer to That…

Uday Shankar and Amala Shankar

Uday Shankar and Amala Shankar

Uday Shankar and Amala Shankar in a dance performance

even before watching Uday Shankar in person, I could well imagine the performance and flow with the movements. So impressed was I by just watching his photographs that I could visualize him to the last detail and hear him move to the music of Timir Baran’s Sarod. I silently thanked his younger brother Rajendra Shankar for penning down the Europe travels in such detail.
~ Nabendu Ghosh

Silhouette Magazine is a platform for gathering myriad views on film (and allied art forms) and to continue with the flux of discourse. The Silhouette publications are our attempt to achieve this goal.
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A National Award winner for her Writings on Cinema, Ratnottama Sengupta is a natural writer with keen understanding of Cinema and Visual Art. A Journalist since 1978, she has been with The Times of India, The Telegraph, Screen and been the Editor of the online magazine CineBengal.com. Daughter of writer Nabendu Ghosh, she writes extensively on Cinema and on Art. She has contributed to Encyclopedia Britannica on Hindi Films, and has to her credit many titles including on Plastic Arts. Ratnottama has curated 'Little Languages Film Festival' in Delhi, Bangalore, Kolkata; 'Prosenjit: A Retrospective', Delhi; 'Bimal Roy Centenary', Goa, Kolkata; 'Bengali Cinema After Rituparno', Delhi; and initiated the 'Hyderabad Bengali Films Festival'. * She has been on IFFI Steering Committee; National and International Award juries; with CBFC; and on NFDC Script Committee. She scripted Mukul, a short film on Nabendu (2009). She debuted as director with And They Made Classics.
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