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ISSN 2231 - 699X | A Publication on Cinema & Allied Art Forms
 
 
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Seemabaddha

Ray’s extraordinary Calcutta films have not attracted a fraction of the analysis devoted to his early work. Western critics have tended, with the exception of Andrew Robinson and one or two others, to underestimate their qualities; at home, they were often dismissed at the time as politically timid and have almost been forgotten of late.

Bobby Deol in Oye Lucky Lucky Oye
Screening Delhi
Films that deal with Delhi as a city largely...
Taylor and Van Johnson find romantic fulfillment in The Last Time I Saw Paris
City and Cinema: The Cinematic City of Paris
Cinema is a powerful signifying...
In an understanding of female voice in a capitalistic society
Framing Cleo In Paris
Cleo is not an outsider but recognized as...
Marriage of Maria Braun
A Nazi City – Berlin in the Films
Interestingly, the film makers trying...
Seppuku
Choosing Between Death and Death: Suicide in Kobayashi’s Seppuku
Masaki Kobayashi devises in Seppuku (1962)...
The City of Joy (1982) showcasing dispossessed people of Calcutta
The Importance of City in Cinema
Juxtaposing a person with an environment...
Chunhyang: An Artistic Splendor
Chunhyang: An Artistic Splendor
Chunhyang (2000) is a pre-modern...
Taking Over: Notes on the Host
Taking Over: Notes on the Host
In a just world, The Host would...
Bharati Devi in Tapan Sinha's Nirjan Saikate(1963)
Bharati Devi — Documenting Memories
Bharati Devi had been, and...
The Story of a Tykwer
The Story of a Tykwer
This essay is only an attempt to look...
Videos To Voice
Videos To Voice
Community Video is a unique...
Three Movies of the Digital Age
Three Movies of the Digital Age
The DVC phenomenon shows that...
Neocolonialism and Videogame Culture
Neocolonialism and Videogame Culture
Videogame culture offers...
The Colour of Aesthetics
The Colour of Aesthetics
In the works of Ray himself we will...