ISSN 2231 - 699X | A Publication on Cinema & Allied Art Forms

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Tag Archives: Subarnarekha

Landscape of Exile: Individual and Cultural Alienation in Ritwik Ghatak’s Films

Ritwik Ghatak’s Partition Trilogy focused on the pervasive sense of rootlessness that afflicts those displaced from their ancestral lands and foregrounds their...

Critique

The Aesthetics of Fractured Dislocation in Ritwik Ghatak’s Cinema

Despite the shadows of Partition repeatedly appearing as a motif in his Partition Trilogy (Meghe Dhaka Tara, Subarnarekha and Komal Gandhar), Ritwik Ghatak’s...

Critique

Ritwik Ghatak: A Crusader Of The Rootless

Ghatak’s films, remarkable for their lacerating quality and heightened form of realism are almost at loggerheads with Satyajit Ray’s lyricism.

Kunal Desai on Salil Chowdhury – A Continuum of Art
Thank you so much for your kind words and appreciating this write up.
N S RAJAN on Salil Chowdhury – A Continuum of Art
An absorbing and well researched article on the immortal Salilda and his music. Many aspects of his songs have been brought out here that even avid lo...
Subha Das Mollick on The Aesthetics of Fractured Dislocation in Ritwik Ghatak’s Cinema
Very significant essay on Ritwil Ghatak's aesthetics and he core ideas recurring in his body of work. For the first time somebody has referred to Ghat...
Indra Kumar on Khaniker Atithi and Zindagi Zindagi: Two Sides of One Coin
Please let me know which actress played the role of Shyama in the Bengali film Kshaniker Atithi. Was she Ajanta Kar or someone else? If Ajanta Kar ...
NS Rajan on Kanan Devi: ‘The First Singing Star’
Yes. She is a Legend. It is inconceivable now that someone with her background could achieve so much and in such a diverse manner in the 1930s and 40s...