A hand-picked basket of cherries from the world of most talked about books and popular posts on creative literature, reviews and interviews, movies and music, critiques and retrospectives ...
to enjoy, ponder, wonder & relish!
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The L&C-Silhouette Basket
A hand-picked basket of cherries from the world of most talked about books and popular posts on creative literature, reviews and interviews, movies and music, critiques and retrospectives ...
to enjoy, ponder, wonder & relish!
Silhouette Film Society, formed in 2001 was a group of eventless youth who clubbed together in the placid afternoons of leisurely Calcutta Saturdays. They discussed cinema, argued with their PoVs, fought vociferously and loved the conundrum. Members joined and lost, to corporate bandwagons, to film schools and yet Silhouette sailed through with private film shows and an enviable magazine - Silhouette to be proud of. Over time the print edition made way for a web magazine as the scope of the magazine expanded, members became busy, film shows were rare and confined to occasional festival meetings. Came 2018 the old musketeers regrouped again since they allowed enough nonsense with themselves. This film-viewing group of new friends and old sinners now plan to watch films regularly and write reports on them. The choice is deliberately arbitrary - an award winning film, an unexplored genius, a neo-avantgarde cacophony and what not. Masters will be exempted for greener pastures. Literally. The intention is not to shell out a film review in its typical gamut, rather this will be less formal and more personal. Silhouette recommends with ratings - so sit on the edge and enjoy the bang.
Silhouette members discussed Argentine director Lucrecia Martel’s The Headless Woman which is a mysterious psychological thriller that realms on the ambiguous and the uncertain...
Silhouette members discussed Pavel Lungin’s Ostrov (The Island) which is a spiritual film about the guilt for an action committed more than three decades ago. The film questions the concept...
July 2018 marked the birth centenary of Ingmar Bergman (14 July, 1918 - 30 July, 2007). Silhouette members gathered to watch Bergman’s last film Saraband as a tribute to cinema’s one of the greatest masters....
Silhouette members discussed and debated Alex van Warmerdam’s Abel (Voyeur) following a private screening. Abel, a thirty year old man, is voyeuristic and agoraphobic who never left his parent’s house...
Silhouette members discussed and debated Mauritanian film Heremakono aka Waiting for Happiness. Directed by Abderrahmane Sissako, this African film is replete with visual charm,...
Silhouette members discussed and debated Semih Kaplanoglu’s Milk (Sut) following a private screening. This is the second film in a trilogy (Egg, Milk, Honey) which were produced in...
Silhouette members discussed and debated Jim Jarmusch’s Paterson following a private screening. The film deals with the life of an average bus driver in a small town in America. The name of the city and the...
Silhouette members discussed and debated Ildikó Enyedi’s On Body and Soul following a private screening. The film that won the coveted Golden Bear at the 67th Berlin International...