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SILHOUETTE
Magazine
ISSN 2231 - 699X | A Publication on Cinema & Allied Art Forms
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A hand-picked basket of cherries from the world of most talked about books and popular posts on creative literature, reviews and interviews, movies and music, critiques and retrospectives ...
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Ritwik Ghatak@100

Landscape Of Exile - Individual and Cultural Alienation in Ritwik Ghatak's Films
Landscape of Exile: Individual and Cultural Alienation in Ritwik Ghatak’s Films

Ritwik Ghatak’s Partition Trilogy focused on the pervasive sense of rootlessness that afflicts those displaced from their ancestral lands and foregrounds their struggle for identity, writes Nirabari Bandyopadhyay

Landscape of Exile: Individual and Cultural Alienation in Ritwik Ghatak's Films
Landscape of Exile: Individual and Cultural Alienation in Ritwik Ghatak’s Films
Ritwik...
Riverine Stories: Titas and Ritwik Ghatak’s Cinematic Departure
Riverine Stories: Titas and Ritwik Ghatak’s Cinematic Departure
In...
The Aesthetics of Fractured Dislocation in Ritwik Ghatak’s Cinema
The Aesthetics of Fractured Dislocation in Ritwik Ghatak’s Cinema
Despite...
Reason Ramblings and Redemption
Reason Ramblings and Redemption
A reading of Ritwik...
Satyajit, Ritwik – and the Renegade ‘Father’ Figure
Satyajit, Ritwik – and the Renegade ‘Father’ Figure
In a brief critique,...
Purulia-r Chhau: A Critical Review of the Documentary by Ritwik Ghatak
Purulia-r Chhau: A Critical Review of the Documentary by Ritwik Ghatak
In...
Meghe Dhaka Tara
Ritwik Ghatak: A Crusader Of The Rootless
Ghatak’s films,...
Charulata: The Lonely Wife
Performativity and Politics: Ray and Ghatak
Ray, in his characteristic...


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Titas and Ritwik Ghatak’s Cinematic Departure
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The Aesthetics of Fractured Dislocation in Ritwik Ghatak’s Cinema
The Aesthetics of Fractured Dislocation in Ritwik Ghatak’s Cinema
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