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ISSN 2231 - 699X | A Publication on Cinema & Allied Art Forms
 
 
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Seemabaddha

Ray’s extraordinary Calcutta films have not attracted a fraction of the analysis devoted to his early work. Western critics have tended, with the exception of Andrew Robinson and one or two others, to underestimate their qualities; at home, they were often dismissed at the time as politically timid and have almost been forgotten of late.