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To Nothingness?

August 19, 2016 | By

A wistful poem about oblivion and nothingness that awaits every soul.

Leave the land, ‘tis time for you

1

Pity! O pity! For at the fag end
Of a lifetime, lies fainéant soul,
Beside vacuum trails leading to
Oblivion. Hark!

Lost, lost again, to lose
Once more; to follow the path,
Footprints of mist. Waits the garth of
Oblivion. Hark!

Surging ahead, daze escorting;
To nothingness; gudgeon!
There sings the glory, nymphs, o heart, of
Oblivion. Hark!

Forgetfulness consumed hast thou!
Leave the land, ‘tis time for you.
The billows call, rise and fall –
Sail through, soul, to
Oblivion! Pity! O Pity! Self!

2

O Sleep! Mighty sleep!
Lost thou art or lost am I?
My lids burdened –
Yet you live
Away forever,
Mighty sleep!
My beloved!

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Creative Writing

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Learning and Creativity publishes articles, stories, poems, reviews, and other literary works, artworks, photographs and other publishable material contributed by writers, artists and photographers as a friendly gesture. The opinions shared by the writers, artists and photographers are their personal opinion and does not reflect the opinion of Learning and Creativity emagazine. Images used in the posts (not including those from Learning and Creativity's own photo archives) have been procured from the contributors themselves, public forums, social networking sites, publicity releases, Morguefile free photo archives and Creative Commons. Please inform us if any of the images used here are copyrighted, we will pull those images down.

Sounak Gupta is a regular blogger and writes on various websites. His writings (in English and Bengali) as an amateur author have also been published in magazines and news dailies in India and abroad. Currently doing his masters in Literature, Sounak takes keen interest in Music. One of his loved passions is the collection and archiving of Indian Music on Gramophone Records. His YouTube channels GeetaDuttDevotee and Sounak93 are great storehouses of rare and peerless Bengali music.
All Posts of Sounak Gupta

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