{"id":9655,"date":"2025-01-18T09:10:14","date_gmt":"2025-01-18T03:40:14","guid":{"rendered":"https:\/\/learningandcreativity.com\/silhouette\/?p=9655"},"modified":"2025-01-18T10:18:07","modified_gmt":"2025-01-18T04:48:07","slug":"a-day-with-mohammed-rafi","status":"publish","type":"post","link":"https:\/\/learningandcreativity.com\/silhouette\/a-day-with-mohammed-rafi\/","title":{"rendered":"A Day with Mohammed Rafi"},"content":{"rendered":"<h2><strong>The stillness before dawn<\/strong><\/h2>\n<p>It\u2019s that divine hour of the night when a profound stillness takes over. It is still dark, though it will not remain so for long. It is a time of calm, a time of serenity, a time to reflect, connect, and create. It is the time for <strong><em>Lalit<\/em><\/strong><em>. <\/em>And if this night also happens to be awash with the light of a full moon, it is the time for Naushad to skilfully weave Shakeel\u2019s poetry around the two <em>madhyams <\/em>and leave the rest to the magic of Rafi and Lata.<\/p>\n<p><strong><em>Ek shahenshah ne banwaake haseen Taj Mahal<\/em><\/strong><br \/>\n<strong><em>Leader (1964)<\/em><\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/rR02Fm8EcTo?si=p7XYZsXEbysiSQ3v\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>If that\u2019s not enough, we can treat ourselves to Rafi with Manna Dey in tandem with this surprising OP Nayyar offering.<\/p>\n<p><strong><em>Tu hai mera prem devta<\/em><\/strong><br \/>\n<strong><em>Kalpana <\/em><\/strong><strong>(1960)<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/-nxrf1nWxDQ?si=L5S4zViZD9vLqrJe\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p style=\"text-align: center;\">&#8212;xxx&#8212;<\/p>\n<h2><strong>Sunrise and rising hopes<\/strong><\/h2>\n<p>They say that morning shows the day. So, what better way then, than to welcome the sun with the versatility of <strong><em>Bhairavi<\/em><\/strong> and her ability to assimilate every <em>swara<\/em> and emotion? Whether in <em>viraha<\/em> or <em>milan, <\/em>in devotion or for romance, in <em>dhrupad, khayal, thumri, tappa<\/em>, or film song, the \u2018queen of the morning ragas\u2019 reigns supreme. And Rafi demonstrated this with aplomb \u2013 with a playful, traditionally woven Holi song, composed by SN Tripathi\u2026<\/p>\n<p><strong><em>Baat chalat nayi chunari rang nyaari<\/em><\/strong><br \/>\n<strong><em>Rani Roopmati<\/em><\/strong><strong> (1959)<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/2CvFEMkZnt8?si=LdWUnOVIbx6thUIN\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>\u2026and then in a different mood where two lovers reaffirm their love in Khayyam\u2019s little beauty.<\/p>\n<p><strong><em>Jeet hi lenge baazi hum tum<\/em><\/strong><br \/>\n<strong><em>Shola aur Shabnam<\/em><\/strong><strong> (1961)\u00a0\u00a0\u00a0 <\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/DAXGiEqtGu8?si=OQOxVbD2w1U1GS3R\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p style=\"text-align: center;\">&#8212;xxx&#8212;<\/p>\n<p>&nbsp;<\/p>\n<h2><strong>Exuberance at noon<\/strong><\/h2>\n<p>The brightness of mid-day calls for joy, playfulness and charm. The air must be suffused with the tinkle of anklets, and with the notes of <strong><em>Brindavani Sarang <\/em><\/strong>rendered with speed and swift <em>taans<strong>. <\/strong><\/em>And who better than Rafi to capture this spirit \u2013 first with Lata in a beautiful composition by SN Tripathi\u2026<\/p>\n<p><strong><em>Jhananan jhan Jhan baaje payaliya<\/em><\/strong><br \/>\n<strong><em>Rani Roopmati<\/em><\/strong><strong> (1959)<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/nBm40YebuO8?si=lCxCwapPGm8rR21I\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><strong><em>\u00a0<\/em><\/strong>\u2026and then with Asha in the more famous song tuned by Naushad.<\/p>\n<p><strong><em>Saawan aaye ya na aaye<\/em><\/strong><br \/>\n<strong><em>Dil Diya Dard Liya <\/em><\/strong><strong>(1966)<\/strong><\/p>\n<div id=\"attachment_9657\" style=\"width: 635px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.youtube.com\/watch?v=QfIfdSqzH5E\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" aria-describedby=\"caption-attachment-9657\" class=\"wp-image-9657 size-large\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2025\/01\/sawan-aaye-ya-na-aaye-dil-diya-d-gigapixel-standard-scale-4_00x-1024x576.jpg\" alt=\"\" width=\"625\" height=\"352\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2025\/01\/sawan-aaye-ya-na-aaye-dil-diya-d-gigapixel-standard-scale-4_00x-1024x576.jpg 1024w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2025\/01\/sawan-aaye-ya-na-aaye-dil-diya-d-gigapixel-standard-scale-4_00x-150x84.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2025\/01\/sawan-aaye-ya-na-aaye-dil-diya-d-gigapixel-standard-scale-4_00x-400x225.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2025\/01\/sawan-aaye-ya-na-aaye-dil-diya-d-gigapixel-standard-scale-4_00x-768x432.jpg 768w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2025\/01\/sawan-aaye-ya-na-aaye-dil-diya-d-gigapixel-standard-scale-4_00x-300x169.jpg 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2025\/01\/sawan-aaye-ya-na-aaye-dil-diya-d-gigapixel-standard-scale-4_00x.jpg 1920w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><\/a><p id=\"caption-attachment-9657\" class=\"wp-caption-text\"><em>Saawan aaye ya na aaye<\/em> (Click on the image to listen to the song)<\/p><\/div>\n<p style=\"text-align: center;\">&#8212;xxx&#8212;<\/p>\n<p>&nbsp;<\/p>\n<h2><strong>Afternoon repose <\/strong><\/h2>\n<p>After the energy of the morning, it is time to rest for a bit. A great complement to the quietude is <strong><em>Bhimpalasi<\/em><\/strong><em>. <\/em>We mustn\u2019t be fooled by the weight of its name for it is soft and sweet \u2013 just like Rafi! Shankar-Jaikishan make the most of this tender sweetness in this lovely duet by Rafi and Lata, the gentleness of which makes even Shammi Kapoor move in slow motion!<\/p>\n<p><strong><em>Masoom chehra ye qaatil adaayein<\/em><\/strong><br \/>\n<strong><em>Dil Tera Deewana<\/em><\/strong><strong> (1962) <\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/tCUxGf-YjJQ?si=TByQ2WwsvGXD7vrC\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>If the afternoon is long, we can complete it in the company of <strong><em>Multani, <\/em><\/strong>to hasten the appearance of the evening. Rafi, accompanied this time with Geeta Dutt in an SD Burman surprise \u2013 a playful presentation in what is usually a solemn, dignified raga!<\/p>\n<p><strong><em>Lag gayi ankhiyaan tumse mori<\/em><\/strong><br \/>\n<strong><em>Jeevan Jyoti<\/em><\/strong><strong> (1953)<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/F761yMDpDPk?si=IDj_sKm8SxihI3Pl\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p style=\"text-align: center;\">&#8212;xxx&#8212;<\/p>\n<p>&nbsp;<\/p>\n<h2><strong>After a glorious sunset<\/strong><\/h2>\n<p>After the splendour of sunset, the heart wonders what to do. Is this the time for devotion? Or an opportunity for playful romance? Or to contemplate unrequited love? The heart wavers with these questions and only the majestic <strong><em>Yaman<\/em><\/strong> can resolve this battle between the soft and the sharp. These dilemmas see Rafi at his best. First, he addresses Sahir\u2019s philosophical questions set to tune by the incomparable Roshan.<\/p>\n<p><strong><em>Mann re tu kaahe na dheer dhare<\/em><\/strong><br \/>\n<strong><em>Chitralekha<\/em><\/strong><strong> (1964) <\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ES5yOtqQGks?si=VBVCI-9cHwhbQySA\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>Then, he follows it up with this playful disclaimer composed by Naushad.<\/p>\n<p><strong><em>Tere husn ki kya taarif karuun<\/em><\/strong><br \/>\n<strong><em>Leader<\/em><\/strong><strong> (1964)<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/uJwmD6NzyHQ?si=BA1icK4rzLCGy0QM\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p style=\"text-align: center;\">&#8212;xxx&#8212;<\/p>\n<p>&nbsp;<\/p>\n<h2><strong>The second phase of night<\/strong><\/h2>\n<p>The second <em>prahar<\/em> of the night is when the world begins to wind down. This is when <strong><em>Kedar<\/em><\/strong> is often invoked in prayer \u2013 hoping that He grants <em>shakti<\/em> of the mind, and showers <em>karam <\/em>to the needy. But in the hands of a magician like OP Nayyar, Kedar becomes an instrument of romance, which he wields with customary aplomb through his favourite conspirators, Rafi and Asha.<\/p>\n<p><strong><em>Aap yunhi agar humse milte rahe<\/em><\/strong><br \/>\n<strong><em>Ek Musafir Ek Hasina<\/em><\/strong><strong> (1962)<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/On_ZGmiKrVw?si=Gcr1enIHhSyShM7F\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>Or if one prefers, one could choose <strong><em>Maru Bihag, <\/em><\/strong>where Rafi and Lata are in fine fettle as they sing Ramlal\u2019s composition.<\/p>\n<p><strong><em>Tum toh pyaar ho sajni<\/em><\/strong><br \/>\n<strong><em>Sehra<\/em><\/strong><strong> (1963)<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/6qNDpc-oSEg?si=k1iSnDl3qUqETHqX\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p style=\"text-align: center;\">&#8212;xxx&#8212;<\/p>\n<p>&nbsp;<\/p>\n<h2><strong>The evening can still be young \u2013 even at midnight<\/strong><\/h2>\n<p>The witching hour calls for the weightiest music. That\u2019s when the masters unleash the majesty of <strong><em>Malkauns<\/em><\/strong><em>. <\/em>Its wide sweep includes the full range from meditative to frolic. It can be invoked to plead and coax the gods into revealing themselves to the devotee. It can also be a medium to playfully woo a lover. Rafi shows us the full range \u2013 but keeping with the spirit of our selections we will stick to the romantic. First, a bit of melodious mischief composed by Chitragupt.<\/p>\n<p><strong><em>Akhiyan sang akhiyaan laage aaj<\/em><\/strong><br \/>\n<strong><em>Bada Aadmi<\/em><\/strong><strong> (1961)<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Qdb_JAvmHK4?si=Ao2l0yx04FLlOQBA\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>And then, because it is midnight, Rafi presents a drunken entreaty, spun by Ravi.<\/p>\n<p><strong><em>Chhoo lene do nazuk hothon ko<\/em><\/strong><br \/>\n<strong><em>Kaajal <\/em><\/strong><strong>(1965)<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/SZTBAdhBgTw?si=ueFKztz_84qq4Lqc\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p style=\"text-align: center;\">&#8212;xxx&#8212;<\/p>\n<p>&nbsp;<\/p>\n<h2><strong>The best for the last<\/strong><\/h2>\n<p>The day (and most of the night) is done. The energy is still high and so are the emotions. It\u2019s time for a final celebration of everything that\u2019s happened during the day. One final raga? Nah, let\u2019s do a string of them \u2013 four in one shot. We\u2019ll start with <strong><em>Sohini<\/em><\/strong><em>, <\/em>and move rapidly through <strong><em>Bahar and<\/em> <em>Jaunpuri<\/em><\/strong><em>, <\/em>and finally settle with <strong><em>Yaman<\/em><\/strong><em>. <\/em>Rafi and Lata team up for this final hurrah \u2013 a famous ragamalika composed by Adi Narayana Rao.<\/p>\n<p><strong><em>Kuhu kuhu bole<\/em><\/strong><br \/>\n<strong><em>Suvarna Sundari<\/em><\/strong><strong> (1957)<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ANfV8VnzrYs?si=FUVH2esnGwn6wXF1\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>And finally, we are back to that divine hour of the night when that profound stillness takes over.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Author\u2019s note<\/strong><em>:<\/em><\/p>\n<p><em>While looking at raga-inspired film songs, we must remember that the purpose of each song is to imbue emotion into the storytelling, and not to expound a raga. Hence, composers are free to embellish and modify their work to suit a situation. People may have differing, and sometimes confusing, views on which raga a song is based on. Similar differences of opinion could also exist on the time appropriateness of each raga.<\/em><\/p>\n<h2 style=\"text-align: center;\">Click\u00a0<a href=\"https:\/\/learningandcreativity.com\/silhouette\/music\/mohd-rafi-centenary\/\">Rafi@100<\/a><\/h2>\n<h2 style=\"text-align: center;\">for Features &amp; Song Analyses<\/h2>\n<h2 style=\"text-align: center;\">\u2014 The Centenary Tribute Series<\/h2>\n<p><a href=\"https:\/\/learningandcreativity.com\/silhouette\/music\/mohd-rafi-centenary\/\"><img decoding=\"async\" class=\"aligncenter wp-image-9460 size-full\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2024\/12\/Rafi-100-centenary-series.jpeg\" alt=\"Rafi 100 centenary series\" width=\"1200\" height=\"630\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2024\/12\/Rafi-100-centenary-series.jpeg 1200w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2024\/12\/Rafi-100-centenary-series-150x79.jpeg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2024\/12\/Rafi-100-centenary-series-400x210.jpeg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2024\/12\/Rafi-100-centenary-series-768x403.jpeg 768w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2024\/12\/Rafi-100-centenary-series-1024x538.jpeg 1024w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2024\/12\/Rafi-100-centenary-series-300x158.jpeg 300w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/a> <\/p>\n<!-- AddThis Advanced Settings generic via filter on the_content --><!-- AddThis Share Buttons generic via filter on the_content -->","protected":false},"excerpt":{"rendered":"<p>While it is impossible to pin a particular style on Mohammed Rafi, there was always something extra special about his songs that had a touch of the classical, says Prakash Dharmarajan. This piece celebrates the \u2018classical\u2019 side of Rafi through his romantic songs.<!-- AddThis Advanced Settings generic via filter on get_the_excerpt --><!-- AddThis Share Buttons generic via filter on get_the_excerpt --><\/p>\n","protected":false},"author":1033,"featured_media":9668,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[822,2603],"tags":[2523,1854,1543,968,975,1258,2614,1242],"class_list":["post-9655","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-golden-voices","category-mohd-rafi-centenary","tag-classic-film-songs","tag-classical-music-in-indian-cinema","tag-dilip-kumar","tag-manna-dey","tag-manna-deys-classical-songs","tag-mohammad-rafi","tag-mohammed-rafi","tag-mohd-rafi"],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/posts\/9655","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/users\/1033"}],"replies":[{"embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/comments?post=9655"}],"version-history":[{"count":12,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/posts\/9655\/revisions"}],"predecessor-version":[{"id":9672,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/posts\/9655\/revisions\/9672"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/media\/9668"}],"wp:attachment":[{"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/media?parent=9655"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/categories?post=9655"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/tags?post=9655"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}