{"id":6016,"date":"2021-01-17T10:28:37","date_gmt":"2021-01-17T04:58:37","guid":{"rendered":"https:\/\/learningandcreativity.com\/silhouette\/?p=6016"},"modified":"2021-01-17T22:26:47","modified_gmt":"2021-01-17T16:56:47","slug":"murmurs-moments-with-soumitra-chatterjee-episode-8","status":"publish","type":"post","link":"https:\/\/learningandcreativity.com\/silhouette\/murmurs-moments-with-soumitra-chatterjee-episode-8\/","title":{"rendered":"Murmurs: Moments with Soumitra Chatterjee (Episode 8)"},"content":{"rendered":"

\"8<\/p>\n

\"1<\/a>

Standing tall, from the private collection of the author<\/p><\/div>\n

Today, we are speaking about horizons. Is it a boundary? A limit of expectations, a controlling line of virtues, the threshold of human aspirations and the frontier of our failures?<\/p>\n

To me, horizon is where the Sun sets. Horizon is a destination you never reach however steadfastly you walk. It is an outcome that never comes.<\/p>\n

\u2018How do you measure defeat,\u2019 I ask\u00a0him<\/em>.\u00a0He<\/em>\u00a0is resting on the wooden sofa with a maroon mattress on it.\u00a0\u00a0The physiotherapist has left just a while ago but the smell of ointments and rubber equipment that the shortish man carried with him, lingers.<\/p>\n

I don\u2019t like the tubes and machines that plague a human body. The soul remains free, the body is a prison of its own fragmented present. There is a prayer in the body that emanates from the soul \u2013 however disparate the two become in the passage from the internal to the external.<\/p>\n

I don\u2019t like the tubes and machines that cripple the human soul in order to believe in them. The cold insides of the medical rooms repel sensations, invoke delirium.<\/p>\n

There is no horizon ever in sight when you find it difficult to get out of your own, on your own. There are no interruptions, just a tiny shivering slide towards a future that has no surprises left in its hearth.<\/p>\n

\u2018How do you measure defeat,\u2019 I repeat. Slowly this time, and also lowering my voice. Not to wake\u00a0him<\/em>up if\u00a0he<\/em>\u00a0is catching up a little-left lethargy of the morning.<\/p>\n

He<\/em>\u00a0opens\u00a0his<\/em>\u00a0eyes with a narrow slit. With age\u00a0his<\/em>\u00a0eyes have shrunk a bit. Now they look tired, insecure.<\/p>\n

\u2018How long have you been here? It\u2019s just that I feel tired at times and doze off during physiotherapy.\u2019<\/p>\n

I assure him that it is what happens to most. I had seen my mother snoring shyly as her therapist used to clamp her with machines for orthopedic care. I myself find it difficult to stay awake when the novice barber massages my head after an elementary haircut.<\/p>\n

He<\/em>\u00a0gets up, straightens up a bit, yawns without covering\u00a0his<\/em>\u00a0mouth and wipes\u00a0his<\/em>\u00a0glasses.\u00a0He<\/em>\u00a0gets up and settles on the chair\u00a0he<\/em>\u00a0normally sits nowadays, and I move ahead to occupy a spot on the sofa in front of\u00a0him<\/em>.<\/p>\n

\u2018Defeat or success – I don\u2019t know actually. The box-office successes were there which did rivet me those days. No more. So, I don\u2019t know how to measure.\u2019<\/p>\n

\u2018Yes, you were a success in the box office. A hero, a star. What about the personal defeats, the failures?\u2019<\/p>\n

\u2018Where does success come from? How do you define it is a question,\u2019 he throws it back to me.<\/p>\n

\u2018I don\u2019t know. I doubt I have been successful in most of the things,\u2019 I suddenly realise a truth about myself.<\/p>\n

But I know for sure that security is not a product of long experiences or a mature age. Satisfaction stems security and makes me insecure at the same time. It is frightening to be granted and to have been made room for \u2013 not by the virtue of my existence but by the penury of my loathed oblivion.<\/p>\n

\u2018It is difficult Amitava, to be constantly wanting to be someone else in your personal life. But we all do so, don\u2019t we?\u2019\u00a0he<\/em>\u00a0glances a smile at me as I continue frowning with my confusion till now.<\/p>\n

\u2018There is an over-encompassing nothingness in our forms. That strikes hard at times. The reality of it,\u2019 I murmur.<\/p>\n

I try to recollect my mother again. An erudite student, a voracious reader, a grandiose cook that every mother is to their children, a collector of memories. When she passed away in 2013, I had a numb feeling about her for years. As I started remembering her sufferings, her inconsequence, her barren waits for care I have started forgetting her pains.<\/p>\n

Cause only remembrances help us forget. It frees us from the prisons of our minds.<\/p>\n

I search for the ends of the circle, ride a cyclical path to find them endlessly, start again afresh. I look at\u00a0him<\/em>\u00a0and straighten the horizon. Every time, today, for all these days.<\/p>\n

Horizon actually Is the mirage of vanishing doubts, the night-stay of a rising Sun. Horizon is a foot away from where I stood earlier.<\/p>\n

Horizon is\u00a0he<\/em>\u00a0lying straight on\u00a0his<\/em>\u00a0sofa waiting to rise, again.<\/p>\n

 <\/p>\n

This is a preview collection of interactions that is set to release as the book Murmurs: Moments with Soumitra Chatterjee<\/a><\/em> by Amitava Nag, on 19th January 2021 to celebrate the legend\u2019s 87th birthday.<\/h3>\n

\"MURMURS<\/a><\/p>\n

Click here to read all published episodes of Murmurs: Moments with Soumitra Chatterjee<\/a>.<\/h3>\n

Catherine Berge’s Gaach<\/em><\/strong> (The Tree, 1998) is a rare documentary on Soumitra Chatterjee. Silhouette is grateful to Catherine and producer James Ivory for providing permission to make it available to the Silhouette readers.<\/span><\/p>\n