{"id":5434,"date":"2020-02-01T21:20:30","date_gmt":"2020-02-01T15:50:30","guid":{"rendered":"https:\/\/learningandcreativity.com\/silhouette\/?p=5434"},"modified":"2020-02-02T21:05:29","modified_gmt":"2020-02-02T15:35:29","slug":"cinemaazi-chronicling-indian-film-heritage-and-its-unscripted-stories","status":"publish","type":"post","link":"https:\/\/learningandcreativity.com\/silhouette\/cinemaazi-chronicling-indian-film-heritage-and-its-unscripted-stories\/","title":{"rendered":"Cinemaazi: Chronicling Indian Film Heritage and Its Unscripted Stories"},"content":{"rendered":"<div id=\"attachment_5439\" style=\"width: 970px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" aria-describedby=\"caption-attachment-5439\" class=\"wp-image-5439 size-full\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2020\/02\/sumant-batra-rahul-rawail-sharmila-tagore-pankaj-udhas.jpg\" alt=\"Sumant Batra, Rahul Rawail, Sharmila Tagore and Pankaj Udhas at the launch of Cinemaazi\" width=\"960\" height=\"641\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2020\/02\/sumant-batra-rahul-rawail-sharmila-tagore-pankaj-udhas.jpg 960w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2020\/02\/sumant-batra-rahul-rawail-sharmila-tagore-pankaj-udhas-400x267.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2020\/02\/sumant-batra-rahul-rawail-sharmila-tagore-pankaj-udhas-150x100.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2020\/02\/sumant-batra-rahul-rawail-sharmila-tagore-pankaj-udhas-768x513.jpg 768w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2020\/02\/sumant-batra-rahul-rawail-sharmila-tagore-pankaj-udhas-300x200.jpg 300w\" sizes=\"(max-width: 960px) 100vw, 960px\" \/><p id=\"caption-attachment-5439\" class=\"wp-caption-text\">Sumant Batra, Rahul Rawail, Sharmila Tagore and Pankaj Udhas at the launch of Cinemaazi (Pic: Bobby Sing)<\/p><\/div>\n<p>Ask a movie lover of today&#8217;s generation about Sudhendhu Roy and the answer, after a thoughtful pause is likely to be, \u201cyou mean the art director?\u201d Well, we have all loved the spectacular sets of <em>Yahudi<\/em>, the towering prisons of <em>Bandini,<\/em> the rustic village in <em>Madhumati<\/em>, the bobbing boats of <em>Sujata<\/em>, the dance floors of <em>Karz,<\/em> and those larger than life scenarios in <em>Don, Karma<\/em> and <em>Shakti<\/em>. But how often did we appreciate the extraordinary work of the production designer who made the scenes come alive in such meticulously crafted backdrops?<\/p>\n<p>A short feature on the legendary art director Sudhendu Roy, neatly encapsulating his work in production design as well as his celebrated directorial ventures <em>Uphaar<\/em> and <em>Saudagar<\/em>, presented the intent of Cinemaazi at a gala formal launch at the Le Meridien in New Delhi on January 31. Legendary actress Sharmila Tagore and filmmaker Rahul Rawail formally inaugurated the initiative.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/HlNSEoGMUl4\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>\u201cThere are so many people, costume designers, set designers, camera operators, makeup artists, whom we do not know about who contribute to a film\u2019s success. It\u2019s a collaborative effort. Cinema is a religion, which unites a diverse people, country, states. And I can bear witness to that. In South India, in Chennai, there was an anti-Hindi movement, and <em>Aradhana<\/em> ran for 15 weeks. Whenever the films are shown people laugh and cry together, get bored together. Despite our many diversities, languages, cuisine etc, which we cherish, the commonality far exceeds our differences,\u201d said Sharmila Tagore. \u201cI am so glad you are chronicling all this.\u201d<\/p>\n<p>With an aim to chronicle, archive, curate, preserve and exhibit the mammoth cinema heritage of India, Cinemaazi presented a slew of endeavours it has undertaken which include developing a comprehensive and reliable <a href=\"https:\/\/www.cinemaazi.com\/\">digital repository<\/a> \u2018Encyclopedia\u2019 of Indian cinema (Hindi and other Indian languages), document the extraordinary legacies and contributions of the people and films, exhibit rare and colourful memorabilia from the collections of Cinemaazi founders Sumant and Asha Batra in the Cinemaazi Studio in New Delhi and crowd source memories and memorabilia in the Cinema Memory Project.<\/p>\n<div id=\"attachment_5435\" style=\"width: 970px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/learningandcreativity.com\/silhouette\/5434-2\/rahul-rawail-with-asha-batra-at-the-cinemaazi-studio\/\" rel=\"attachment wp-att-5435\"><img decoding=\"async\" aria-describedby=\"caption-attachment-5435\" class=\"wp-image-5435 size-full\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2020\/02\/Rahul-Rawail-with-Asha-Batra-at-the-cinemaazi-studio.jpg\" alt=\"Rahul Rawail with Asha Batra at the cinemaazi studio\" width=\"960\" height=\"640\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2020\/02\/Rahul-Rawail-with-Asha-Batra-at-the-cinemaazi-studio.jpg 960w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2020\/02\/Rahul-Rawail-with-Asha-Batra-at-the-cinemaazi-studio-150x100.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2020\/02\/Rahul-Rawail-with-Asha-Batra-at-the-cinemaazi-studio-300x200.jpg 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2020\/02\/Rahul-Rawail-with-Asha-Batra-at-the-cinemaazi-studio-768x512.jpg 768w\" sizes=\"(max-width: 960px) 100vw, 960px\" \/><\/a><p id=\"caption-attachment-5435\" class=\"wp-caption-text\">Rahul Rawail with Asha Batra at the Cinemaazi studio (Pic: Cinemaazi)<\/p><\/div>\n<p>\u201cWe are trying to persuade the film industry which is holding on to so much information through memories and assets to share these with the world,\u201d said Sumant Batra, an eminent lawyer, writer, poet and museum curator. Appreciating the help the initiative has been receiving from families of actors, filmmakers and technicians who have come forward to help, Sumant said that for example in Kolkata, 22 families from Bengali cinema have agreed to share their preserved assets. Sketches, stills, handnotes, posters and many such items were spread out in the drawing rooms by the families and the Cinemaazi team scanned these for archiving. Besides, they also met with Satyajit Ray\u2019s chief still photographer Nemai Ghosh who even now has many stills that have not been presented to the world.<\/p>\n<p>Cinemaazi will create digital content through articles, videos, photo essays, interviews, reviews etc authored by film scholars and historians, that will be exhibited through various sections on its website. Eminent editor and author Shantanu Ray Chaudhuri and film historian and author Gautam Chintamani are spearheading special segments such as the &#8216;Editor\u2019s Social&#8217; and &#8216;Cinemaazi TV&#8217; where they profile and interview films and people through video essays and more.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/hwl4wm1cPBI\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span class=\"mce_SELRES_start\" style=\"width: 0px; line-height: 0; overflow: hidden; display: inline-block;\" data-mce-type=\"bookmark\">\ufeff<\/span><\/iframe><\/p>\n<p>The feature on Sudhendu Roy is one of the many short 3-5 minute videos or 20 minute docu-features and visuals that comprise the Encyclopedia of films and people. The teasers showcased at the launch included a video essay by Gautam Chintamani on late actress Divya Bharti who had a brief but spectacular career, and a short feature on passionate collectors.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/GDYqhZJy_PA\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Cinemaazi will also have an encyclopedia of songs. The &#8216;Story Telling&#8217; section would recount the journeys of not only the famous stars, filmmakers but also untold stories of the supporting crew of technicians, make up artists, costume designers, still photographers, poster painters, musicians and other specialists who have worked tirelessly behind the scenes, excelling in their craft.<\/p>\n<p>It was an evening to celebrate memories and share enchanting trivia. A discussion on music was presented by radio jockey RJ Stutee with Archisman Mozumder and Shankar Iyer of Team Rewind as part of the <em>Har Song Kuch Kehta Hai<\/em> series of 100 episodes that will come up in Cinemaazi. The trio explored two music pieces \u2013 the song <em>Kuch dil ne kaha<\/em> sung by Lata Mangeshkar in <em>Anupama<\/em> and the instrumental piece that rolls out the credits in <em>Betaab. <\/em>Shankar and Archisman explained how music director Hemant Kumar had used his favourite Raag Dhani with the vibraphone interludes and the flute to create a mood of peace and tranquility in tandem with the backdrop of the rolling hills and dales.<\/p>\n<div id=\"attachment_5442\" style=\"width: 1286px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" aria-describedby=\"caption-attachment-5442\" class=\"wp-image-5442 size-full\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2020\/02\/archishman-mozumdar-stutee-ghosh-shankar-iyer.jpg\" alt=\"Shankar Iyer, RJ Stutee Ghosh and Archisman Mozumder \" width=\"1276\" height=\"652\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2020\/02\/archishman-mozumdar-stutee-ghosh-shankar-iyer.jpg 1276w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2020\/02\/archishman-mozumdar-stutee-ghosh-shankar-iyer-150x77.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2020\/02\/archishman-mozumdar-stutee-ghosh-shankar-iyer-300x153.jpg 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2020\/02\/archishman-mozumdar-stutee-ghosh-shankar-iyer-768x392.jpg 768w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2020\/02\/archishman-mozumdar-stutee-ghosh-shankar-iyer-1024x523.jpg 1024w\" sizes=\"(max-width: 1276px) 100vw, 1276px\" \/><p id=\"caption-attachment-5442\" class=\"wp-caption-text\">(L to R) Shankar Iyer, RJ Stutee Ghosh and Archisman Mozumder (Pic: Shankar Iyer)<\/p><\/div>\n<p>Asked to share memories about this ethereal song, Sharmila Tagore recounted how film director Hrishikesh Mukherjee had walked into her makeup room and after appreciating how lovely she was looking had implored, \u2018Rinku, can\u2019t we do something about your hair?\u2019 Sharmila laughingly recalled \u2018I was so silly I didn\u2019t listen to him\u2019 and later on they had to minimize her buffaunt hairdo with some big close ups and top angle shots!<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/uc8RBLMFLgI\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Deconstructing the musical piece in <em>Betaab,<\/em> Shankar and Archisman observed how composer RD Burman had used unusual musical instruments like the Donkey Jaw and castanets and pure acoustic guitar to compose the \u2018Ennio Moricone\u2019 kind of music used in the westerns. It created a feeling of expanse and pace right at the outset to establish the context of the film and its main character who is a rancher.<\/p>\n<p>How this <span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.youtube.com\/watch?v=LVfTCov8P_0\">music piece<\/a><\/span> was created is an interesting story. Rahul Rawail recalled that Pancham had asked for a special preview of the film so that he could explain the music to his team for the background score as he had to leave for the US for the release of <em>Dard Ka Rishta<\/em>. The preview was arranged for him at 6 in the evening at Dimple theatre. He liked the film and said he was going to tell Manohari Singh to look into this. \u201cAt 3 in the morning, there was a knock on my door. And I woke up and opened the door and Pancham was standing there. And he said, come with me. I said, at this time? Where? He said, just come with me. And he took me to his house where all his musicians were there. I said, \u2018You were going to America?\u2019 He said, \u2018No Rahul. I saw the film yesterday. And I am not going to America.\u2019 He said I have composed the title music and I want you to hear it. And if you feel it is right, then we go ahead with this score on that basis.\u201d<\/p>\n<p>Rahul Rawail said that tremendous 11-minute music piece was composed that night to emphatically introduce Sunny Deol (it was his debut film). The whole background score of the film \u201cwas all Pancham, the magic of Pancham\u201d. Another amusing triva about <em>Betaab<\/em> Rawail shared was that when they ran out of bucking brown horses, they had to paint a white horse and then a black horse with brown boot polish to make them resemble brown horses!<\/p>\n<div id=\"attachment_5436\" style=\"width: 1210px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" aria-describedby=\"caption-attachment-5436\" class=\"wp-image-5436 size-full\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2020\/02\/vintage-camera-and-film-reels.jpg\" alt=\"vintage camera and film reels\" width=\"1200\" height=\"628\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2020\/02\/vintage-camera-and-film-reels.jpg 1200w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2020\/02\/vintage-camera-and-film-reels-150x79.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2020\/02\/vintage-camera-and-film-reels-300x157.jpg 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2020\/02\/vintage-camera-and-film-reels-768x402.jpg 768w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2020\/02\/vintage-camera-and-film-reels-1024x536.jpg 1024w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><p id=\"caption-attachment-5436\" class=\"wp-caption-text\">Vintage camera and film reels from the Cinemaazi collections on display at the launch (Pics: Antara)<\/p><\/div>\n<p>\u201cThe resource for the history of Indian cinema is scanty and very little is available on B-grade, C-grade and regional cinema. This is primarily because films and related materials are highly perishable items and people who hold the knowledge in their memory have grown or or have already left us,\u201d said co-founder Asha Batra. \u201cCinemaazi is an attempt to bring all the stakeholders together to preserve the heritage as accurately as possible in digital medium, focusing on the lesser known.\u201d<\/p>\n<div id=\"attachment_5437\" style=\"width: 1217px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" aria-describedby=\"caption-attachment-5437\" class=\"wp-image-5437 size-full\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2020\/02\/film-spools-and-tape-slicer.jpg\" alt=\"Vintage spools and tape slicer\" width=\"1207\" height=\"511\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2020\/02\/film-spools-and-tape-slicer.jpg 1207w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2020\/02\/film-spools-and-tape-slicer-150x64.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2020\/02\/film-spools-and-tape-slicer-300x127.jpg 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2020\/02\/film-spools-and-tape-slicer-768x325.jpg 768w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2020\/02\/film-spools-and-tape-slicer-1024x434.jpg 1024w\" sizes=\"(max-width: 1207px) 100vw, 1207px\" \/><p id=\"caption-attachment-5437\" class=\"wp-caption-text\">Vintage spools and tape slicer from Cinemaazi collection on view (Pics: Antara)<\/p><\/div>\n<p>Cinemaazi aims to chronicle over 35000 films in Hindi, Assamese, Bengali, Gujarati, Garhwali, Kannada, Konkani, Malayalam, Manipuri, Marathi, Punjabi, Tamil, Telugu and other language cinema from the year 1913 to 1999 and careers of over 5000 people associated with filmmaking.<\/p>\n<p>Some interesting figures presented in the Cinemaazi brochure that portray the mammoth size of the Indian film industry:<\/p>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li>Approximate number of films made every year: 1800<\/li>\n<li>Languages in which films are made: 20+<\/li>\n<li>Gross box-office realization: $2.1 billion<\/li>\n<li>Value of the film industry: $138.2 billion<\/li>\n<li>Number of people going to cinema every day: 12 million<\/li>\n<li>Single-screen theatres: 9000<\/li>\n<li>Multi-screen theatres: 2100<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<div id=\"attachment_5438\" style=\"width: 1210px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" aria-describedby=\"caption-attachment-5438\" class=\"wp-image-5438 size-full\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2020\/02\/vintage-gramophone-radio-and-film-editing-machine.jpg\" alt=\"Vintage gramophone, radio and film editing machine\" width=\"1200\" height=\"628\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2020\/02\/vintage-gramophone-radio-and-film-editing-machine.jpg 1200w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2020\/02\/vintage-gramophone-radio-and-film-editing-machine-150x79.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2020\/02\/vintage-gramophone-radio-and-film-editing-machine-300x157.jpg 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2020\/02\/vintage-gramophone-radio-and-film-editing-machine-768x402.jpg 768w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2020\/02\/vintage-gramophone-radio-and-film-editing-machine-1024x536.jpg 1024w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><p id=\"caption-attachment-5438\" class=\"wp-caption-text\">Vintage gramophone, radio and film editing machine (Pics: Antara)<\/p><\/div>\n<p><strong>More to read<\/strong><\/p>\n<p><strong><a href=\"https:\/\/learningandcreativity.com\/silhouette\/the-golden-thread-of-bengali-cinema\/\">The Golden Thread of Bengali Cinema: A Journey Through 100 Years <\/a><\/strong><\/p>\n<p><strong><a href=\"https:\/\/learningandcreativity.com\/silhouette\/indias-vanishing-films\/\">India\u2019s Vanishing Films Need Urgent Policies to Avoid a Bleak Future <\/a><\/strong><\/p>\n<p><strong><a href=\"https:\/\/learningandcreativity.com\/silhouette\/calcutta-film-society\/\">For the Love of Cinema \u2013 the Story Behind the Calcutta Film Society <\/a><\/strong><\/p>\n<p><strong><a href=\"https:\/\/learningandcreativity.com\/silhouette\/the-world-of-javed-akhtar\/\">The World of Javed Akhtar: 124 Rare Exhibits to Celebrate the Legend\u2019s 75th Year <\/a><\/strong> <\/p>\n<!-- AddThis Advanced Settings generic via filter on the_content --><!-- AddThis Share Buttons generic via filter on the_content -->","protected":false},"excerpt":{"rendered":"<p>Cinemaazi, an initiative to chronicle, archive, curate, preserve and exhibit the mammoth cinema heritage of India, by far the world&#8217;s biggest and most varied film industry, was launched in New Delhi on January 31. A Silhouette report.<!-- AddThis Advanced Settings generic via filter on get_the_excerpt --><!-- AddThis Share Buttons generic via filter on get_the_excerpt --><\/p>\n","protected":false},"author":4,"featured_media":5439,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[424],"tags":[2245,701,1379,1199,1377,1378,597],"class_list":["post-5434","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-indian-cinema-retrospectives","tag-cinemaazi","tag-indian-cinema","tag-indian-films-lost","tag-music-of-rd-burman","tag-preservation-of-films","tag-restoration-of-indian-films","tag-sharmila-tagore"],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/posts\/5434","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/comments?post=5434"}],"version-history":[{"count":1,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/posts\/5434\/revisions"}],"predecessor-version":[{"id":5440,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/posts\/5434\/revisions\/5440"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/media\/5439"}],"wp:attachment":[{"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/media?parent=5434"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/categories?post=5434"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/tags?post=5434"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}