![\"Mukesh\"](\"https:\/\/commons.wikimedia.org\/wiki\/File:Ramavtar_Tyagi_with_Mukesh_the_singer_and_Lalit_Mohan_Dhawan_producer_of_movie_Zindagi_aur_Toofan_2014-05-08_09-52.jpg\")
<\/a>Mukesh with Ramavtar Tyagi and Lalit Mohan Dhawan, producer of Zindagi aur Toofan<\/em> Any of you who grew up, either with me in the early ’60s or before me, do you remember doing just this with the radio in your home? Singing along, maybe dancing to the music as a peppy sounding song like this comes along?<\/p>\n Watch Rehana here enjoying the song. Now, this is 1949! Not many shots in this song. And, yet, she gets the lip-sync just right! Fabulous! And what of the director here? He goes “into” the radio to show you the true emotion behind the song – that of a sad, maybe jilted, lover Raj Kapoor (Mukesh) – who sings in sorrow. While contrasting that – so beautifully – with Rehana’s and Shamshad Begum’s chirpiness! Mukesh is a complete delight, especially in the last stanza as he lingers on the Meet sab jhootthe pad gaye<\/em><\/strong>\u00a0<\/em>(Sunehre Din,\u00a0<\/em>1949) Gyan Dutt\/ D N Madhok\/ Mukesh and Shamshad Begum<\/span><\/p>\n
(Pic: Pragyaty \/ Wikimedia Commons 3.0)<\/p><\/div>\n
\nGu-zaarii_n ro-ro ke ratiyaan…<\/em>
\nAb jiya pukare aaja.a.a…aaja dono naina bhar gaye<\/em><\/p>\n