{"id":3660,"date":"2017-06-04T19:27:15","date_gmt":"2017-06-04T13:57:15","guid":{"rendered":"https:\/\/learningandcreativity.com\/silhouette\/?p=3660"},"modified":"2019-03-04T13:05:43","modified_gmt":"2019-03-04T07:35:43","slug":"nutan-songs","status":"publish","type":"post","link":"https:\/\/learningandcreativity.com\/silhouette\/nutan-songs\/","title":{"rendered":"The Spontaneity of Nutan That Rose Above &#8216;Acting&#8217;"},"content":{"rendered":"<div id=\"attachment_1658\" style=\"width: 410px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/learningandcreativity.com\/silhouette\/adaptations-literature-silver-screen\/nutan-in-bandini\/\" rel=\"attachment wp-att-1658\"><img decoding=\"async\" aria-describedby=\"caption-attachment-1658\" class=\"wp-image-1658\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/05\/nutan-in-bandini.jpg\" alt=\"Nutan in Bandini\" width=\"400\" height=\"295\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/05\/nutan-in-bandini.jpg 500w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/05\/nutan-in-bandini-150x111.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/05\/nutan-in-bandini-400x295.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/05\/nutan-in-bandini-300x221.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/a><p id=\"caption-attachment-1658\" class=\"wp-caption-text\">Nutan essayed the role of Kalyani in Bimal Roy&#8217;s Bandini<\/p><\/div>\n<p>A picture of grace and dignity.<\/p>\n<p>A persona of pleasing compassion with the warmest smile straight from the heart.<\/p>\n<p>An impish beauty who could readily play pranks.<\/p>\n<p>An indignant, deprived girl who fights it out with society on her own.<\/p>\n<p>A quiet, loving, affectionate woman who has the courage to brave the worst for others and craves for only love and respect.<\/p>\n<p>A lonely heart \u2013 with all her pain kept well-covered and never shared.<\/p>\n<p>Which song of Nutan do I pick? An amazing repertoire with the widest variety of roles \u2013 she institutionalized the deglamorised role in a way no other contemporary actress could.<\/p>\n<p>Shorn of the regular layers of pancake, she still looked the most pleasing and comforting picture of compassion. The distributors did not like the idea of the heroine in plain khadi clothes in Bandini but can you imagine the quiet, courageous Kalyani in chiffon running to be with her ailing love? Nutan never gave these regular razzmatazz of Hindi films more importance than her role deserved. And that made her rise above the ordinary.<\/p>\n<p>Well, Nutan\u00a0amazed me with every role she did \u2013 she lived the character, spontaneous, natural, unaffected. So you watch Kalyani and Sujata and Aarti Sohanlal (Anari) not Nutan. So here&#8217;s a short list of some of her songs and a couple of scenes &#8211; some of the songs she lip synched, some were used in the background. Either way she emoted them as no other.<\/p>\n<p><span style=\"color: #c2150a;\"><strong><em>Kaali ghata chhaye<\/em><\/strong> (<em>Sujata<\/em>, 1959) Asha Bhosle \/ Majrooh Sultanpuri \/ SD Burman<\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/yZMyPcef_ws\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h3>Portraying Powerful Literary Characters<\/h3>\n<p>One of the biggest challenges thus for any filmmaker trying to turn a literary piece into cinema, particularly so if it is a well-known tome, lies in characterization. While all that the writer needs to do to delve into the minds of the characters, pour out their innermost thoughts and create moods, environment and situations, is to describe the same in words, the filmmaker\u2019s challenge is manifold.<\/p>\n<p>When it came to portraying powerful characters etched in literature by renowned writers, Nutan had the ability to climb right under the skin of the character. Can we think of Nutan\u2019s films and not think of the golden hearted prisoner <i><a href=\"http:\/\/www.flipkart.com\/bandini\/p\/itmcz3zwyzrbffzz?pid=AVMCNZPN5NNGARGY&amp;affid=partholear\">Bandini<\/a>\u00a0<\/i>\u00a0or\u00a0the\u00a0self-respecting \u201cachhut\u201d Sujata of <em>Sujata<\/em> based on a story by Subodh Ghosh? Both films by ace filmmaker Bimal Roy made a powerful social comment and were based on critically acclaimed literature.<\/p>\n<p><span style=\"color: #c2150a;\"><strong><em>Sun mere bandhu re<\/em><\/strong> (<em>Sujata<\/em>, 1959) SD Burman \/ Majrooh Sultanpuri \/ SD Burman<\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/g9eppdrcyHI\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h3>The Compassionate Heart Pushed To the Edge<\/h3>\n<p>To portray the emotional upheavals undergoing in the innermost selves of the characters, the filmmaker has to create visual imagery and symbolic gestures, add dialogues, create moods through appropriate use of light and sound effects and camera angles or build situations which would allow the actor to portray those emotions.\u00a0Bimal Roy undoubtedly was a master craftsman at transplanting literature into cinema complete with the imagery and symbols that writers have the liberty to use but filmmakers often do not.<\/p>\n<div id=\"attachment_2571\" style=\"width: 360px\" class=\"wp-caption alignright\"><a href=\"https:\/\/learningandcreativity.com\/silhouette\/bimal-roy\/bandini\/\" rel=\"attachment wp-att-2571\"><img decoding=\"async\" aria-describedby=\"caption-attachment-2571\" class=\"wp-image-2571 size-full\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/01\/Bandini.png\" alt=\"\" width=\"350\" height=\"263\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/01\/Bandini.png 350w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/01\/Bandini-300x225.png 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/01\/Bandini-150x113.png 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><\/a><p id=\"caption-attachment-2571\" class=\"wp-caption-text\">Roy shows Kalyani in a profile frame, largely; enveloped by a sadness, her gaze on the daunting prison wall (Bandini)<\/p><\/div>\n<p>Can we ever forget that heart-rending scene in\u00a0<em>Bandini<\/em>\u00a0(based on a story by Jarasandha) where Kalyani (Nutan) is lighting a stove to make tea and in the house behind her, a blacksmith is beating a hammer into the fire with a relentless \u201cclang\u201d?<\/p>\n<p>As the stove lights up almost in rhythm with the fire in the background, we can see Kalyani\u2019s smouldering eyes depicting her inner turbulence on finding out her lover (Ashok Kumar) had married the eccentric rich woman, whom she had been nursing with patience and care despite all her ill manners.<\/p>\n<p>Almost in a trance, she puts poison in the tea she made for that woman and her agony is so apparent that not even for a moment do we look upon her as a murderer. Just as it takes a master storyteller like Jarasandha to create a courageous character like Kalyani, it needs a superb craftsman like Bimal Roy to portray her convincingly on celluloid.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/C1zgYCwSWIs\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>The climax of the film is aptly captured in one of the most evocative and romantic songs ever. The strength of Bimal Roy\u2019s expertise as a master of symbolism coupled with Nutan\u2019s deep understanding of Kalyani\u2019s character along with\u00a0<a href=\"http:\/\/learningandcreativity.com\/silhouette\/s-d-burman\/\">SD Burman<\/a>\u2018s masterpiece of a melody and rendition woven on lyrics by Shailendra, all merge together in perfect measure to make this song and scene unforgettable. <span style=\"color: #c2150a;\">(Read an interesting anecdote about how this song happened in <span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/learningandcreativity.com\/silhouette\/nabendu-ghosh\/\">Nabendu Ghosh: The Master of Screen Writing<\/a><\/strong><\/span> &#8211; Interview with Ratnottama Sengupta)<\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/TPM5owwfPQo\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<blockquote><p>\u201c<em>Two of my best roles were penned by Nabendu Ghosh for Sujata and Bandini. These films, by my favourite director Bimal Roy, brought out two unknown aspects of womanhood and fired an intensity not seen in any other film of mine. Nabendu Da and Bimal Da formed one of the greatest scriptwriter-director duos of Indian Cinema.<\/em>\u201d<\/p>\n<p>~ <strong>Nutan<\/strong>, <em>Bombay Times<\/em>, February, 1995<\/p><\/blockquote>\n<h3>Emoting with Perfection Complex Classical Songs<\/h3>\n<p>Lip synching even the most complex melodies came naturally to Nutan.\u00a0Watch the way she strums the tanpura, closes her eyes just at the right moments and moves her neck in perfect harmony with the notes in this classical gem from Shankar Jaikishan in <em>Seema<\/em>, 1955, which I am told is based on Raag Jayjaywanti.<\/p>\n<div id=\"attachment_3663\" style=\"width: 410px\" class=\"wp-caption alignright\"><img decoding=\"async\" aria-describedby=\"caption-attachment-3663\" class=\"wp-image-3663\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/06\/nutan.jpg\" alt=\"nutan\" width=\"400\" height=\"234\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/06\/nutan.jpg 662w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/06\/nutan-400x234.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/06\/nutan-150x88.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/06\/nutan-300x175.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><p id=\"caption-attachment-3663\" class=\"wp-caption-text\">Nutan emotes the complex classical song with perfection<\/p><\/div>\n<p>The cinematographer can well afford extreme closeups here \u2013 the lip sync and movements are as true to the song as can be and mind you, it\u2019s one complex melody with tons of murkis peppered in. With Nutan there is no danger of fingers playing something the music doesn\u2019t portray.<\/p>\n<p>What an <em>aalap<\/em> and what a performance at the end \u2013 I have to remind myself its Lata Mangeshkar and not who I see on screen! A large credit for this goes to her own knowledge and passion for music \u2013 I had read somewhere she had a music room and collected instruments. Watch her hum <span style=\"text-decoration: underline;\"><em><a href=\"https:\/\/youtu.be\/CNPstLT06IE\">Manmohana bade jhoothe<\/a><\/em><\/span> in <em>Seema<\/em> herself!<\/p>\n<p>Enjoy this evergreen beauty \u2013 a Shankar Jaikishan-Shailendra-Lata Mangeshkar team work of excellence!<\/p>\n<p><span style=\"color: #c2150a;\"><strong><em>Manmohana bade jhoothe<\/em><\/strong> (<em>Seema<\/em>, 1955) Shankar Jaikishan \/ Shailendra \/ Lata Mangeshkar<\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/uXGMxTTB_Dg\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h3>Expression and confession of love in \u201cRaag Pyar\u2019\u2019.<\/h3>\n<p>A walk down the Qutub steps has never been the same again ever. In this song, Vijay Anand turns it into the most romantic set of stairs in the world. And he himself appears in a blink and you will miss cameo in his huge trench coat, cap and spectacles, quizzically inspecting the two love birds with a look that speaks a thousand words.<\/p>\n<div id=\"attachment_2623\" style=\"width: 410px\" class=\"wp-caption alignright\"><img decoding=\"async\" aria-describedby=\"caption-attachment-2623\" class=\"wp-image-2623\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/01\/tere-ghar-ke-samne.jpg\" alt=\"Vijay Anand\" width=\"400\" height=\"224\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/01\/tere-ghar-ke-samne.jpg 855w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/01\/tere-ghar-ke-samne-400x224.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/01\/tere-ghar-ke-samne-150x84.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/01\/tere-ghar-ke-samne-768x430.jpg 768w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/01\/tere-ghar-ke-samne-300x168.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><p id=\"caption-attachment-2623\" class=\"wp-caption-text\">Vijay Anand in a brief appearance in <em>Dil ka bhanwar kare pukar (Tere Ghar Ke Samne)<\/em><\/p><\/div>\n<p><em>Aaj dil ki bekali, aa gai zubaan par, <\/em><br \/>\n<em>baat yeh hai tumse pyaar hai, dil tumhi ko diya re&#8230;&#8230;<\/em><\/p>\n<p>Not expecting the outburst, but thoroughly enjoying Nutan and epitome of romance Dev Anand are highly watchable. Unparalleled rendition that only Rafi was capable of, pure romantic lyrics by Hasrat Jaipuri, known as the prince of romance and genius creation by S D Burman.<\/p>\n<p><span style=\"color: #c2150a;\"><em><strong> Dil ka bhanwar kare pukaar<\/strong><\/em> (<em>Tere Ghar Ke Saamne, <\/em>1963) S D Burman \/ Hasrat Jaipuri \/ Mohd Rafi<\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/pa97AQ0SyLs\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h3>Falling in love with the &#8216;Anari&#8217;<\/h3>\n<p>This strapping Calcutta lad had wanted to be a biochemist, but became a salaried film editor in New Theaters studios, and eventually came to Bombay in 1951 with veteran director Bimal Roy as editor of path-breaking films like\u00a0<em>Do Bigha Zameen<\/em>. No prizes for guessing, it was Hrishikesh Mukherjee. The amiable Hrishida was literally forced by his friends in Bombay to wield the megaphone.\u00a0His debut directorial venture <em>Musafir\u00a0<\/em>picked up the first-ever national award and high critical acclaim but a lukewarm box-office. Hrishida packed his bags for Calcutta.<\/p>\n<div id=\"attachment_3671\" style=\"width: 410px\" class=\"wp-caption alignright\"><img decoding=\"async\" aria-describedby=\"caption-attachment-3671\" class=\"wp-image-3671\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/06\/anari.jpg\" alt=\"Nutan\" width=\"400\" height=\"333\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/06\/anari.jpg 428w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/06\/anari-400x333.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/06\/anari-150x125.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/06\/anari-300x250.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><p id=\"caption-attachment-3671\" class=\"wp-caption-text\">Nutan is a picture of beauty and elegance <em>Anari<\/em><\/p><\/div>\n<p>Enter another bosom pal Raj Kapoor. Direct\u00a0<em>Anari<\/em>\u00a0for me, he appealed.\u00a0<em>Anari<\/em>, the story of the honest simpleton, made silver jubilee. It turned the wheel around for Hrishida.<\/p>\n<p>For Raj Kapoor, his image of the golden-hearted, rather na\u00efve and trusting bohemian added more shine and polish (up from the vagabond image of his earlier films) while\u00a0for Nutan it was yet another feather in the cap of versatility. For the team of Shankar Jaikishen-Shailendra-Mukesh-Lata Mangeshkar, <em>Anari<\/em>\u2019s music raced to glorious peaks. The songs spoke the common man\u2019s heart and touched the pulse of the audience nationwide. Nutan, playing the rich girl who pretends to be the commoner, lived every bit of her role \u2013 portraying the arrogance of the wealthy as also the voice of conscience.<\/p>\n<p>Here she is just as amused at the naivet\u00e9 of Raj Kapoor as she happily in love. Nutan\u2019s expressions perfectly portray the mix of affection and indulgence in a song that became proverbial. Don\u2019t we quip <em>\u201cjo na samjhe woh anari hain\u201d<\/em> if a friend is unable to get your joke?\u00a0\ud83d\ude42<\/p>\n<p><span style=\"color: #c2150a;\"><strong><em>Woh chaand khila<\/em><\/strong> (<em>Anari<\/em>, 1959) Shankar Jaikishan \/ Hasrat Jaipuri \/ Lata Mangeshkar and Mukesh <\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/OvtU5FYxK-c\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h3>Nutan Sings for Herself in <em>Chhabili<\/em><\/h3>\n<p>Oh those emotive eyes, that quiet yet powerful dignity.<br \/>\nNutan exudes elegance in every move &#8211; fragile yet stoic, expressive yet understated. She was an actor and stayed one till the end. But I just couldn&#8217;t help sharing this one for its sheer simplicity of rendition, just like her personality.<\/p>\n<p>And if you thought its all seriousness, no way. The song reflects her impish nature in the way she ends a line with a word serving as punctuation &#8211; question mark, exclamation, semi-colon &#8211; all tones included! \ud83d\ude42<\/p>\n<div id=\"attachment_3182\" style=\"width: 410px\" class=\"wp-caption alignright\"><img decoding=\"async\" aria-describedby=\"caption-attachment-3182\" class=\"wp-image-3182\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/09\/Nutan-in-Sujata.jpg\" alt=\"Nutan in Sujata\" width=\"400\" height=\"285\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/09\/Nutan-in-Sujata.jpg 504w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/09\/Nutan-in-Sujata-400x285.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/09\/Nutan-in-Sujata-150x107.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/09\/Nutan-in-Sujata-300x214.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><p id=\"caption-attachment-3182\" class=\"wp-caption-text\">Nutan can&#8217;t hold back her tears as she listens jalte hain jiske liye on the phone<\/p><\/div>\n<p><em>chand taro se poochhle<br \/>\nya kinaro se poochhle<br \/>\ndil ke maro se poochhle<br \/>\nkya!<br \/>\nho raha hai asar<br \/>\nye!<br \/>\nrok apni najar<br \/>\nna&#8230;!<br \/>\ndekh is kadar<br \/>\nye dil hai bada bekhabar<br \/>\nye dil hai bada bekhabar,<br \/>\naye mere humsafar<\/em><\/p>\n<p>In a bid to launch her daughter Tanuja, veteran actress Shobhana Samarth produced the film <em>Chhabili<\/em> in which her elder daughter Nutan too had a lead role. With music by Snehal Bhatkar, <em>Chhabili<\/em> came up with some unique songs, of which two were solos by Nutan including <em>Aye mere humsafar<\/em>.<\/p>\n<p>Five were duets with leading singers &#8211; Geeta Dutt, Sudha Malhotra, Mahendra Kapoor and Hemant Kumar.\u00a0Interestingly, the duet with Hemant Kumar &#8211; <em>Lehron pe leher<\/em> was also recorded as a solo by Hemant Kumar and became one of his top hits.<\/p>\n<p>For the moment, take a look at the other side of the super-talented Nutan &#8211; a lovely musical voice, perhaps not known to many. At least it came as a surprise to me! \ud83d\ude42<\/p>\n<p><span style=\"color: #c2150a;\"><strong><em>Lahron pe lahar<\/em> <\/strong>{Hemant Kumar and Nutan} and <strong><em>Aye mere humsafar<\/em><\/strong> {Nutan} (<em>Chhabili<\/em>, 1960) Snehal Bhatkar \/ S Ratan<\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/DzCVjtjPzCI\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Says Nikhil E Iyer, &#8220;Nutan sang 6 songs in <em>Chhabili<\/em>, 1 in <em>Hamari Beti<\/em>, 4 songs in <em>Mayuri<\/em> and 1 song in <em>Yaadgar<\/em>.&#8221;<\/p>\n<p>Adds\u00a0<a href=\"https:\/\/learningandcreativity.com\/geeta-dutt-queen-of-bhaav-gayaki\/\">Pakanati Lakshmi Priya<\/a>, collector and archivist of vintage music and cinema pictures and information, &#8220;Nutan sang a Telugu song for composer S Rajeswar Rao in the Telugu film <em>Chilaka Gorinka<\/em> (1966). Unfortunately the song is not available. She did not act in the film. The song was picturized on Krishna Kumari.&#8221;<\/p>\n<div id=\"attachment_4776\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" aria-describedby=\"caption-attachment-4776\" class=\"wp-image-4776 size-full\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/06\/nutan-singing-telugu-song-1966.jpg\" alt=\"Nutan singing Telugu song\" width=\"1000\" height=\"393\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/06\/nutan-singing-telugu-song-1966.jpg 1000w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/06\/nutan-singing-telugu-song-1966-400x157.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/06\/nutan-singing-telugu-song-1966-150x59.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/06\/nutan-singing-telugu-song-1966-768x302.jpg 768w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/06\/nutan-singing-telugu-song-1966-300x118.jpg 300w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><p id=\"caption-attachment-4776\" class=\"wp-caption-text\">Nutan is seen singing in front of the mike with S Rajeswar Rao and is being felicitated by the director Pratyagatma. Nutan sang a Telugu song for composer S Rajeswar Rao in the Telugu film <em>Chilaka Gorinka<\/em> (1966) (Rare pictures courtesy: Pakanati Lakshmi Priya and her Old is Gold Group)<\/p><\/div>\n<h3>Exquisite Melodies of <em>Heer<\/em><\/h3>\n<p>Now for a film <em>Heer<\/em> that cannot boast of being a great film but certainly one that has some of the most exquisite songs. Nutan looks her ravishing best. Pradeep Kumar is his usual princely self. The film was a Sashdhar Mukherji production but unfortunately, the film flopped\u00a0owing to poor direction. However, the music always stood out. It is amazing to listen to the\u00a0songs of <em>Heer<\/em> even today and marvel at the sheer treatment and compositions of Anil Biswas.<\/p>\n<div id=\"attachment_3664\" style=\"width: 410px\" class=\"wp-caption alignright\"><img decoding=\"async\" aria-describedby=\"caption-attachment-3664\" class=\"wp-image-3664\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/06\/nutan-in-heer.jpg\" alt=\"Nutan in Heer\" width=\"400\" height=\"224\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/06\/nutan-in-heer.jpg 475w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/06\/nutan-in-heer-400x224.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/06\/nutan-in-heer-150x84.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/06\/nutan-in-heer-300x168.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><p id=\"caption-attachment-3664\" class=\"wp-caption-text\">O mere ranjhana, rukhsat ka hai sama is a beautiful song sung by Lata Mangeshkar and Nutan looks amazingly beautiful<\/p><\/div>\n<p><em>Heer<\/em>\u00a0was a rare Anil Biswas and Majrooh Sultanpuri combo. Five songs always stand out:<br \/>\n*<em> O sajana, chhuta hai jo daaman tera<\/em> (Hemant\/Geeta)<br \/>\n* <em>O mere ranjhana, rukhsat ka hai sama<\/em> (Lata)<br \/>\n* <em>Bulbul mere chaman ke, taqdeer meri ban ke<\/em> (Geeta)<br \/>\n* <em>Dhadakane laga dil, nazar jhuk gayi<\/em> (Geeta)<br \/>\n* <em>Ik chaand ka tukda,<\/em> (Hemant)<\/p>\n<p>My pick is the\u00a0exquisite duet <em>O sajana <\/em>&#8211; pure honey in both the voices &#8211; Geeta Dutt and Hemant Kumar.\u00a0Just notice the way she sings and the way Nutan emotes:<\/p>\n<p><em>Zara dekh tadapna mera<\/em><br \/>\n<em> manzil manzil hai andhera-a-a-a<\/em> (delightful lilt!!!)<\/p>\n<p>Hemant Kumar also does a <em>tera-a-a-a<\/em> but Geeta&#8217;s sweetness is instant shoot up in sugar levels\u00a0\ud83d\ude42<\/p>\n<p><span style=\"color: #c2150a;\"><strong><em>O Saajana<\/em><\/strong> (<em>Heer<\/em>, 1956) Anil Biswas \/ Majrooh Sultanpuri \/ Geeta Dutt and Hemant Kumar <\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/2Wn6D--Ezzo\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h3><a href=\"https:\/\/learningandcreativity.com\/silhouette\/sd-burman-manzil-song\/\">The Tender Musical\u00a0T\u00eate-\u00e0-t\u00eate<\/a><\/h3>\n<p>This is not just a song. It\u2019s a conversation, a relay, a give-and-take. Its poetry, recited simply so, and then weaved into a tune. Dev Anand, the musician-singer is being put to test by his lady love Nutan with a \u201clet-me-see-if-you-can-make-a-song-of-this\u201d kind of challenge.<\/p>\n<div id=\"attachment_3220\" style=\"width: 410px\" class=\"wp-caption alignright\"><img decoding=\"async\" aria-describedby=\"caption-attachment-3220\" class=\"wp-image-3220\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/10\/nutan-and-dev-in-manzil.jpg\" alt=\"Nutan and Dev Anand in Manzil\" width=\"400\" height=\"293\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/10\/nutan-and-dev-in-manzil.jpg 443w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/10\/nutan-and-dev-in-manzil-400x293.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/10\/nutan-and-dev-in-manzil-150x110.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/10\/nutan-and-dev-in-manzil-300x219.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><p id=\"caption-attachment-3220\" class=\"wp-caption-text\">Dev Anand and Nutan enjoy the amazing musical interplay that slices each verse in half, making the former a question and the latter part an answer,<\/p><\/div>\n<p>On the face of it, it\u2019s a duet. But it has parts where each singer sings his\/her own tune separately and yet together, two counter melodies\u00a0that never submerge the other, never overshadow. Simply put, it\u2019s a game in music in perfect harmony and sublime love.<\/p>\n<p><em>chupke se mile pyaase pyaase<\/em><br \/>\n<em>kuch hum kuch tum<\/em><br \/>\n<em>kya ho jo ghata khul ke barse<\/em><br \/>\n<em>rumm jhumm rumm jhumm<\/em><\/p>\n<p>Geeta Dutt begins with just the whimsical and thoughtful recitation of the opening lines. It isn\u2019t a song yet but the rendition of the mukhda itself is musical with Nutan complementing Geeta with perfect expressions. The suave and smart Dev Anand ponders for a moment and then picks up the cue with Rafi as the matching voice, playfully stringing the lines in tune.<\/p>\n<p>Who else but Geeta can be as emotive, making the words sound as soft as feather, as lyrical as the rain and as delicate as the finest glass.\u00a0 Burman Dada must have asked her to make her voice swoon to the words because that\u2019s exactly what Nutan does on screen\u2026well, almost! (<a href=\"https:\/\/learningandcreativity.com\/silhouette\/sd-burman-manzil-song\/\">Read an extensive exploration of this beautiful song by Anand Desai and yours truly here<\/a>)<\/p>\n<p><span style=\"color: #c2150a;\"><strong><em>Chupke se mile pyaase pyaase<\/em><\/strong> (<em>Manzil<\/em>, 1960) SD Burman \/ Majrooh Sultanpuri \/ Geeta Dutt and Mohd Rafi <\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/tskaGIXBD7c\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h3>The Musical Evening Walk<\/h3>\n<p><em>Dulhan Ek Raat Ki<\/em> was based on Thomas Hardy\u2019s classic, <em>Tess of the D\u2019Urbervilles. <\/em>Produced by Bhawani Singh, it was directed by renowned and talented, D D Kashyap. Nutan is graceful and simple in a sari and loosely draped shawl and Dharmendra is the typical dashing hero in a designer sweater.<\/p>\n<p>The scene as well as the film had a dreamy soft lens photography by Rajendra Malone, and this song is perhaps one of the most musical and serene evening walks that can happen. In fact, each and every song of this film was a genius creation by Raja Mehdi Ali Khan and Madan Mohan.<\/p>\n<p><span style=\"color: #c2150a;\"><strong><em>Ik haseen shaam ko<\/em><\/strong> (<em>Dulhan Ek Raat Ki<\/em>, 1966) Madan Mohan \/ Raja Mehdi Ali Khan \/ Mohd Rafi <\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/H89315fEZTY?rel=0\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h3>The Classic &#8216;Terrace Song&#8217;<\/h3>\n<p>This <em>Paying Guest<\/em> song is a Kishore Kumar classic and all Asha Bhosle does in it is hum. And how! Not only is the humming exquisitely melodious, the performance by Nutan to emote that humming is so real that many people thought she had\u00a0 done it herself!<\/p>\n<p>Dev Anand is the archetypal lover boy and Nutan is dreamy and floating in blissful love as can be. \u00a0The SD Burman-Majrooh Sultanpuri team came up with gold again in this frothy, romantic song on the terrace (an amazing number of love songs in Hindi films have been \u201cterrace songs\u201d and this certainly is among the tops).<\/p>\n<p><span style=\"color: #c2150a;\"><strong><em>O nigaahein mastana<\/em><\/strong> (<em>Paying Guest<\/em>, 1957) SD Burman \/ Majrooh Sultanpuri \/ Asha Bhosle and Kishore Kumar <\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/xv1Bu7nSmmY\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h3>Killer Qawalli<\/h3>\n<div id=\"attachment_3669\" style=\"width: 410px\" class=\"wp-caption alignright\"><img decoding=\"async\" aria-describedby=\"caption-attachment-3669\" class=\"wp-image-3669\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/06\/dil-hi-to-hai.jpg\" alt=\"dil hi to hai\" width=\"400\" height=\"299\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/06\/dil-hi-to-hai.jpg 638w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/06\/dil-hi-to-hai-400x299.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/06\/dil-hi-to-hai-150x112.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/06\/dil-hi-to-hai-300x224.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><p id=\"caption-attachment-3669\" class=\"wp-caption-text\">Nutan&#8217;s eyes did all the speaking for her<\/p><\/div>\n<p>Director PL Santoshi perfected the art of qawalli picturisation, Roshan mastered the art of qawalli composition (can you ever forget <em>Taj Mahal<\/em> or <em>Bahu Begum<\/em>) and when you have Sahir Ludhianvi writing the lyrics, you can sit back and enjoy the greatest qawallis of Hindi cinema.\u00a0And no, I am not referring to the film which is woven around qawallis <em>Barsat Ki Raat<\/em> (1960) where this trio created some of the greatest qawallis. \u00a0Three years later they repeated the success in <em>Dil Hi To Hai<\/em> (1963).<\/p>\n<p>What was remarkable in <em>Nigaahein milaane ko jee chahta hai<\/em> \u2013 one of the most lovable qawallis of all time, was Nutan\u00a0&#8211; firmly establishing her versatility with a fabulous performance matching the complex qawalli note for note, beat for beat with the right expressions and hand movements.<\/p>\n<p>Watch her emote the sargam by Asha Bhosle from <em>\u2018Ni-re-ga\u2026\u2019<\/em> (5:31)\u00a0&#8211; lip synching to a rapid sargam always needs practice. Not surprisingly, the camera stays with Nutan and her accompanying girls all through the song, with shots of Raj Kapoor and Pran coming in only as punctuation.<\/p>\n<p><span style=\"color: #c2150a;\"><strong><em>Nigaahein milaane ko jee chahta hai<\/em><\/strong> (<em>Dil Hi To Hai<\/em>, 1963) Roshan \/ Sahir Ludhianvi \/ Asha Bhosle\u00a0<\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/4Ig6N3t0LK8\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h3>Life is About More Than Just Love<\/h3>\n<p>Shifting gear from playful and impish to sombre and pensive within the space of a few reels was something Nutan could do with elan. Saraswatichandra has some of the most beautiful songs soaked in the soil of Gujarat but one that stays with you as an inner voice is the acutely practical and brutal <em>Chhod de saari duniya kisi ke liye.<\/em><\/p>\n<p>Looking a picture of purity and pain in resplendent white with her tresses blowing in the wind, Nutan makes your heart turn with this song shot in the barren, rocky terrain &#8211; symbolic of the rocky roads of life that one must traverse at some point.<\/p>\n<p><span style=\"color: #c2150a;\"><strong><em>Chhod de saari duniya kisi ke liye<\/em><\/strong> (<em>Saraswatichandra<\/em>, 1968) Kalyanji Anandji \/ Indeevar \/ Lata Mangeshkar <\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/FFW6dBHPcTo\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h3>Learn English Kishore Da Ishtyle&#8230;!<\/h3>\n<p>Rapidex English will do a few somersaults here!<br \/>\nTo end this little journey with Nutan, here&#8217;s some rip-roaring fun with the graceful lady in her most mischievous avatar.<\/p>\n<div id=\"attachment_3665\" style=\"width: 410px\" class=\"wp-caption alignright\"><img decoding=\"async\" aria-describedby=\"caption-attachment-3665\" class=\"wp-image-3665\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/06\/nutan-in-dilli-ka-thug.jpg\" alt=\"Nutan in Dilli Ka Thug\" width=\"400\" height=\"302\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/06\/nutan-in-dilli-ka-thug.jpg 463w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/06\/nutan-in-dilli-ka-thug-400x302.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/06\/nutan-in-dilli-ka-thug-150x113.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/06\/nutan-in-dilli-ka-thug-300x227.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><p id=\"caption-attachment-3665\" class=\"wp-caption-text\">Nutan is at her impish best in Dilli Ka Thug<\/p><\/div>\n<p><em>C-A-T CAT cat maane billi<br \/>\nR-A-T RAT rat maane chuha<br \/>\nDil hai tere panje mein to toh kya hua!<\/em><\/p>\n<p>Cat is caught in the paws of the rat!<br \/>\nImpossible? Not if Kishore Da can have his way. An amused Nutan gives it right back \u2013 she is the perfect impish girl who is enjoying being wooed in this hilarious manner but has a point or two of her own to clear.<\/p>\n<p><em>ari baavri tu ban jaa meri,<br \/>\nzara sun main kya kahta hoon<br \/>\nzara dekh idhar tujhe hai khabar,<br \/>\ntu hai kaun aur main kya hoon<\/em><\/p>\n<p>Love is&#8230; being tamed by the most tame of them all.<\/p>\n<p><em>G-O-A-T GOAT goat maane bakri<br \/>\nL-I-O-N LION lion maane sher<br \/>\narre dil hai tere panje mein to toh kya hua!<\/em><\/p>\n<p>So the king of the forest is caught in the tame goat&#8217;s hooves! Nature turned upside down.<br \/>\nEverything is possible in love and war!<\/p>\n<p><em>lage taakne kabhi aapne, sheesha leke moonh dekha bhi<br \/>\ntumhi ik nahin jahaan mein hasin, na hoga koi ham sa bhi<\/em><br \/>\nNutan decides to show the mirror to her suitor. And if you thought you are unique&#8230; hello, you won&#8217;t find one like me too!<\/p>\n<p>I am sure Majrooh Sahab must be laughing to himself when he was writing these words. Can&#8217;t find better literal translations of NOSE and CROW, and MAD&#8230; Ravi scores a peppy, chirpy tune to match the musical English speaking course. And I can almost visualise Kishore Da doing a jig at the microphone with Asha Bhosle trying her best to control her laughter. \ud83d\ude42<\/p>\n<p><span style=\"color: #c2150a;\"><strong><em>C-A-T CAT cat maane billi<\/em><\/strong> (<em>Dilli Ka Thug<\/em>, 1958) Ravi \/ Majrooh Sultanpuri \/ Kishore Kumar and Asha Bhosle<\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/GLVJ_QGcPyE\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong><em>A part of this article was first published in <a href=\"http:\/\/manekpremchand.com\/manmohana-celebrating-nutan-by-antara-nanda-mondal\/\">ManekPremchand.com<\/a> &#8211; the website of renowned musicologist and author Manek Premchand.<\/em><\/strong><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"BcygwMH5hM\"><p><a href=\"https:\/\/learningandcreativity.com\/silhouette\/sd-burman-manzil-song\/\">The Tender Musical T\u00eate-\u00e0-t\u00eate in Chupke Se Mile (Genius of SD Burman)<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"&#8220;The Tender Musical T\u00eate-\u00e0-t\u00eate in Chupke Se Mile (Genius of SD Burman)&#8221; &#8212; Silhouette Magazine\" src=\"https:\/\/learningandcreativity.com\/silhouette\/sd-burman-manzil-song\/embed\/#?secret=BKgwDNQWDX#?secret=BcygwMH5hM\" data-secret=\"BcygwMH5hM\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe> <\/p>\n<!-- AddThis Advanced Settings generic via filter on the_content --><!-- AddThis Share Buttons generic via filter on the_content -->","protected":false},"excerpt":{"rendered":"<p>Nutan amazed us with every role she did \u2013 she lived the character, spontaneous, natural, unaffected. So you watch Kalyani and Sujata and Aarti Sohanlal (Anari) not Nutan. We pay a tribute to the legendary actress Nutan with a brief journey through some of her immortal songs \u2013 in which she essayed an amazing variety of roles. Her spontaneity and versatility made her rise above the accepted norms of &#8216;acting&#8217; in mainstream cinema.<br \/>\n<!-- AddThis Advanced Settings generic via filter on get_the_excerpt --><!-- AddThis Share Buttons generic via filter on get_the_excerpt --><\/p>\n","protected":false},"author":4,"featured_media":3666,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[424,1759],"tags":[909,513,527,533,534,913,515,1320,1910],"class_list":["post-3660","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-indian-cinema-retrospectives","category-the-song-story","tag-bimal-roy","tag-guide-dev-anand","tag-geeta-dutt","tag-hemant-kumar","tag-lata-mangeshkar","tag-nutan","tag-sd-burman","tag-shailendra","tag-sunil-dutt"],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/posts\/3660","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/comments?post=3660"}],"version-history":[{"count":1,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/posts\/3660\/revisions"}],"predecessor-version":[{"id":4775,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/posts\/3660\/revisions\/4775"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/media\/3666"}],"wp:attachment":[{"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/media?parent=3660"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/categories?post=3660"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/tags?post=3660"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}