{"id":3609,"date":"2017-04-26T00:18:15","date_gmt":"2017-04-25T18:48:15","guid":{"rendered":"https:\/\/learningandcreativity.com\/silhouette\/?p=3609"},"modified":"2019-04-26T10:12:01","modified_gmt":"2019-04-26T04:42:01","slug":"shankar-jaikishan-melodies-1971","status":"publish","type":"post","link":"https:\/\/learningandcreativity.com\/silhouette\/shankar-jaikishan-melodies-1971\/","title":{"rendered":"Zindagi Ek Safar Hai Suhana: Shankar Jaikishan&#8217;s Melodies of 1971 &#8211; 18 Films, 104 Songs"},"content":{"rendered":"<p><img decoding=\"async\" class=\"aligncenter size-large wp-image-3620\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/04\/Shankar-Jaikishen-Hits-of-1971-1024x552.jpg\" alt=\"Shankar Jaikishan Hits of 1971\" width=\"625\" height=\"337\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/04\/Shankar-Jaikishen-Hits-of-1971-1024x552.jpg 1024w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/04\/Shankar-Jaikishen-Hits-of-1971-400x216.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/04\/Shankar-Jaikishen-Hits-of-1971-150x81.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/04\/Shankar-Jaikishen-Hits-of-1971-768x414.jpg 768w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/04\/Shankar-Jaikishen-Hits-of-1971-300x162.jpg 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/04\/Shankar-Jaikishen-Hits-of-1971.jpg 1996w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><\/p>\n<div id=\"attachment_3417\" style=\"width: 410px\" class=\"wp-caption alignright\"><img decoding=\"async\" aria-describedby=\"caption-attachment-3417\" class=\"wp-image-3417\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/02\/shankar-jaikishan.jpg\" alt=\"Shankar Jaikishan\" width=\"400\" height=\"322\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/02\/shankar-jaikishan.jpg 447w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/02\/shankar-jaikishan-400x322.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/02\/shankar-jaikishan-150x121.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/02\/shankar-jaikishan-300x242.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><p id=\"caption-attachment-3417\" class=\"wp-caption-text\">Shankar Jaikishan (Pic: Google Image Search)<\/p><\/div>\n<p>The first question that may come to your mind\u00a0is &#8211; <strong>why 1971?<\/strong><\/p>\n<p>Jaikishan departed on 12<sup>th<\/sup> September this year, leaving Shankar alone. He was suffering with lever ailment for some time. The new brigade of music directors had made their massive impact and producers\/directors were ignoring prior partners and seeking new ones in the belief of catering to the new cine goer\u2019s tastes. Trends in music and films were going through a sea change.<\/p>\n<p>Interestingly, even in these turbulent times of upheavals and change, SJ (Shankar-Jaikishan) had 18 film releases this year, probably the highest in their career. They were on firm footing and still giving hits, as they always had.<\/p>\n<p><span style=\"color: #c2150a;\"><strong><em>Zindagi ek safar hai suhana, yahan kal kya ho kisne jaana<\/em><\/strong>\u00a0 (<em>Andaaz<\/em>) Hasrat Jaipuri\/ Kishore Kumar. Release date 23<sup>rd<\/sup> April.<\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/W3YaUx2VhFA\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>This was the first directorial venture of Ramesh Sippy and the song created box office history. Surely, Rajesh Khanna and Kishore Kumar were the nation\u2019s craze, but SJ were well in tune with the times and the trends. The score from <em>Andaaz<\/em> got them this years\u2019 BFJA Best Music Director Award too.<\/p>\n<div id=\"attachment_3613\" style=\"width: 410px\" class=\"wp-caption alignright\"><img decoding=\"async\" aria-describedby=\"caption-attachment-3613\" class=\"wp-image-3613\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/04\/dil-use-do-jo-jaan-de-de.jpg\" alt=\"Mohd Rafi-Asha Bhosle duet in Andaz\" width=\"400\" height=\"302\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/04\/dil-use-do-jo-jaan-de-de.jpg 555w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/04\/dil-use-do-jo-jaan-de-de-400x302.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/04\/dil-use-do-jo-jaan-de-de-150x113.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/04\/dil-use-do-jo-jaan-de-de-300x226.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><p id=\"caption-attachment-3613\" class=\"wp-caption-text\">Dil usey do jo jaan de de is a lovely Mohd Rafi-Asha Bhosle duet in Andaz<\/p><\/div>\n<p>RD Burman, Kalyanji Anandji and Laxmikant Pyarelal had got well entrenched in the industry and were attracting the bulk of prestigious banners and projects. <em>Amar Prem, Buddha Mil Gaya, Caravan, Hare Rama Hare Krishna, Paraya Dhan<\/em> \u2013 all by RD Burman, <em>Maryada <\/em>and<em> Upasaana<\/em> by Kalyanji Anandji and <em>Aap Aaye Bahar Ayee, Dushman, Mera Gaon Mera Desh <\/em>by Laxmikant Pyarelal (among many more) were posing serious competition. It did adversely affect several music directors of the earlier era, but not Shankar Jaikishan. They still had no challenge or else how would they have bagged 18 releases, including, the prestigious Merchant Ivory international venture!<\/p>\n<p>The English language film, <em>Bombay Talkie<\/em> made by the team of Ismail Merchant and James Ivory, with Shashi Kapoor and his wife, Jennifer had an international release in 1970, but came to India next year. I remember watching the film in Calcutta\u2019s New Empire theatre in March or April of 1971. It had an enchanting and beautifully composed title music that lingered in the memory for long. The song I have included is not in full format but as a song being shot for a film. It has all the zeal, zest and a catchy tune as needed for the situation.<\/p>\n<p><span style=\"color: #c2150a;\"><strong><em>Typewriter tip tip tip tip karta hai, zindagi ki har kahani likhta hai <\/em><\/strong>(<em>Bombay Talkie<\/em>) Hasrat Jaipuri\/ Kishore Kumar and Asha Bhosle<\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/s6FNC6nT584\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Some of the older music director colleagues were still going strong as well, particularly, S D Burman (with <em>Gambler, Naya Zamana, Sharmilee <\/em>and <em>Tere Mere Sapne<\/em>); Salil Chaudhury had Gulzar\u2019s\u00a0 <em>Mere Apne<\/em>; Jaidev had\u00a0 Sunil Dutt\u2019s <em>Reshma Aur Shera<\/em> and Khwaja Ahmed Abbas\u2019 <em>Do Boond Pani<\/em>; Vasant Desai had Hrishikesh Mukherjee\u2019s <em>Guddi<\/em> and Madan Mohan had the Bachhan starrer <em>Parwana.<\/em>\u00a0 SJ continued unshaken.<\/p>\n<p>F C Mehra, after his musical success of <em>Prince<\/em>, teamed up with SJ for a low budget film. It was the Vinod Mehra-Rekha film based on Mr.X formula. The beauty of the song that I have included is that they could get Lata to sing this seductive number so very convincingly. It is an excellent composition and with an outstanding orchestration.<\/p>\n<p><span style=\"color: #c2150a;\"><strong><em>Ang se ang lagaale, sanson mein hai toofan<\/em><\/strong> (<em>Elaan<\/em>) Hasrat Jaipuri \/ Lata Mangeshkar. Release date 30<sup>th<\/sup> April.<\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/TEUaE70BJEk\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Shankar Jaikishan were composing all genres of songs, the seductive and the romantic, the philosophical and the teasers and ghazals and what not. They also had a song for every singer that had worked with them &#8211; using the voices of Kishore Kumar, Asha Bhosle, Lata Mangeshkar, Mohd Rafi, Sharada, Manna Dey, Suman Kalyanpur and Mukesh.<\/p>\n<p>They had also now started working with a variety of lyricists; Hasrat was the regular as always, they added Rajendra Krishan, S H Bihari, Neeraj, Shaili Shailendra, Anand Bakshi, Varma Mallik, Indeevar and even Gulzar. They were in full bloom and in their creative best as always.<\/p>\n<div id=\"attachment_3614\" style=\"width: 664px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" aria-describedby=\"caption-attachment-3614\" class=\"size-full wp-image-3614\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/04\/Jaikishan-Shammi-Kapoor.jpeg\" alt=\"Jaikishan, Mohd Rafi and Shammi Kapoor \" width=\"654\" height=\"480\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/04\/Jaikishan-Shammi-Kapoor.jpeg 654w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/04\/Jaikishan-Shammi-Kapoor-400x294.jpeg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/04\/Jaikishan-Shammi-Kapoor-150x110.jpeg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/04\/Jaikishan-Shammi-Kapoor-300x220.jpeg 300w\" sizes=\"(max-width: 654px) 100vw, 654px\" \/><p id=\"caption-attachment-3614\" class=\"wp-caption-text\">Jaikishan, Mohd Rafi and Shammi Kapoor &#8211; a great association (Pic: <a href=\"https:\/\/celebrities.wikinut.com\/Shammi-Kapoor-still-remains-in-hearts-of-filmlovers-of-the-country.\/2fyvlkph\/\">Wikinut<\/a>)<\/p><\/div>\n<p>They had three releases with Shammi Kapoor in 1971, all flopped. But the songs were appreciated and are remembered. Remember, Shakti had gone back to his favourites Shammi and SJ even after massive hits with Rajesh Khanna in <em>Aradhana<\/em> (1969) and <em>Kati Patang<\/em> (1970).<\/p>\n<p>Apart from <em>Andaz,<\/em> the other two Shammi films were the two Bhappi Soni films, <em>Preetam<\/em> and <em>Jawan Mohabbat<\/em>. My Shammi favourite from this year is the super soft romantic title number from <em>Jawan Mohabbat<\/em>, sung very well by Rafi and composed sensitively by SJ and written by the king of romance, Hasrat Jaipuri.<\/p>\n<p><span style=\"color: #c2150a;\"><strong><em>Jab mohabbat jawan hoti hai, har ada ik zabaan hoti hai<\/em><\/strong> (<em>Jawan Mohabbat<\/em>) Hasrat Jaipuri \/ Mohd Rafi. Release date 15<sup>th<\/sup>\u00a0 May.<\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/XtB22FOe7R8\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Their final team up with RK Films happened this year in <em>Kal Aaj Aur Kal<\/em>. A 22-year-long association was facing an end. It was a Randhir Kapoor venture introducing himself as a hero. The film released after Jaikishan had passed away, but for all practical purposes we, the music lovers, believe that both S and J had conceptualized and created the songs as a team together.<\/p>\n<p>With the song that I wish to use, SJ now aggressively penetrated into the RD territory with a challenge through one of the most remarkable romantic melody ever voiced by Kishore. That the song picturization did not leave a lasting impression was Dabboo\u2019s doing. All the songs from the film were hits and are remembered to date. <em>Bhanware ki gunjan hai mera dil, kab se sambhale rakkha hai dil<\/em> was a timeless Kishore beauty, written by Hasrat Jaipuri.<\/p>\n<p>Just as this timeless Kishore ditty, there was another timeless creation, this time on Rafi, shining in another F C Mehra production with an unconventional storyline. <em>Laal Patthar<\/em> was a remake from an Uttam Kumar starrer in Bengali, with same name.<\/p>\n<p>The highly reputed and talented director, Sushil Mazumdar directed both Hindi and Bengali versions and also acted in a cameo role as Rakhee\u2019s greedy father in the film. The film boasted of sterling performances by Raaj Kumar and Hema Malini. The songs were well received and were chart busters. <em>Sur Singar <\/em>gave the year\u2019s award for best song in classical category to <em>Re man sur mein gaa<\/em> (by Asha and Manna) from <em>Laal Patthar.\u00a0 <\/em><\/p>\n<p><span style=\"color: #c2150a;\"><strong><em>Re man sur mein gaa<\/em><\/strong> (<em>Laal Patthar<\/em>) Neeraj \/ Manna Dey and Asha Bhosle . Release date 31<sup>st<\/sup> Dec.<\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/BXkFNLsEqz4\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>For the Rafi song <em>Unke khayal aaye to aate chale gaye,<\/em><strong><em>\u00a0<\/em><\/strong>we have the erstwhile popular singer G M Durrani performing on screen. Ironically, Rafi who had taken to Durrani\u2019s style of singing in late forties had shot up in popularity while Durrani had lost out. But Rafi the golden hearted person that he was continued to help Durrani in whatever way possible. It was said, that Rafi had recommended that Durrani be given this role although he was doing the playback.<\/p>\n<p>In any case, the song remains a landmark as a soft romantic timeless melody, made in ghazal tradition. It is a sheer pleasure to listen to it any number of times with the excellent use of sarangi, tabla and with the immortal Rafi effect.<\/p>\n<p><span style=\"color: #c2150a;\"><strong><em>Unke khayal aaye to aate chale gaye<\/em><\/strong> (<em>Laal Patthar<\/em>) Hasrat Jaipuri \/ Mohd Rafi. Release date 31<sup>st<\/sup> Dec. Rafi gives playback to yesteryears popular singer GM Durrani who sings it on screen, tanpura in hand<\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/YcvssR8B70M\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Jaikishan had earlier appeared on screen way back performing on the Mukesh song, <em>Ae pyase dil bezubaan, tujhko le jaaun kahan<\/em>, in <em>Begunaah<\/em> in 1957. This year he made an appearance as Jaikishan himself, working on a balancing machine while recording the Kishore song. Kishore himself made an appearance, starting the song in the recording studio. I remember the crowd in the cinema hall going crazy over the scene and throwing coins at the screen. This was for AVM\u2019s <em>Main Sunder Hoon<\/em> with Biswajit and Leena, but the song went on Mehmood. The songs again were hits and the movie did excellent business as well.<\/p>\n<p>SJ were said, usually, to be paid a higher fee than even the hero or heroine of the film. Their name was enough to sell the film and assure a good return. They were stars in their own right. And well deserved so.<\/p>\n<p><span style=\"color: #c2150a;\"><strong><em>Naach meri jaan fatafat fat, baat meri maan fatafat<\/em><\/strong> (<em>Main Sunder Hoo<\/em>n) Anand Bakshi \/ Kishore Kumar and Asha Bhosle. Release date 18<sup>th<\/sup> March.<\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/KRoF8qEITQg\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>In my seven songs selection so far in this story, I have covered a large variety of the genres of SJ songs. But there is more to come. They actually had 19 film releases this year (including one in Telugu, <em>Jeevitha Chakram<\/em>), and the other 18 were \u2013<\/p>\n<div id=\"attachment_3616\" style=\"width: 410px\" class=\"wp-caption alignright\"><img decoding=\"async\" aria-describedby=\"caption-attachment-3616\" class=\"wp-image-3616\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/04\/kk-asha-jaikishan.jpg\" alt=\"Music director Jaikishan with Asha Bhosle and Kishore Kumar\" width=\"400\" height=\"319\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/04\/kk-asha-jaikishan.jpg 680w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/04\/kk-asha-jaikishan-400x319.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/04\/kk-asha-jaikishan-150x120.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/04\/kk-asha-jaikishan-300x239.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><p id=\"caption-attachment-3616\" class=\"wp-caption-text\">Music director Jaikishan with Asha Bhosle and Kishore Kumar (Pic: <a href=\"http:\/\/www.gujaratimidday.com\/index.php?view=detail&amp;id=24535&amp;option=com_joomgallery&amp;Itemid=166\"><em>Gujarat MidDay<\/em><\/a>)<\/p><\/div>\n<p>1. <em>Albela<\/em><br \/>\n2. <em>Andaaz<\/em><br \/>\n3. <em>Balidaan<\/em><br \/>\n4. <em>Bombay Talkie<\/em> (English language)<br \/>\n5. <em>Duniya Kya Jaane<\/em><br \/>\n6. <em>Ek Nari Ek Brahmachari<\/em><br \/>\n7. <em>Elaan<\/em><br \/>\n8. <em>Jaane Anjane<\/em><br \/>\n9. <em>Jawan Mohabbat <\/em><br \/>\n10. <em>Kal Aaj Aur Kal<\/em><br \/>\n11. <em>Laal Patthar<\/em><br \/>\n12. <em>Main Sunder Hoon<\/em><br \/>\n13. <em>Nadaan<\/em><br \/>\n14. <em>Parde Ke Peechhe <\/em><br \/>\n15. <em>Patanga<\/em><br \/>\n16. <em>Preetam<\/em><br \/>\n17. <em>Seema<\/em><br \/>\n18. <em>Yaar Mera. <\/em><\/p>\n<p>A total of approx. 104 songs, mathematically, one song composed and recorded every 3 days or so.<\/p>\n<p>Mukesh makes a royal impact turning a hit from otherwise a mediocre film, <em>Nadaan<\/em>. Trust Mukesh to have sometimes only one song in a film and that becomes most popular. <em>Nadaan<\/em> was produced and directed by Deven Verma. He was repeating SJ after the 1969 success of <em>Yakeen<\/em> (again excellent songs). <em>Nadaan<\/em> flopped as the story and its narration did not sit well with the audience. All we like to remember from this film is this super Mukesh delivery.<\/p>\n<p><span style=\"color: #c2150a;\"><strong><em>Jeevan bhar dhoonda jisko woh pyar mila par nahin mila<\/em><\/strong> (<em>Nadaan<\/em>) Hasrat Jaipuri \/ Mukesh. Release date 20<sup>th<\/sup> Aug.<\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/yiQAdK3p560\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>In their earlier composing years SJ had worked with Kishore in many films, but they were all Kishore starrers, thus, not using him as such as a playback voice. Kishore as a playback voice came to SJ\u2019s recording room with <em>Duniya<\/em> in 1968 to sing for Dev Anand, the extremely stylish duet with Asha, <em>Dooriyan nazdikiyan ban gayin ajab ittefaq hai<\/em>. SJ had very comfortably and successfully adapted Kishore as the singer to go on almost all the screen heroes now. Together they gave many hits. Adaptability to change is the mantra to success in life.<\/p>\n<p>Next song I wish to use is from Shashi Kapoor\u2019s <em>Patanga.<\/em> True, that the movies was not successful at the box office, but the songs were hit. Recollect &#8211; <em>Thoda ruk jayegi to tera kya jayega <\/em>(Rafi \/ Indeevar), <em>Patanga jal jal jal mar jaye, yeh deepak jhoomm jhoomm lehraaye <\/em>(Rafi-Asha \/ Hasrat Jaipuri) and <em>Shyam ke rang mein rang gayi shaam <\/em>(Lata Mangeshkar \/ Hasrat Jaipuri).<\/p>\n<p>My favourite though is <em>Jhoomm ke gaa yun<\/em> (Rafi \/ Neeraj). The delivery that SJ got from romantic Rafi in the second phrase is unparalleled<em>. Jaise koi bachpan ki kahaani yaad bhi ho aur bhool bhi jaaye<\/em>&#8230;..simply wow!<\/p>\n<p><span style=\"color: #c2150a;\"><strong><em>Jhoom ke gaa yun aaj mere dil, raat to guzre subah na aaye<\/em><\/strong> (<em>Patanga<\/em>) Neeraj \/ Rafi. Release date 20<sup>th<\/sup> August.<\/span><\/p>\n<p><iframe loading=\"lazy\" width=\"100%\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/WS1oarQWjJQ\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>Sohanlal Kanwar\u2019s <em>Seema<\/em> was in the making for over 3 years. It was a Gulzar film, as planned and Bengal\u2019s diva Suchitra Sen was approached for the role. Then Ms. Sen had her own ideas on the scripted scenes, dialogues, costumes, etc. and eventually Gulzar lost interest in the project.<\/p>\n<p>Kanwar changed the cast and the director and proceeded with the film. It was an unsuccessful attempt at the box office, in contrast to the success of <em>Pehchan<\/em>, the other Kanwar-SJ team offering this year.<\/p>\n<div id=\"attachment_3624\" style=\"width: 363px\" class=\"wp-caption alignleft\"><img decoding=\"async\" aria-describedby=\"caption-attachment-3624\" class=\"size-full wp-image-3624\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/04\/Jab-bhi-yeh-dil-udaas-hota-hai.jpg\" alt=\"Jab bhi yeh dil udaas hota hai\" width=\"353\" height=\"381\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/04\/Jab-bhi-yeh-dil-udaas-hota-hai.jpg 353w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/04\/Jab-bhi-yeh-dil-udaas-hota-hai-139x150.jpg 139w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/04\/Jab-bhi-yeh-dil-udaas-hota-hai-278x300.jpg 278w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/04\/Jab-bhi-yeh-dil-udaas-hota-hai-300x324.jpg 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/04\/Jab-bhi-yeh-dil-udaas-hota-hai-150x162.jpg 150w\" sizes=\"(max-width: 353px) 100vw, 353px\" \/><p id=\"caption-attachment-3624\" class=\"wp-caption-text\">As Rafi raises the\u00a0momentum at the end of first verse Sharada (giving playback to Simi) joins in the mukhda, but only hums<\/p><\/div>\n<p>Two original songs written by Gulzar were kept intact and we, the music lovers, got rewarded by a rare SJ-Gulzar team up for two excellent songs &#8211; <em>Ek thhi nindiya do the naina<\/em> (Suman Kalyanpur) and <em>Jab bhi yeh dil udas<\/em> (Rafi-Sharada) the other.<\/p>\n<p>Two other Kishore-Asha duets from the film gained popularity &#8211; the racy <em>Waqt thhoda sa abhi kuchh aur guzar jaane de <\/em>(written by Indeevar) and <em>Dil mera kho gaya, kho jaane de<\/em> (written by Varma Malik).<\/p>\n<p>The beauty of <em>Jab bhi yeh dil udas hota hai<\/em> is unique.\u00a0 The song starts at the middle octave but soon progresses to the higher octave and remains firmly placed there. The <em>Mukhda<\/em> is in <em>mandra saptak<\/em> and <em>antaras<\/em> in <em>taar saptak<\/em>. A very rare and unique composition that only Rafi could have done justice to.<\/p>\n<p>Again as the song gains momentum at the end of first verse Sharada joins in the mukhda, but only hums (in aalap). After the second verse again Sharada joins with the mukhda with her alaap humming but sings out the second line in words. By the end of the third verse, she is now fully into the beautiful composition and joins with complete lyrics in words in the mukhda with Rafi.\u00a0 I do not recollect any other duet done with such effectiveness and leaving such a lasting impact. My all time favourite, the stunningly beautiful SJ- Gulzar composition, let us enjoy:<\/p>\n<p><span style=\"color: #c2150a;\"><strong><em>Jab bhi yeh dil udaas hota hai, jaane kaun aas paas hta hai<\/em><\/strong> (<em>Seema<\/em>) Gulzar\/ \u00a0Rafi-Sharada. Release date 14<sup>th<\/sup> October.<\/span><\/p>\n<p><iframe loading=\"lazy\" width=\"100%\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/18dpAV2m2is\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>My penultimate selection for this tribute is the populist number from Jeetendra-Rakhee starrer, <em>Yaar Mera<\/em>. It was a Raja Ram and Satish Wagle production and directed by Atmaram, Guru Dutt\u2019s younger brother, who had had massive hits with SJ with <em>Shikaar <\/em>in 1968 and <em>Chanda Aur Bijli<\/em> in 1969. Not to forget, Atmaram had already announced <em>Umang<\/em>, with a new star cast with music by SJ. The titles of <em>Yaar Mera<\/em> do mention, dedicated to Jaikishan. Neeraj, S H Bihari and Hasrat Jaipuri were the lyricts here. After this, for a little while, Hasrat-Neeraj became a team of joint writers.<\/p>\n<p>My pick is the Suman Kalyanpur-Rafi duet, the tease and romance, so typical Hindi Movie style and yet so typical SJ melody that makes one hum along.<\/p>\n<p><span style=\"color: #c2150a;\"><strong><em>Dil ki kitaab kori hai, kori hi rehne do<\/em><\/strong> (<em>Yaar Mera<\/em>) Hasrat Jaipuri \/ Suman Kalyanpur-Rafi. Release date 29<sup>th<\/sup> November.<\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/eBmy-HFBJ0w\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>The final song I wish to include is only to assure that the firm footing that SJ had enjoyed carried on and did not come to a stop with Jai\u2019s passing away. Still the creative juices were alive and kicking, the trends and times were in favour and my yet another favourite from Kishore will amply demonstrate this.<\/p>\n<p>Rajendra Bhatia had hits with SJ, remember, <em>Kanya Daan<\/em> and Rafi\u2019s masterpiece, <em>Likhe jo khat tujhe, woh teri yaad mein <\/em>(Neeraj). Well, in 1972, close to the heels of the year we have visited together for our tribute, Bhatia had a hit in <em>Jungle Mein Mangal.<\/em> Pran played a double role and romanced Sonia Sahani. Kiran Kumar on insistence of romance laden Pran, sings this for his lady love Reena Roy. The lyricists are the team of Hasrat-Neeraj and an all time great romantic from Kishore Kumar came in the form of this beauty;<\/p>\n<p><span style=\"color: #c2150a;\"><strong><em>Tum Kitni khoobsurat ho, yeh mere dil se poochho<\/em><\/strong> (<em>Jungle Mein Mangal<\/em>) Hasrat Jaipuri \u2013 Neeraj \/ Kishore Kumar. Release date 27<sup>th<\/sup> December, 1972.<\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/fSCndTAPx9M\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>The year 1972 had 8 SJ releases. They were (or Shankar alone was) still going strong. Bhatia was to soon make <em>Aaj Ki Tazaa Khabar<\/em>, a run-away hit with SJ and with another Kishore popular hit, <em>Mujhe Meri Biwi Se Bachaao<\/em>. But that is another day\u2019s story.<\/p>\n<p><img decoding=\"async\" class=\"aligncenter size-large wp-image-3583\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/04\/movie-1024x597.jpg\" alt=\"film trivia Silhouette Magazine\" width=\"625\" height=\"364\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/04\/movie-1024x597.jpg 1024w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/04\/movie-400x233.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/04\/movie-150x87.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/04\/movie-768x448.jpg 768w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/04\/movie-300x175.jpg 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/04\/movie.jpg 1072w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><\/p>\n<p>Shankar was born 15<sup>th<\/sup> October, 1922 and died 26<sup>th<\/sup> April, 1987.<\/p>\n<p>Jaikishan was born 4<sup>th<\/sup> November, 1929 and died 12<sup>th<\/sup> September, 1971.<\/p>\n<p>Shankar worked as a tabla player at Prithviraj Kapoor\u2019s Prithvi Theatres and was responsible of\u00a0introducing Jaikishan as a harmonium player there.<\/p>\n<div id=\"attachment_3617\" style=\"width: 410px\" class=\"wp-caption alignright\"><img decoding=\"async\" aria-describedby=\"caption-attachment-3617\" class=\"wp-image-3617\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/04\/sj.jpg\" alt=\"SJ, Raj Kapoor, Hasrat, Shailendra\" width=\"400\" height=\"268\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/04\/sj.jpg 591w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/04\/sj-400x268.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/04\/sj-150x101.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/04\/sj-300x201.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><p id=\"caption-attachment-3617\" class=\"wp-caption-text\">What a team! Hasrat Jaipuri, Jaikishan Raj Kapoor, Shankar and Shailendra &#8211; the coming together of amazing talents in perfect symphony (Pic: <a href=\"http:\/\/www.cinemasangeet.com\/hindi-film-music\/features\/fabulous-four-shankar-jaikishan-shailendra-and-hasrat.html\">Cinema Sangeet<\/a>)<\/p><\/div>\n<p>Raj Kapoor had offered his second directorial project, <em>Barsaat<\/em> (1949) to Shankar to compose music for, but Shankar insisted on having Jaikishan as his partner.<\/p>\n<p>The\u00a0duo \u00a0worked together from 1949 to 1971, when Jaikishan died, and Shankar carried making music under the banner till 1987, his death.<\/p>\n<p>They (as Shankar-Jaikishan) gave music for 177 films, including one in Telugu, (<em>Jeevitha Chakram<\/em>) and one in English, (<em>Bombay Talkies<\/em>) both in 1971.<\/p>\n<p>An instrumental album titled, Raga Jazz Style was also composed by them in 1968, considered to be one of the most innovative, SJ created 11 songs based on Indian Ragas with\u00a0saxophone, trumpet, sitar (by Rais Khan), tabla, bass.<\/p>\n<p>Total number of songs composed by them are 1297, of which Lata had 311 solos, Rafi 196, Mukesh 71 and Sharada 33 (among others).<\/p>\n<div id=\"attachment_3621\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" aria-describedby=\"caption-attachment-3621\" class=\"size-full wp-image-3621\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/04\/Naach-meri-jaan-fatafat-fat-Kishore-Jaikishan-AnandBakshi.jpg\" alt=\"Kishore Kumar, Jaikishan and Anand Bakshi play themselves in the recording studio \" width=\"1000\" height=\"333\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/04\/Naach-meri-jaan-fatafat-fat-Kishore-Jaikishan-AnandBakshi.jpg 1000w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/04\/Naach-meri-jaan-fatafat-fat-Kishore-Jaikishan-AnandBakshi-400x133.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/04\/Naach-meri-jaan-fatafat-fat-Kishore-Jaikishan-AnandBakshi-150x50.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/04\/Naach-meri-jaan-fatafat-fat-Kishore-Jaikishan-AnandBakshi-768x256.jpg 768w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/04\/Naach-meri-jaan-fatafat-fat-Kishore-Jaikishan-AnandBakshi-300x100.jpg 300w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><p id=\"caption-attachment-3621\" class=\"wp-caption-text\">Kishore Kumar, Jaikishan and Anand Bakshi play themselves in the recording studio in <em>Naach meri jaan fatafat<\/em> in <em>Main Sundar Hoon<\/em><\/p><\/div>\n<p>In film posters their names were most prominently displayed to ensure film\u2019s box office success.<\/p>\n<p>They won a total of 7 Filmfare best music director awards. Starting with <em>Chori Chori<\/em> in 1956 and followed by, <em>Anari<\/em> 1960, <em>Dil Apna Aur Preet Parai<\/em> 1961, <em>Professor<\/em> 1963, <em>Suraj<\/em> 1966, <em>Brahmachari<\/em> 1969, <em>Pehchaan<\/em> 1971, <em>Mera Naam Joker<\/em> 1972 and <em>Beimaan<\/em> 1973.<\/p>\n<div id=\"attachment_3419\" style=\"width: 430px\" class=\"wp-caption alignright\"><img decoding=\"async\" aria-describedby=\"caption-attachment-3419\" class=\"size-full wp-image-3419\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/02\/rafi-lata-jaikishan.jpg\" alt=\"rafi lata jaikishan\" width=\"420\" height=\"410\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/02\/rafi-lata-jaikishan.jpg 420w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/02\/rafi-lata-jaikishan-400x390.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/02\/rafi-lata-jaikishan-150x146.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/02\/rafi-lata-jaikishan-300x293.jpg 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/02\/rafi-lata-jaikishan-32x32.jpg 32w\" sizes=\"(max-width: 420px) 100vw, 420px\" \/><p id=\"caption-attachment-3419\" class=\"wp-caption-text\">Lata Mangeshkar, Jaikishan and Rafi &#8211; creating an everlasting ode to love (Pic: Google Image Search)<\/p><\/div>\n<p>They formed very successful teaming with many a producer-directors understanding their styles and individuality and composing music accordingly. Remarkable among them, Raj Kapoor, Amiya Chakraborty, Hrishikesh Mukherji, Bhappi Sonie, Kishore Sahu, Sohanlal Kanwar, Rajendra Bhatia, Shakti Samanta, Atmaram, Lekh Tandon, Shridhar, T Prakash Rao, Raja Nawathe.<\/p>\n<p>They had a total of 71 singers give voice in their compositions and made music with 44 lyricists.<\/p>\n<p>They modulated their singers extremely well, like, Rafi for Shammi Kapoor vis-a-vis Rafi for Rajendra Kumar. Mukesh for Raj Kapoor vis-a-vis Mukesh for Manoj Kumar. This brought them high appreciation and success.<\/p>\n<p>They were two diverse personalities; it was like they complimented each other\u2019s strengths and weaknesses. Shankar was an early riser, teetotaller, body builder and a strict disciplinarian. Jaikishan\u2019s day started at noon\u00a0and he loved indulging in good food and parties. Yet, they formed a team that was most successful and creative in Hindi film music.<\/p>\n<p><strong>Tailpiece:<\/strong> In <em>Film India,<\/em> April 1954 issue, Khwaja Ahmed Abbas inserted an advertisement for a film, a Naya Sansar production,\u00a0titled, <em>Mr. 1954<\/em> starring Nargis, Raj Kapoor, David, Jairaj, Begum Para, Manmohan Krishna and Om Prakash. Music by Shankar Jaikishan. Unfortunately, it never got made.<\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"yHwMlB7YMg\"><p><a href=\"https:\/\/learningandcreativity.com\/silhouette\/shankar-jaikishan-hits-1966\/\">Flashback 50 Years (Part I): Shankar Jaikishan Hits of 1966 &#8211; Bahaaron Phool Barsao<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"&#8220;Flashback 50 Years (Part I): Shankar Jaikishan Hits of 1966 &#8211; Bahaaron Phool Barsao&#8221; &#8212; Silhouette Magazine\" src=\"https:\/\/learningandcreativity.com\/silhouette\/shankar-jaikishan-hits-1966\/embed\/#?secret=bPFgh2HnPW#?secret=yHwMlB7YMg\" data-secret=\"yHwMlB7YMg\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe> <\/p>\n<!-- AddThis Advanced Settings generic via filter on the_content --><!-- AddThis Share Buttons generic via filter on the_content -->","protected":false},"excerpt":{"rendered":"<p>It is 30 years since the last of the Shankar-Jaikishan duo, Shankar, bade goodbye to this world on 26 April 1987, leaving behind a rich and massive legacy of everlasting music, starting with the all-time-superhit <em>Barsaat<\/em> in 1949. Today, remembering the hugely successful duo, Peeyush Sharma revisits the year 1971 to recall the massive repertoire of melodies the music director team served up in 18 films, comprising 104 songs! <\/p>\n<p>.<!-- AddThis Advanced Settings generic via filter on get_the_excerpt --><!-- AddThis Share Buttons generic via filter on get_the_excerpt --><\/p>\n","protected":false},"author":748,"featured_media":3622,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[821],"tags":[545,1762,665,1803,1268,534,1242,595,1805,1802],"class_list":["post-3609","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music-makers","tag-anand-bakshi","tag-asha-bhosle","tag-gulzar","tag-hasrat-jaipuri","tag-kishore-kumar","tag-lata-mangeshkar","tag-mohd-rafi","tag-rajesh-khanna","tag-shammi-kapoor","tag-shankar-jaikishan"],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/posts\/3609","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/users\/748"}],"replies":[{"embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/comments?post=3609"}],"version-history":[{"count":1,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/posts\/3609\/revisions"}],"predecessor-version":[{"id":4883,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/posts\/3609\/revisions\/4883"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/media\/3622"}],"wp:attachment":[{"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/media?parent=3609"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/categories?post=3609"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/tags?post=3609"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}