{"id":3297,"date":"2016-11-23T00:02:42","date_gmt":"2016-11-22T18:32:42","guid":{"rendered":"http:\/\/learningandcreativity.com\/silhouette\/?p=3297"},"modified":"2025-11-23T18:54:44","modified_gmt":"2025-11-23T13:24:44","slug":"10-duets-of-geeta-dutt","status":"publish","type":"post","link":"https:\/\/learningandcreativity.com\/silhouette\/10-duets-of-geeta-dutt\/","title":{"rendered":"10 Most Loved Duets of Geeta Dutt"},"content":{"rendered":"<p><span style=\"color: #c2150a;\"><em>(Pictures used in this article are courtesy <a href=\"https:\/\/www.facebook.com\/groups\/magicalgeetadutt\/\">The Magical Voice of Geeta Dutt Facebook Group<\/a>, <a href=\"http:\/\/www,geetadutt.com\">geetadutt.com,<\/a> Google Image Search and YouTube)<\/em><\/span><\/p>\n<div id=\"attachment_1111\" style=\"width: 410px\" class=\"wp-caption alignleft\"><a href=\"learningandcreativity.com\/silhouette\/geeta-dutt\/\"><img decoding=\"async\" aria-describedby=\"caption-attachment-1111\" class=\"wp-image-1111\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/03\/Geeta-Dutt-12-286x400.jpg\" alt=\"Geet\u0101 Ghosh Roy Chowdhuri \" width=\"400\" height=\"559\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/03\/Geeta-Dutt-12-286x400.jpg 286w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/03\/Geeta-Dutt-12-107x150.jpg 107w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/03\/Geeta-Dutt-12-300x419.jpg 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/03\/Geeta-Dutt-12-150x210.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/03\/Geeta-Dutt-12-215x300.jpg 215w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/03\/Geeta-Dutt-12.jpg 402w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/a><p id=\"caption-attachment-1111\" class=\"wp-caption-text\">Geeta Dutt<br \/>(Born Geet\u0101 Ghosh Roy Chowdhuri on 23 November 1930)<br \/>(Pic: Pakanati Lakshmi Priya)<\/p><\/div>\n<p>Time has odd ways of showing its power.\u00a0 It changes, moulds, shapes, breaks and creates. Stars rise and fade out, trends come and go but some things rise above the ordinary to maintain their magic, generations through.<\/p>\n<p>Geeta Dutt, the singer with the dulcet voice dipped in honey and sugar, had the unusual ability to carry the listener away into the world she created with her music. Her characteristic lilt would lend an extra edge to her songs, an added dash of masti, a deeper agony, a tingling laughter, a searing pain&#8230; You don\u2019t simply listen to her songs. You feel and live them.<\/p>\n<p>Today, my journey is through my most favourite duets of Geeta Dutt that create a charming world of evergreen music. She not only holds her ground against her male counterpart \u2013 each one of them a legend in his own right but creates her own space, a unique style, which makes these songs cut a new level altogether.<\/p>\n<p style=\"text-align: center;\">&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<\/p>\n<p>&nbsp;<\/p>\n<p><em><strong>Jai Jagdish Hare<\/strong><\/em><\/p>\n<p>One of the most spiritual songs of Hindi film music, this adaptation of Jaidev\u2019s <em>Geet Govind<\/em> which delves into five of the 10 avatars of Vishnu, is in a class of its own.\u00a0 Bankim Chandra Chatterjee in his novel\u00a0<em>Anandmath<\/em>\u00a0penned those exact Sanskrit lyrics and what you hear is the same composition set to tune by Hemant Kumar. Hemant Kumar\u2019s expertise in Bengal\u2019s <a href=\"https:\/\/learningandcreativity.com\/silhouette\/bengal-music-influence-in-hindi-film-music\/\">bhaktigeeti<\/a>\u00a0 coupled with his grip over Sanskrit sloka rendition finds the perfect harmonious converse in Geeta Dutt\u2019s bhaav gayaki.<\/p>\n<p>The challenge with\u00a0<em>Jai Jagdish Hare<\/em>\u00a0was that two different melodies were running parallel and simultaneously rendered by two singers (Hemant Kumar and Geeta Dutt) on one single mike.<\/p>\n<p>It did not help matters that Hemant Kumar was a six-footer and Geeta Dutt comparatively much shorter in height. Moreover, Geeta Dutt had to keep walking towards the mike and away from it to lower and heighten the volume of her rendition. To make matters more difficult, she had to keep climbing on and off a raised wooden plank to match height with Hemant Kumar! (<em>Source of anecdote: Nirmal Phophalia quoting Devi Dutt<\/em>)<\/p>\n<p><span style=\"color: #c2150a;\"><strong><em>Jai Jagdisha Hare<\/em><\/strong>\u00a0(<em>Anandmath<\/em>, 1951) \u2013 Hemant Kumar \/ Hemant Kumar and Geeta Dutt<\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/sZIB47pSB1w?si=qdNgulFDFpJB-T3Y\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h2><em><strong>Hum aapki aankhon mein is dil ko basaa dein to<\/strong><\/em><\/h2>\n<p>When it came to romantic songs that thrive on the conversational style, Geeta Dutt and Mohd Rafi made a smashing pair. Two songs in this list are sparkling examples of how a song can become a dialogue that expresses the thoughts, personalities and attitudes of the characters on screen.<\/p>\n<div id=\"attachment_2439\" style=\"width: 410px\" class=\"wp-caption alignright\"><a href=\"https:\/\/learningandcreativity.com\/silhouette\/songs-of-sd-burman-rafi\/\"><img decoding=\"async\" aria-describedby=\"caption-attachment-2439\" class=\"wp-image-2439\" src=\"http:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/11\/Geeta-Dutt-and-Rafi.jpg\" alt=\"Geeta Dutt and Mohd Rafi\" width=\"400\" height=\"289\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/11\/Geeta-Dutt-and-Rafi.jpg 960w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/11\/Geeta-Dutt-and-Rafi-400x289.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/11\/Geeta-Dutt-and-Rafi-768x554.jpg 768w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/11\/Geeta-Dutt-and-Rafi-300x217.jpg 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/11\/Geeta-Dutt-and-Rafi-150x108.jpg 150w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/a><p id=\"caption-attachment-2439\" class=\"wp-caption-text\">One does not need to make an effort to guess that both Geeta and Rafi were thoroughly enjoying singing these lines together.<\/p><\/div>\n<p>The first one is this amazing dream sequence from <em>Pyaasa<\/em>. Notice the way, the two singers finish their lines here, each ending with a question but how.<\/p>\n<p>Rafi poses the first query &#8211; simple, straightforward, love-lorn. <em>Hum aapki aankhon mein is dil ko basaa dein to. <\/em><\/p>\n<p>What Geeta replies brings him right back to terra firma \u2013 <em>hum moond ke palkon ko is dil ko sazaa dein toh? <\/em><\/p>\n<p>Notice the way Geeta teasingly finishes with a lilting \u201ctoh\u201d? Pure romance, isn\u2019t it? At the same time, it\u2019s a premonition of what awaits Vijay \u2013 he is not going to find a place in those eyes of his beloved. They are closed for him, punishingly.<\/p>\n<p><span style=\"color: #c2150a;\"><em><strong>Hum aapki aankhon mein is dil ko basaa dein to<\/strong> <\/em>(<em>Pyaasa, <\/em>1957) S D Burman \/ Sahir Ludhianvi \/ Geeta Dutt and Mohd Rafi<\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/atepwBxQbw4?si=HXjR8yjpEXb7wHvM\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h2><em><strong>Sun sun sun sun zaalima<\/strong><\/em><\/h2>\n<p>Now flip the coin. \u00a0If Rafi is keen on the <em>chhed-chhad<\/em>, trust Geeta to put on the choicest tantrums with such lyrical ease that you just can\u2019t stop smiling through the song.<\/p>\n<p>The gardens and fountains and the cliffs and the mountains can take a break. You don\u2019t need them to proclaim your love. How about choosing a garage with cars and tyres and tubes and asbestos sheds and corrugated partitions! And actually make it look so much fun and romantic that you almost end up deciding that the garage is quite the best place for wooing your girl with a love song!<\/p>\n<div id=\"attachment_2804\" style=\"width: 410px\" class=\"wp-caption alignright\"><img decoding=\"async\" aria-describedby=\"caption-attachment-2804\" class=\"wp-image-2804\" src=\"http:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2013\/10\/aar-paar.jpg\" alt=\"aar paar\" width=\"400\" height=\"250\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2013\/10\/aar-paar.jpg 480w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2013\/10\/aar-paar-400x250.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2013\/10\/aar-paar-300x188.jpg 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2013\/10\/aar-paar-150x94.jpg 150w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><p id=\"caption-attachment-2804\" class=\"wp-caption-text\">With a cocked Kashmiri cap, a scarf round his neck, grease on his cheek and a lopsided smile, Guru Dutt flirtatiously chases Shyama<\/p><\/div>\n<p>With a cocked Kashmiri cap, a scarf round his neck, grease on his cheek and a lopsided smile, Guru Dutt flirtatiously chases Shyama all around the packed garage. Climb every car, crawl up its bonnet, sit on its roof and sing\u2026<\/p>\n<p>Shyama with two long pigtails tied with ribbons (when was the last time we used ribbons on pigtails I can\u2019t even remember) and clad in overalls sort of a long skirt is all fire and brimstone as she turns around and puts Guru Dutt right on the backfoot, dismissing all his \u2018kasam\u2019 and \u2018pyar\u2019 as a bunch of lies.<\/p>\n<p>You can almost visualize Rafi and Geeta Dutt smiling as they enjoy the song thoroughly. Geeta\u2019s inimitable masti oozes in every word\u2026 mimicking and mocking Rafi with all candour with\u00a0<em>\u201cjaah, jaah, jaah, jaah bewafaaa.\u201d<\/em>\u00a0The way she pulls on the\u00a0<em>\u201ckaisa pyar, kaisi preet re-e-e-e\u201d<\/em>\u2026. and finishing it with an emphatic\u00a0<em>\u201ckasammm!\u201d<\/em>\u2026. Unparalleled!! Rafi\u2019s boisterous style matches Geeta\u2019s dismissals word for word with the little embellishments\u00a0<em>\u201carre waah\u201d<\/em>\u00a0or\u00a0<em>\u201cgayaaaaah\u201d<\/em>\u00a0adding to the magic.<\/p>\n<p>If Rafi declares:<br \/>\n<em>dur kab talak rahu, phul tu hai rang main<\/em><em><br \/>\nmain toh hoon tere liye, dor tu patang main<\/em><\/p>\n<p>Pat comes Geeta\u2019s answer:<br \/>\n<em>kat gayi patang ji, dor abb na daliye<\/em><em><br \/>\naur kisi ke saamne jaa ke dil uchhaaliye<\/em><\/p>\n<p>If Guru Dutt winks, Shyama topples his cap. If he pokes her, she pokes him right back. Mars and Venus are evenly matched.<\/p>\n<p>A perfect romantic song in the most unlikely setting! Majrooh Sultanpuri brings the song right to the level of the common, ordinary layman with OP Nayyar\u2019s foot-tapping ever-lasting music.<\/p>\n<p>Love can blossom anywhere and this song is all about romance between the ordinary people amid their ordinary world and yet it is so astonishingly sweet.<\/p>\n<p><span style=\"color: #c2150a;\"><em><strong>Sun sun sun sun zaalima <\/strong><\/em>(<em>Aar Paar<\/em>, 1954) O P Nayyar \/ Majrooh Sultanpuri \/ Geeta Dutt and Mohd Rafi<\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/od4IcIW8DOY?si=m-Nqkn8MhrR72Rdd\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h2><em><strong>Jaane kahaan mera jigar gaya ji<\/strong><\/em><\/h2>\n<p>Another one in the series of full-on masti songs, this one sparkles with mischief and love. Two colleagues decide to have a little chat about how to locate a lost heart when the rest of the office is out for lunch. Innocuous and funny, delightful and romantic, this beauty from Mr and Mrs 55 is easily one of the biggest hits of the irrepressible Johny Walker.<\/p>\n<div id=\"attachment_3301\" style=\"width: 310px\" class=\"wp-caption alignright\"><img decoding=\"async\" aria-describedby=\"caption-attachment-3301\" class=\"wp-image-3301\" src=\"http:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/11\/jaane-kahan-mera-jigar-gaya-ji.jpg\" alt=\"jaane kahan mera jigar gaya ji\" width=\"300\" height=\"225\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/11\/jaane-kahan-mera-jigar-gaya-ji.jpg 480w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/11\/jaane-kahan-mera-jigar-gaya-ji-400x300.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/11\/jaane-kahan-mera-jigar-gaya-ji-150x113.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/11\/jaane-kahan-mera-jigar-gaya-ji-300x225.jpg 300w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-3301\" class=\"wp-caption-text\">Lost in their own world of hunting for the lost heart, the two end up on all fours under a table.<\/p><\/div>\n<p>You have the two lovebirds debating all kinds of possibilities about where the poor heart, which was right here a minute could have disappeared, trade charges of theft (<em>tune to nahin hai churaya mera maal re<\/em>) and miscalculation (<em>yahaan usey laaye kaahe ko bina kaam re<\/em>) and ponder over how quickly it can be traced (<em>jaldi jaldi dhoondo ke hone lagi shaam re<\/em>).<\/p>\n<p>Lost in their own world of hunting for the lost heart, the two end up on all fours under a table, oblivious to their amused colleagues who have collected around them.\u00a0 Talk of delightful office romances, this Geeta-Rafi duet from OP Nayyar and Majrooh Sultanpuri takes the cake.<\/p>\n<p><span style=\"color: #c2150a;\"><strong><em>Jaane kahaan mera jigar gaya ji<\/em> (<\/strong><em>Mr and Mrs \u201955<\/em>, 1955) O P Nayyar \/ Majrooh Sultanpuri \/ Geeta Dutt and Mohd Rafi<\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/k8iMZp4KMI4?si=VEZK8-wyo6ehbIqY\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h2><em>Rim jhim ke taraane leke aayi barsaat<\/em><\/h2>\n<p>This song in <em>Kala Bazar<\/em> (1960) is picturised on Dev Anand and Waheeda Rehman with the song playing only in the background. Geeta Dutt and Mohd Rafi sing with their heart and soul a beautiful tune composed by SD Burman to lyrics by Shailendra.<\/p>\n<div id=\"attachment_3132\" style=\"width: 410px\" class=\"wp-caption alignright\"><img decoding=\"async\" aria-describedby=\"caption-attachment-3132\" class=\"wp-image-3132\" src=\"http:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/08\/Rimjhim-ke-taraane-leke.jpg\" alt=\"Rimjhim ke taraane leke aayi barsaat\" width=\"400\" height=\"277\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/08\/Rimjhim-ke-taraane-leke.jpg 464w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/08\/Rimjhim-ke-taraane-leke-400x277.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/08\/Rimjhim-ke-taraane-leke-150x104.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/08\/Rimjhim-ke-taraane-leke-300x208.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><p id=\"caption-attachment-3132\" class=\"wp-caption-text\">Love is&#8230; sharing an umbrella in the rain.<\/p><\/div>\n<p>The song became the most iconic rain song and is spontaneously remembered with the pitter-patter of rain. It catches the mood perfectly, the rhythm of falling rain drops and the romance. The moments the clouds gather and the first drops fall this song starts playing at the back of the mind of many a music lover.<\/p>\n<p><em>bheege tan man pade ras ki puhaar<\/em><br \/>\n<em>pyaar ka sandesa laayi barkha bahaar<\/em><br \/>\n<em>mai na bolu aankhein kare ankhiyo se baat<\/em><\/p>\n<p>The usage of the song in the background is beautifully brought forth in the lyrics by Shailendra.<\/p>\n<p><span style=\"color: #c2150a;\"><strong><i>Rimjhim ke taraane leke<\/i><\/strong><span class=\"apple-converted-space\"><i>\u00a0<\/i><\/span><em>(Kala Bazar, 1960) SD Burman \/ Shailendra \/ Geeta Dutt and Mohd Rafi. The song is interspersed in a scene.<\/em><\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/T0Qfgmd8PsI?si=huzif8WI-FNaHZ4I\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h2><em><strong>Mujhko tum jo mile yeh jahaan mil gaya<\/strong><\/em><\/h2>\n<p>Romantic duets there are aplenty. But think of romance as a soothing, gentle breeze in a moolit night, and this song comes to mind. Hemant Kumar and Geeta Dutt got together for some great duets not only in Hindi but also in Bangla and this one surely is one of the best of their repertoire together.<\/p>\n<div id=\"attachment_3065\" style=\"width: 410px\" class=\"wp-caption alignright\"><img decoding=\"async\" aria-describedby=\"caption-attachment-3065\" class=\"wp-image-3065\" src=\"http:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-Talat-Mahmood-Mukul-Roy-Hasrat-Jaipuri.jpg\" alt=\"Geeta Dutt, Talat Mahmood, Hasrat Jaipuri and Mukul Roy\" width=\"400\" height=\"323\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-Talat-Mahmood-Mukul-Roy-Hasrat-Jaipuri.jpg 551w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-Talat-Mahmood-Mukul-Roy-Hasrat-Jaipuri-400x323.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-Talat-Mahmood-Mukul-Roy-Hasrat-Jaipuri-150x121.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-Talat-Mahmood-Mukul-Roy-Hasrat-Jaipuri-300x242.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><p id=\"caption-attachment-3065\" class=\"wp-caption-text\">Geeta Dutt seated on extreme right with Mukul Roy next to her. Talat Mahmood is seen next with Hasrat Jaipuri bending over Talat Mahmood in a recording studio.<\/p><\/div>\n<p>Composed by Geeta Dutt\u2019s brother Mukul Roy, this song is steeped in the Bengal style of music \u2013 soft, serene, sugar-coated. Geeta Dutt\u2019s sweetness is perfectly matched with Hemant Kumar\u2019s deep romanticism. When Hemant Kumar begins the song with a spontaneous humming, it immediately sets the mood of something leisurely and melodious.<\/p>\n<p>The picturisation is regular stuff\u2026 no great shakes. Pradeep Kumar looks all sophisticated and slick in his silk dressing gown and Mala Sinha is typically coy. It\u2019s a terrace and the lovers have a washing line of drying clothes, a ladder and a studio moon for company. But even if you don\u2019t watch the scene, soak in the serenity of the music and get ready to be air-lifted into a world of melodious romance.<em>\u00a0<\/em><\/p>\n<p>Interesting sidenote: The humming with which Hemant Kumar begins this song was used in the beginning of another song <a href=\"https:\/\/www.youtube.com\/watch?v=4dFtSsl0nSg\" target=\"_blank\" rel=\"noopener\"><em>Ei je pather ei dekha<\/em><\/a> in the Bengali film <em>Joutuk<\/em>, another 1958 release. The music of <em>Joutuk<\/em> was composed by Hemant Kumar. Except for the humming, the two songs have nothing in common musically. <em>Bole toh, ek teer do nishaane<\/em> \ud83d\ude04<\/p>\n<p><span style=\"color: #c2150a;\"><em><strong>Mujhko tum jo mile<\/strong><\/em> <em>(<\/em><em>Detective, <\/em><em>1958) Mukul Roy \/ Shailendra \/ Geeta Dutt and Hemant Kumar<\/em><\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/r_AKKWy4ayg\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h2><strong><em>Gumsum sa yeh jahaan yet raat yeh hawa<\/em><\/strong><\/h2>\n<p>Romance as it was in the golden era \u2013 soft and delicate. Two lovers enjoy the moonlit night among the trees and rocks. Hemant Kumar and his style of music shines\u00a0in this song \u2013 of creating melodies straight from the heart, soaked in softness. Sunil Dutt with his boy next door good looks and Shyama flit among the trees, happy, joyful and enjoying their moments together.<\/p>\n<p>It\u2019s a song that makes you hum along and smile as you do. Geeta\u2019s dulcet voice begins the song with an ultra-sweet \u2018<em>gumsum sa yeh jahaan, yeh raat yeh hawa<\/em>\u2019 and as if on cue, Hemant Kumar raises the pitch with \u2018<em>ik saath aaj do dil-l-l-l-l, dhadkenge dilruba<\/em>\u2019 and the music sticks follow with the tingling tung-tung-tung sound &#8211; a trademark style of Hemant Kumar&#8217;s music. Enjoy this beauty.<\/p>\n<p><span style=\"color: #c2150a;\"><strong><em>Gumsum sa yeh jahaan<\/em><\/strong> (<em>Duniya Jhukti Hai,<\/em> 1960) Hemant Kumar \/ Rajinder Krishen \/ <em>Geeta Dutt and Hemant Kumar<\/em><\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/pDjNi8NkrPA\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h2><strong><em>Yeh hai Bombay meri jaan<\/em><\/strong><\/h2>\n<p>This isn\u2019t a typical duet but a satirical sketch of the big, bad city of Mumbai, which went on to become iconic. If you are wondering why I included this one, since it&#8217;s more of a Rafi song than Geeta, just listen to the one stanza that Geeta gets in the fag end of the song. She leaves her stamp, emphatically.<\/p>\n<p>When Rafi cribs,<em> insaan ka nahin kahin naam-o-nishaan<\/em> or <em>bekaaron ke hain kayi naam yahan<\/em>, Geeta brings up the brighter side. <em>Bombay\u2019<\/em>(not <em>Bambay<\/em>, as Rafi croons) isn\u2019t all that bad, she emphasizes. <em>Jo hai karta woh hai bharta hai yahaan ka yeh chalan<\/em> &#8211; you get what you give to the city, you reap exactly what you sow.<\/p>\n<p><em>Dadaaa-geeri nahin chalne ki yahan<\/em>, she warns with that delightful lilt. Get the point?<\/p>\n<p><span style=\"color: #c2150a;\"><strong><em>Yeh hai Bombay meri jaan<\/em><\/strong> (<em>CID<\/em>, 1956) O P Nayyar \/ Majrooh Sultanpuri \/ Geeta Dutt and Mohd Rafi<\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/OShZhbjDA98?si=2O9Ug-RsFoH_UZuz\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h2><strong><em>Aan milo aan milo shyam saanware<\/em><\/strong><\/h2>\n<p>Reworked from SD Burman\u2019s\u00a0own Bengali hit\u00a0<em>Rongila re, <\/em><em>this song from Bimal Roy\u2019s <\/em><em>Devdas<\/em> is a shining example of\u00a0the use of <em>the <\/em>beautiful Vaishnavi Baul music in Hindi film music. Keeping to his trademark style, SD Burman made minimal use of instruments with the prominent ektara resounding \u2013 a typical Baul instrument.<\/p>\n<p>Shot with sensitivity and a deep understanding of the Bengal hinterland, amid sprawling green orchards, the music helps accentuate the bhaav gayaki in the voices of Geeta Dutt and Manna Dey. SD Burman uses the kirtan angik tradition of Bengal with a folk Baul tinge and a deeper spiritual connect, making this lovely number an ever popular one although on-screen you don\u2019t have any star cast to speak of. \u00a0Sahir Ludhianvi\u2019s lyrics sketch the Radha-Krishna imagery powerfully, proving yet again that music knows no barriers.<\/p>\n<p><span style=\"color: #c2150a;\"><strong><em>Aan milo aan milo shyam saanware <\/em><\/strong>(<em>Devdas, <\/em>1955) SD Burman \/ Sahir Ludhianvi \/ Geeta Dutt and Manna Dey<\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/-0jqeZk_IVc\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h2><strong><em>Chupke se mile pyaase pyaase<\/em><\/strong><\/h2>\n<p>It\u2019s a conversation, a relay, a give-and-take. It&#8217;s poetry, recited simply so, and then weaved into a tune. Dev Anand, the musician-singer is being put to test by his lady love Nutan with a \u201clet-me-see-if-you-can-make-a-song-of-this\u201d kind of challenge.<\/p>\n<div id=\"attachment_3227\" style=\"width: 410px\" class=\"wp-caption alignright\"><img decoding=\"async\" aria-describedby=\"caption-attachment-3227\" class=\"wp-image-3227\" src=\"http:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/10\/dev-nutan-1.jpg\" alt=\"Chupke se mile (Manzil, 1960)\" width=\"400\" height=\"265\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/10\/dev-nutan-1.jpg 532w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/10\/dev-nutan-1-400x265.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/10\/dev-nutan-1-150x100.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/10\/dev-nutan-1-300x199.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><p id=\"caption-attachment-3227\" class=\"wp-caption-text\">Rafi and Geeta Dutt are the voices of Dev Anand and Nutan in Chupke se mile in Manzil (1960).<\/p><\/div>\n<p>On the face of it, it\u2019s a duet. But it has parts where each singer sings his\/her own tune separately and yet together, two parallel tracks that never submerge the other, never overshadow. Simply put, it\u2019s a game in music in perfect harmony and sublime love.<\/p>\n<p>Geeta Dutt begins with just the\u00a0whimsical and thoughtful recitation of the opening lines. It isn\u2019t a song yet but the\u00a0rendition\u00a0of the\u00a0<em>mukhda<\/em>\u00a0itself is musical with Nutan complementing Geeta with perfect expressions. The suave and smart Dev Anand ponders for a moment and then picks up the cue with Rafi as the matching voice, playfully stringing the lines in tune.<\/p>\n<p>Who else but Geeta can be as emotive, making the words sound as soft as feather, as lyrical as the rain and as delicate as the finest glass.\u00a0 Music maestro SD Burman must have asked her to make her voice swoon to the words because that\u2019s exactly what Nutan does on screen\u2026well, almost!<\/p>\n<p>One is amazed at the sheer brilliance of rhythm of the music director and arranger and pure expertise of the singers. Needless to say, it is extremely difficult to sing a parallel different tune, even as the aalap, and both Geeta and Rafi do an awe-inspiring job.<\/p>\n<p><em>Extracted from the essay on this stunning composition and one-of-a-kind duet:<\/em> <a href=\"https:\/\/learningandcreativity.com\/silhouette\/sd-burman-manzil-song\/\">The Tender Musical T\u00eate-\u00e0-t\u00eate in Chupke Se Mile (Genius of SD Burman)<\/a><\/p>\n<p><span style=\"color: #c2150a;\"><strong><em>Chupke se mile pyaase pyaase <\/em><\/strong>(<em>Manzil<\/em>, 1960) S D Burman \/ Majrooh Sultanpuri \/ Geeta Dutt<em> and Mohd Rafi<\/em><\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/_fe-N6g1kLM?si=M4qY_xpI599v4hF_\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h3>And a Bonus 11th song<\/h3>\n<p>\u201cShe would have the typical two curly locks of hair across her forehead, a bunch of bangles on one arm, lovely sarees and hand-picked jewellery. Her steady companion would be her batua bag (a little pouch) in which she carried her favourite zarda paan. Her brothers Ranjit Roy and Mukul Roy also enjoyed their paan and the family tradition continued,\u201d says Tapati Dutta, <span style=\"text-decoration: underline;\"><a href=\"https:\/\/learningandcreativity.com\/geeta-dutt-singer\/\">Geeta Dutt (Roy\u2019s) niece recounting memories of her legendary aunt<\/a><\/span>.<\/p>\n<div id=\"attachment_3907\" style=\"width: 410px\" class=\"wp-caption alignleft\"><img decoding=\"async\" aria-describedby=\"caption-attachment-3907\" class=\"wp-image-3907\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/11\/nutan.jpg\" alt=\"heer\" width=\"400\" height=\"280\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/11\/nutan.jpg 545w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/11\/nutan-400x280.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/11\/nutan-150x105.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/11\/nutan-300x210.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><p id=\"caption-attachment-3907\" class=\"wp-caption-text\">An astonishingly effervescent, dreamy Nutan lip syncs to this mesmerizing Geeta song<\/p><\/div>\n<p>This duet by Geeta Dutt and Hemant Kumar is pure <em>mishti paan<\/em> \u2013 succulent with the lingering juicy sweetness and continues to enthrall long after it has ended.<\/p>\n<p>The song begins with this astonishing Senza Misura by Geeta. &#8220;That standalone part is rhythmless so it is Senza Misura. Such ushers are used to dramatise the coming song,&#8221; explains Manek Premchand, film historian, musicologist and author of several books on music. The camera pans to show the <em>chaaron taraf hai veerane, o saajana<\/em>\u00a0creating the setting for the separation in the wilderness.<\/p>\n<p>Geeta&#8217;s melodious voice rings out as the camera closes up on Nutan&#8217;s stricken face:<br \/>\n<em>Chhoota hai jo daaman tera<br \/>\nManzil manzil hai andhera-a-a-a <\/em>(delightful quiver!!!)<br \/>\n<em>O saajana<\/em><\/p>\n<div id=\"attachment_1256\" style=\"width: 260px\" class=\"wp-caption alignright\"><img decoding=\"async\" aria-describedby=\"caption-attachment-1256\" class=\"wp-image-1256\" src=\"http:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-10.jpg\" alt=\"Geeta Dutt\" width=\"250\" height=\"301\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-10.jpg 641w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-10-125x150.jpg 125w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-10-332x400.jpg 332w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-10-300x361.jpg 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-10-150x181.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-10-249x300.jpg 249w\" sizes=\"(max-width: 250px) 100vw, 250px\" \/><p id=\"caption-attachment-1256\" class=\"wp-caption-text\">Geeta Dutt was a deft harmonium player. Her stage shows in those days were said to be magical.<\/p><\/div>\n<p>Hemant Kumar picks it up from there:<\/p>\n<p><em>Ja dilruba<br \/>\nTere saath chala dil mera<br \/>\nRahe pyar nigehbaan tera<\/em><\/p>\n<p>Hemant Kumar also does a tera-a-a-a but Geeta&#8217;s sweetness is instant hike in sugar levels \ud83d\ude42<br \/>\nAnd then the antara begins with a delectable &#8220;haiii-yy-o&#8221;<\/p>\n<p><em>Zara dekh tadapna mera<br \/>\nmanzil manzil hai andhera-a-a-a<\/em><\/p>\n<p>What to do when your heart does a somersault on this andhera-a-a-a\u2026 phew!<br \/>\nThe song concludes with a delectable <em>Doo-wop<\/em> (the harmonising backing vocals supporting the longing-laden <em>O saajana<\/em> by Geeta and Hemant Kumar )<\/p>\n<p>An amazing composition by Anil Biswas to words written by Majrooh Sahab, this duet from <em>Heer<\/em> (1956) has a princely Pradeep Kumar with a flowing robe and an astonishingly effervescent, dreamy Nutan.<\/p>\n<p>I couldn\u2019t help sharing this mishti paan with just the right amount of mishti supaari as a bonus 11th song &#8211; haii-yy-o!<\/p>\n<p><span style=\"color: #c2150a;\"><strong><em>O saajana <\/em><\/strong>(<em>Heer<\/em>, 1956) Anil Biswas \/ Majrooh Sultanpuri \/ Geeta Dutt<em> and Mohd Rafi<\/em><\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/OPrLt4vHyM0?si=qp73SfhgRUdc2aUK\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h3>More to read on Geeta Dutt<\/h3>\n<p><strong><a href=\"https:\/\/learningandcreativity.com\/silhouette\/geeta-dutt\/\" rel=\"bookmark\">Geeta Dutt \u2013 The Skylark Who Sang From The Heart<\/a><\/strong><\/p>\n<p><strong><a href=\"https:\/\/learningandcreativity.com\/silhouette\/geeta-dutt-bengali-songs\/\" rel=\"bookmark\">Eternal Wait: The Story Of The Dark Girl By The Meghna (Geeta Dutt)<\/a><\/strong><\/p>\n<p><strong><a href=\"https:\/\/learningandcreativity.com\/silhouette\/the-language-versatility-of-geeta-dutt-a-rare-depth-of-feeling\/\" rel=\"bookmark\">The Language Versatility of Geeta Dutt \u2013 A Rare Depth of Feeling<\/a><\/strong><\/p>\n<p><strong><a href=\"https:\/\/learningandcreativity.com\/silhouette\/geeta-dutt-sings-for-four-music-directors\/\" rel=\"bookmark\">Four Aces and A Queen<\/a><\/strong><\/p>\n<p><strong><a class=\"cmnt-post\" href=\"https:\/\/learningandcreativity.com\/silhouette\/jaane-kya-tune-kahi-pyaasa\/#comment-2107\">The Mesmerizing Moods of Jaane Kya Tune Kahi (Pyaasa)<\/a><\/strong><\/p>\n<p><strong><a href=\"https:\/\/learningandcreativity.com\/silhouette\/sd-burman-manzil-song\/\">The Tender Musical T\u00eate-\u00e0-t\u00eate in Chupke Se Mile (Genius of SD Burman)<\/a><\/strong><\/p>\n<p><strong><a href=\"https:\/\/learningandcreativity.com\/geeta-dutt-singer\/\" rel=\"bookmark\">Geeta Dutt \u2013 The Singer with the Golden Heart<\/a><\/strong><\/p>\n<p><strong><a href=\"https:\/\/learningandcreativity.com\/remembering-geeta-dutt\/\" rel=\"bookmark\">Moments with \u2018Geetu Pishi\u2019 \u2013 Remembering Geeta Dutt<\/a><\/strong><\/p>\n<p><strong><a href=\"https:\/\/learningandcreativity.com\/geeta-dutt-queen-of-bhaav-gayaki\/\" rel=\"bookmark\">The Queen of Bhaav Gayaki \u2013 Geeta Dutt<\/a><\/strong><\/p>\n<p>&nbsp; <\/p>\n<!-- AddThis Advanced Settings generic via filter on the_content --><!-- AddThis Share Buttons generic via filter on the_content -->","protected":false},"excerpt":{"rendered":"<p>As a tribute to the Queen of Bhaav Gayaki, I revisit some of my most favourite duets of Geeta Dutt that create a charming world of evergreen music. She put her heart and soul into each and every song she sang, What stood out was a unique style, rendition, gayaki and that added edge that made these songs reach a new level altogether.<!-- AddThis Advanced Settings generic via filter on get_the_excerpt --><!-- AddThis Share Buttons generic via filter on get_the_excerpt --><\/p>\n","protected":false},"author":4,"featured_media":3302,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[822,1759],"tags":[909,513,527,533,535,968,1242,515,1320],"class_list":["post-3297","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-golden-voices","category-the-song-story","tag-bimal-roy","tag-guide-dev-anand","tag-geeta-dutt","tag-hemant-kumar","tag-majrooh-sultanpuri","tag-manna-dey","tag-mohd-rafi","tag-sd-burman","tag-shailendra"],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/posts\/3297","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/comments?post=3297"}],"version-history":[{"count":2,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/posts\/3297\/revisions"}],"predecessor-version":[{"id":10294,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/posts\/3297\/revisions\/10294"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/media\/3302"}],"wp:attachment":[{"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/media?parent=3297"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/categories?post=3297"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/tags?post=3297"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}