{"id":3188,"date":"2016-09-26T00:00:16","date_gmt":"2016-09-25T18:30:16","guid":{"rendered":"http:\/\/learningandcreativity.com\/silhouette\/?p=3188"},"modified":"2020-09-26T12:02:38","modified_gmt":"2020-09-26T06:32:38","slug":"dev-anand-hemant-kumar","status":"publish","type":"post","link":"https:\/\/learningandcreativity.com\/silhouette\/dev-anand-hemant-kumar\/","title":{"rendered":"Evergreen Hits of Dev Anand-Hemant Kumar"},"content":{"rendered":"<p>The evergreen hero Dev Anand would have celebrated his 93<sup>rd<\/sup> birthday on 26<sup>th<\/sup> September this year. Yet, this again is the day when in 1989 Hemant Kumar\u00a0left this world. The connection is much deeper than just the date.<\/p>\n<p>Dev Anand and Hemant Kumar together created some of the most memorable songs of Hindi film music. Prior to Dev\u2019s partnering with Kishore Kumar or Rafi as his playback voices, the super hit combination of Dev with Hemant Kumar were belting out hits consistently.<\/p>\n<p><img decoding=\"async\" class=\"aligncenter size-full wp-image-3197\" src=\"http:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/09\/Hemant-Kumar-and-Dev-Anand.jpg\" alt=\"hemant-kumar-and-dev-anand\" width=\"840\" height=\"330\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/09\/Hemant-Kumar-and-Dev-Anand.jpg 840w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/09\/Hemant-Kumar-and-Dev-Anand-150x59.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/09\/Hemant-Kumar-and-Dev-Anand-400x157.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/09\/Hemant-Kumar-and-Dev-Anand-768x302.jpg 768w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/09\/Hemant-Kumar-and-Dev-Anand-300x118.jpg 300w\" sizes=\"(max-width: 840px) 100vw, 840px\" \/><\/p>\n<p>Hemant Kumar had explained in an exclusive interview to me at his Calcutta home in 1989, \u201cA sort of romantic pairing of my voice with his (Dev Anand\u2019s) screen image was created by Sachin Babu (SD Burman). People simply loved it. Those numbers were really popular. Dev Anand was a big name, a very prominent hero. His songs had to be very carefully crafted with lots of effort and dedication.\u201d<\/p>\n<p>When I pointed out\u00a0Sachin Dev Burman was using so many voices on Dev Anand simultaneously such as Kishore, Talat, Rafi and Manna Dey alongside with your voice, Hemant Da\u00a0replied,<em> \u201c<\/em>But the real and most romantic ones belonged to me. Just like in Bengal my voice was the romantic voice of Uttam Kumar, in Bombay it was my voice when Dev Anand romanced.\u201d Well, Hemant Kumar sang\u00a0only 13 songs as playback for Dada Burman and 12 of those were on Dev Anand and all of them were hits! What a stupendous record! <em>(<\/em>The 13th song was<em> Jaane woh kaise log thhe jinke pyar ko pyar mila <\/em>in<em> Pyaasa, <\/em>picturised on Guru Dutt<em>)<\/em><\/p>\n<p>&nbsp;<\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"t5Hlf79F29\"><p><a href=\"https:\/\/learningandcreativity.com\/silhouette\/hemant-kumar-interview\/\">&#8216;The Music Director Knows which Voice would do Full Justice to his Composition&#8217; &#8211; In Conversation with Hemant Kumar<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"&#8220;&#8216;The Music Director Knows which Voice would do Full Justice to his Composition&#8217; &#8211; In Conversation with Hemant Kumar&#8221; &#8212; Silhouette Magazine\" src=\"https:\/\/learningandcreativity.com\/silhouette\/hemant-kumar-interview\/embed\/#?secret=2NZAV7bdBb#?secret=t5Hlf79F29\" data-secret=\"t5Hlf79F29\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p><strong>The flying start<\/strong><\/p>\n<p>Who can forget the start the\u00a0duo\u00a0had in <em>Sazaa<\/em> (1951) with <em>Aa Gup chhup gup chhup pyar karen<\/em> and then the massive hit next year in <em>Jaal, Yeh raat yeh chandani phir kahan, sun jaa dil ki dastan. <\/em><\/p>\n<div id=\"attachment_3189\" style=\"width: 410px\" class=\"wp-caption alignright\"><img decoding=\"async\" aria-describedby=\"caption-attachment-3189\" class=\"wp-image-3189\" src=\"http:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/09\/sazaa.jpg\" alt=\"Dev Anand and Nimmi in Sazaa\" width=\"400\" height=\"260\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/09\/sazaa.jpg 554w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/09\/sazaa-400x260.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/09\/sazaa-150x97.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/09\/sazaa-300x195.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><p id=\"caption-attachment-3189\" class=\"wp-caption-text\">Dev Anand and Nimmi in <em>Aa gup chup gup chup pyar<\/em> karein (<em>Sazaa<\/em>)<\/p><\/div>\n<p>Recalling how the first song had happened, Hemant Da said,<em> \u201c<\/em>It was only and only, Sachin Babu. He decided who will sing the song. He arranged the first test mostly on telephone and then I would go to his home or meet him at Filmistan in the early days. For my first song in\u00a0<em>Sazaa<\/em>, I got a phone call from Manna asking me to see him and subsequently, Sachin Babu in Filmistan studio for a song rehearsal. Sandhya Mukherji had also received a call from Manna for that\u00a0<em>Sazaa<\/em>\u00a0song. Manna was working with Sachin Babu at that time. He used to coordinate the practice rehearsals for all singers. But Sachin Babu used to take the call on who would record the song finally. Manna had made Sandhya Mukherjee and me rehearse the song,\u00a0<em>\u2018Aa, gup chhup gup chhup pyar karein\u2019.<\/em>&#8221; (Sandhya Mukherjee was one of the top voices in Bengal in those times, and with Hemant Kumar she was ruling the charts\u00a0in the superhit Uttam-Suchitra movies as the playback voice to Suchitra Sen with Hemant Kumar himself lending voice to Uttam Kumar.)<\/p>\n<p><span style=\"color: #c2150a;\"><em><strong>Aa gup chup gup chup pyar karein<\/strong><\/em>\u00a0(<em>Sazaa,<\/em><em>\u00a0<\/em>1951) S D Burman \/ Sahir Ludhianvi \/ Hemant Kumar and Sandhya Mukherjee<\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/BaHDIEDrjTQ\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>The smartly-attired <span style=\"text-decoration: underline;\"><strong><a href=\"http:\/\/learningandcreativity.com\/silhouette\/dev-anand\/\">Dev Anand<\/a><\/strong><\/span>, strumming his guitar in the wind-blown beach hut sings the most evocative romantic song that would set any heart aflutter. No surprise then, his lady love Geeta Bali found it impossible to ignore the beckoning. Who could,\u00a0anyway!<\/p>\n<p>At one time in the history of Hindi films, <em>\u2018Yeh raat yeh chandini phir kahan\u2019<\/em> was hailed as \u2019the most romantic song of impulse ever\u2019. Whether you talk of the scene on screen or just the audio \u2013 the impact was tremendous, of equal strength.<\/p>\n<div id=\"attachment_3190\" style=\"width: 653px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" aria-describedby=\"caption-attachment-3190\" class=\"wp-image-3190 size-full\" src=\"http:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/09\/jaal.jpg\" alt=\"Dev Anand in Jaal\" width=\"643\" height=\"363\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/09\/jaal.jpg 643w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/09\/jaal-400x226.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/09\/jaal-150x85.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/09\/jaal-300x169.jpg 300w\" sizes=\"(max-width: 643px) 100vw, 643px\" \/><p id=\"caption-attachment-3190\" class=\"wp-caption-text\">Yeh raat yeh chandni phir kahaan is easily one the most popular romantic songs ever (Pic: YouTube)<\/p><\/div>\n<p>SD Burman used a masterstroke of an innovation in this song \u2013 making Hemant Kumar repeat the first line of the antara, but going only half way. You need to have absolute mastery over your medium to attempt this.<\/p>\n<div id=\"attachment_3191\" style=\"width: 230px\" class=\"wp-caption alignright\"><img decoding=\"async\" aria-describedby=\"caption-attachment-3191\" class=\"size-full wp-image-3191\" src=\"http:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/09\/hemanta.jpg\" alt=\"Hemant Kumar\" width=\"220\" height=\"198\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/09\/hemanta.jpg 220w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/09\/hemanta-150x135.jpg 150w\" sizes=\"(max-width: 220px) 100vw, 220px\" \/><p id=\"caption-attachment-3191\" class=\"wp-caption-text\">Hemant Kumar<\/p><\/div>\n<p>Notice how Hemant Da raised his pitch with:<\/p>\n<p><em>Pedon ki shaakhon pe soyi soyi chaandni<\/em><br \/>\n<em>Pedon ki shaakhon pe\u2026<\/em><br \/>\n<em>Tere khayalon mein khoyi khoyi chandni<\/em><\/p>\n<p>And then dropped it down to the mellow:<\/p>\n<p><em>Aur thodi der mein thhak ke laut jayegi<\/em><br \/>\n<em>Raat yeh bahaar ki phir kabhi na aayegi<\/em><br \/>\n<em>Do ek pal aur hai yeh samaa<\/em><\/p>\n<p>What an impact that song has more than six decades since its making is evident in the nearly 14 million views on YouTube. Not only was the music, the lyrics, the singing that left that impact, it was also the performance of the lead artists (Dev and Geeta Bali), the direction by Guru Dutt and extremely polished and reverberating cinematography by V K Murthy that all contributed in their might. Dev Saab, no one can take these memories away from us.<\/p>\n<p><span style=\"color: #c2150a;\"><em><strong>Yeh raat yeh chandni phir kahaan <\/strong><\/em><strong>\u00a0<\/strong>(<em>Jaal<\/em>, 1952) S D Burman \/ Sahir Ludhianvi<\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/dBw_JSiNF9c\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><em>Hai apna dil<\/em><em>\u00a0<\/em><em>to\u00a0awara<\/em> had topped the \u201958 Binaca Geetmala charts, after staying there for almost a year. Going against director Raj Khosla\u2019s wishes to sing it himself, SD Burman got Hemant Kumar to croon for the swashbuckling Dev Anand. Burman Dada\u2019s choice of singers was unquestioned, he had the uncanny knack of picking the right voice for the right situation\u2026 spot on!<\/p>\n<div id=\"attachment_2902\" style=\"width: 410px\" class=\"wp-caption alignright\"><img decoding=\"async\" aria-describedby=\"caption-attachment-2902\" class=\"wp-image-2902\" src=\"http:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/05\/solva-saal.jpg\" alt=\"Solva Saal\" width=\"400\" height=\"241\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/05\/solva-saal.jpg 597w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/05\/solva-saal-400x241.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/05\/solva-saal-150x90.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/05\/solva-saal-300x180.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><p id=\"caption-attachment-2902\" class=\"wp-caption-text\">Hai apna dil to aawara was a chartbuster song by Hemant Kumar picturised on a train as an amused Dev Anand watches a scowling Waheeda Rehman and her beau eloping.<\/p><\/div>\n<p>We have had songs on trains\u2026 and many a time it is our Dev Saab doing the honours &#8211; <em>Apni to har aah ik toofan hai<\/em> or <em>Jiya ho, kuch bol do<\/em> or <em>Phoolon ke rang se<\/em>\u2026 there are several such &#8220;train song&#8221; situations built around the one and only city-slick evergreen hero.<\/p>\n<p>But this song in <em>Solva Saal<\/em> cuts the cake differently. You have a bemused Dev Anand singing supposedly to himself with comedian Sunder giving sangat on the mouth organ. But Dev Anand&#8217;s eyes never leave Waheeda Rehman who is quite obviously not in the happiest frame of mind.<\/p>\n<p><em>Hai apna dil<\/em><em>\u00a0<\/em><em>to\u00a0awara<br \/>\nNa jaane kis pe aayega<\/em><\/p>\n<p>It\u2019s not a love song being sung to a beloved yet it oozes romance in every word. The romance is about life, about celebrating its freedom, about indulging the carefree heart. Who can express love, life and poetry this way but Majrooh Sultanpuri Sahab! And Hemant da&#8217;s deep voice releases a rare resonance, a unique sweetness.<\/p>\n<div id=\"attachment_2274\" style=\"width: 410px\" class=\"wp-caption alignright\"><img decoding=\"async\" aria-describedby=\"caption-attachment-2274\" class=\"wp-image-2274\" src=\"http:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/09\/RD-Burman-Majrooh-and-SD-Burman.jpg\" alt=\"RD Burman, Majrooh and SD Burman\" width=\"400\" height=\"258\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/09\/RD-Burman-Majrooh-and-SD-Burman.jpg 720w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/09\/RD-Burman-Majrooh-and-SD-Burman-400x258.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/09\/RD-Burman-Majrooh-and-SD-Burman-300x193.jpg 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/09\/RD-Burman-Majrooh-and-SD-Burman-150x97.jpg 150w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><p id=\"caption-attachment-2274\" class=\"wp-caption-text\">RD Burman, Majrooh Sultanpuri and SD Burman. Dada Burman created the space for the harmonica in Hai apna dil to awara as a special gift to showcase son, RD\u2019s excellence at the mouth organ.<\/p><\/div>\n<p><em>Ajab hai deewaana<br \/>\nNa dar na thikana<br \/>\nZameen se begana<br \/>\nFalak se juda<br \/>\nYeh ik toota hua taara<\/em><\/p>\n<p>And there is just a wee bit of cynicism and pain thrown in, cloaked behind those mischievous smiles that Dev Anand throws at Waheeda Rehman who is all fire and brimstone but only through her eyes. If looks could scorch, Dev Anand would have needed tubes of Burnol!<\/p>\n<p>But when you notice the deeper meaning of the words, you wonder how can such a loving heart ever be <em>zamaane bhar ka naakara!\u00a0\ud83d\ude42<\/em><\/p>\n<p><em>Hua jo kabhi raazi<br \/>\nTo mila nahin kaazi<br \/>\nJahaan pe lagi baazi<br \/>\nWahin pe haara<br \/>\nZamaane bhar ka naakara<\/em><\/p>\n<p>And so we have one of the most &#8216;innocently flirtatious&#8217; (please excuse the oxymoron) songs that caught the pulse of the youth, complete with a harmonica (by who else but Pancham da), a rapid clap-trap and of course the <em>yah-ha-ha-ha<\/em>\u2026 try humming the song without this musical guffaw. You can\u2019t.<\/p>\n<p>\u201cWhen \u2018baba\u2019 (singer Hemant Kumar) returned from the recording, I\u2019d asked how the song was and he\u2019d shrugged, \u2018Theek chilo\u2019 (It was okay),\u201d Hemant da\u2019s son Jayanta Mukherjee had said in an interview to Hindustan Times.<\/p>\n<p>Oh well, if this was <em>&#8220;theek chhilo&#8221;<\/em>, then what was <em>&#8220;bhalo chhilo&#8221;<\/em> by Hemant Da\u2019s standards?<\/p>\n<p><span style=\"color: #c2150a;\"><strong><em>Hai apna dil to awara<\/em><\/strong> (<em>Solva Saal<\/em>, 1958) SD Burman \/ Majrooh Sultanpuri<\/span><\/p>\n<p><iframe loading=\"lazy\" width=\"100%\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/07dfqQ0cvl8\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>Hemant Da had emphasised that theirs\u2019 (Dev Anand and him) was the most hit combination that he as a singer had with any hero in Hindi films. Other memorable hit songs came in with <em>House No. 44<\/em> (1955) &#8211; <em>Chup hai dharti chup hain chand sitare<\/em> and <em>Teri duniya mein jeene se to behtar hai ke mar jayen.<\/em><\/p>\n<div id=\"attachment_2187\" style=\"width: 410px\" class=\"wp-caption alignright\"><img decoding=\"async\" aria-describedby=\"caption-attachment-2187\" class=\"wp-image-2187\" src=\"http:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/09\/SD-Burman-and-Dev-Anand.jpg\" alt=\"SD Burman, Dev Anand and RD Burman \" width=\"400\" height=\"277\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/09\/SD-Burman-and-Dev-Anand.jpg 607w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/09\/SD-Burman-and-Dev-Anand-400x277.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/09\/SD-Burman-and-Dev-Anand-300x208.jpg 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/09\/SD-Burman-and-Dev-Anand-150x104.jpg 150w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><p id=\"caption-attachment-2187\" class=\"wp-caption-text\">SD Burman, Dev Anand and RD Burman at a music session with Amarjeet<br \/>(Pic courtesy: sdburman.net)<\/p><\/div>\n<p>One was a deeply romantic number describing the mysticism of the night, made to order for the eternal lover boy Dev Anand:<\/p>\n<p><em>khoye khoye se yeh mast nazaare<\/em><br \/>\n<em>thhehare thhehare se yeh rang ke dhaare<\/em><br \/>\n<em>dhoondh rahe hain tujh ko saath hamare<\/em><em>\u00a0<\/em><\/p>\n<p>Hemant Da had explained, \u201cMany a times, while singing or rehearsing, I would wonder why he (Sachin Dev Burman) chose me to sing this one or that one, in\u00a0<em>House Number 44<\/em>,\u00a0<em>Chup hai dharti chup hain chand sitare<\/em>, I thought was a Talat song. Similarly,\u00a0<em>Yaad aa gai wo nashili nigahen<\/em><em>\u00a0<\/em>in<em>\u00a0<\/em><em>Manzil<\/em>, could have been a Kishore song. But, only he knew the best.\u00a0 And when I listen to the songs now, I think his judgement was the best. He was a unique music composer of our times. How to use a voice to its best output and effect was his uniqueness. All these songs, I have to sing them in all my public performances, it is public demand. Also, all my LP records issued by HMV have these songs to enable them register good sales.<\/p>\n<p><span style=\"color: #c2150a;\"><strong><em>Chup hai dharti chup hain chand sitare<\/em><\/strong> (<em>House No. 44,<\/em> 1955) S D Burman \/ Sahir Ludhianvi<\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/tQxEu-LYbZE\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>And the other evocative number from <em>House No. 44<\/em> was the pathos-laden song that expressed the anguish of a lost soul ruing the absence of love in his life in the most heart-wrenching words.<\/p>\n<p><em>Koi to aisaa ghar hota, jahaan se pyaar mil jaataa<\/em><br \/>\n<em>vohi begaane chehre hain, jahaan pahunche jidhar jaaein<\/em><\/p>\n<p>and<\/p>\n<p><em>Arey o aasmaan vaale bataa, ismein buraa kya hai <\/em><em>khushi ke chaar jhokein gar, idhar se bhi guzar jaaye<\/em><br \/>\n<em>Teri duniya mein jeene se to behtar hai ke mar jayen. <\/em><\/p>\n<p>Sahir\u2019s words and SD Burman\u2019s music ensured the audience was carried away into the world of the defeated lover who finds himself surrounded by unknown faces, closed doors and finds no purpose in living anymore.<\/p>\n<p><em>House No. 44<\/em> also has the fun duet <em>Peechhe peechhe aakar<\/em> in which Hemant only sings a supportive <em>ho-ho, ha-ha<\/em> to to Lata.<\/p>\n<p><span style=\"color: #c2150a;\"><strong><em>Teri duniya mein jeene se to behtar hai ke mar jayen<\/em><\/strong> (<em>House No. 44,<\/em> 1955) S D Burman \/ Sahir Ludhianvi<\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/XHuSP_uvL4o\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>In <em>Manzil<\/em>, SD Burman had three singers (Manna Dey, Hemant Kumar and Mohd Rafi) giving playback for one hero. And the singers were picked on the basis of the mood and situation that would sync perfectly with that particular voice. For <em>Yaad aa gayi woh nasheeli nigaahein<\/em>, Dada Burman picked only Hemant Kumar and no one else.<\/p>\n<p><span style=\"color: #c2150a;\"><strong><em>Yaad aa gayi woh nasheeli nigaahein<\/em><\/strong> (<em>Manzil,<\/em> 1960) S D Burman \/ Majrooh Sultanpuri<\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/w5RgfAYAM8k\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>The unique, once in Hindi film history, marriage song for Lord Shiva came in <em>Munimji <\/em>(1955), <em>Shiv ji bihane chale paalki sajaye ke babhuti lagaye ke, naa<\/em>. Each one brings pleasant lively memories and melodies back to our mind.<\/p>\n<div id=\"attachment_3194\" style=\"width: 410px\" class=\"wp-caption alignright\"><img decoding=\"async\" aria-describedby=\"caption-attachment-3194\" class=\"wp-image-3194\" src=\"http:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/09\/dev-anand-in-munimji.jpg\" alt=\"Dev Anand, Pran and Nalini Jaywant\" width=\"400\" height=\"300\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/09\/dev-anand-in-munimji.jpg 480w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/09\/dev-anand-in-munimji-400x300.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/09\/dev-anand-in-munimji-150x113.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/09\/dev-anand-in-munimji-300x225.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><p id=\"caption-attachment-3194\" class=\"wp-caption-text\">Dev Anand, Pran and Nalini Jaywant in <em>Dil ki umangein hai jawan<\/em> (Munimji) (Pic: YouTube)<\/p><\/div>\n<p>But incidentally, this song was not the first choice for Hemant Kumar. As the legendary singer-composer had explained, \u201cAfter a rehearsal of two or three times Sachin Babu would decide who would sing the song. I think he asked other singers the same way as well, but we never exchanged notes about this matter among us, the singers. We were content with what came our way.\u00a0 I remember singing on telephone, I think it was\u00a0<em>Jeevan ke safar mein raahi<\/em>\u00a0from\u00a0<em>Munimjee<\/em>\u00a0to Sachin Babu. But, the tune was quite different. Later he said, we will work on\u00a0<em>Dil ki umangen hain jawan<\/em>, and we started rehearsing that one.\u201d<\/p>\n<p>Eventually, SD Burman decided on two masti-bhare numbers for Hemant Kumar on Dev Anand &#8211; <em>Dil ki umangen hain jawan<\/em> and <em>Shivji bihaane chale<\/em> &#8211; proving that the sombre and deep Hemant Da can be just as fun and peppy as the situation demanded. And what a perfect selection it was, as always!<\/p>\n<p><span style=\"color: #c2150a;\"><strong><em>Dil ki umangein hain jawaan<\/em><\/strong> (<em>Munimji,<\/em> 1955) SD Burman \/ Shailendra \/ Hemant Kumar, Geeta Dutt and Thakur<\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/Q5rRt2jt5Aw\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"color: #c2150a;\"><strong><em>Shiv ji bihane chale paalki sajaye ke babhuti lagaye ke, naa<\/em><\/strong> (<em>Munimji,<\/em> 1955) SD Burman \/ Shailendra<\/span><\/p>\n<p><iframe loading=\"lazy\" width=\"100%\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/bIGJymRn5tQ\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>One of the biggest hits of Dev Anand-Hemant Kumar, the mesmerizing <em>Na tum humein jaano,\u00a0<\/em>was the\u00a0last of their songs together. Haunting and romantic, this duet with Suman Kalyanpur had the audiences falling in love with the number over and over again.<\/p>\n<p>The beauty of this composition is that the flow of voice, orchestration and instruments and the lyrics is so smooth that it almost melts in your ears like honey. Though the movie was not as successful at the box office, this song gained immortality.<\/p>\n<p><span style=\"color: #c2150a;\"><em><strong>Na tum hamein jano<\/strong><\/em>\u00a0(<em>Baat Ek Raat Ki,<\/em><em>\u00a0<\/em>1962<strong>) <\/strong>S D Burman \/ \u00a0Majrooh Sultanpuri.\u00a0With nearly 3.5 million views on YouTube, this song proves the timelessness\u00a0of the music and the cast too.<\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/LFa9nAq68Wk\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>The only film that Hemant Kumar as a music director scored that had Dev as a hero was <em>Ferry<\/em> (1954) with Geeta Bali, and Dev lip-synced <em>Rangeeli rangeeli rani nindiya aa more raja ki ankhiyon mein aa<\/em>. This was a half song in the film and no disc was issued. \u00a0Also, just for record, Director\/Producer Hemen Gupta\u2019s daughter Bula and Hemant Kumar\u2019s son Ritesh (Jayant), both acted as kids in this film. Bula later acted in her real name Archana as a heroine in \u00a0Hrishikesh Mukherjee&#8217;s\u00a0<em>Buddha Mil Gaya<\/em>.<\/p>\n<div id=\"attachment_2194\" style=\"width: 328px\" class=\"wp-caption alignright\"><img decoding=\"async\" aria-describedby=\"caption-attachment-2194\" class=\"wp-image-2194 size-full\" src=\"http:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/09\/Dev-Anand1.jpg\" alt=\"Dev Anand - a trend setter in style\" width=\"318\" height=\"419\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/09\/Dev-Anand1.jpg 318w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/09\/Dev-Anand1-304x400.jpg 304w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/09\/Dev-Anand1-300x395.jpg 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/09\/Dev-Anand1-150x198.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/09\/Dev-Anand1-114x150.jpg 114w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/09\/Dev-Anand1-228x300.jpg 228w\" sizes=\"(max-width: 318px) 100vw, 318px\" \/><p id=\"caption-attachment-2194\" class=\"wp-caption-text\">Dev Anand &#8211; a trend setter in style (Pic: Google Image Search)<\/p><\/div>\n<p>There are other songs that come to memory such as <em>Yeh zindagi hai ek safar<\/em> (a background song) and <em>Zulam dhaale tu sitam dhaale<\/em> in <em>Raahi<\/em>, written by Prem Dhawan and composed by Anil Biswas. But none of these were on Dev Anand. The evocative tandem <em>Kaise koi jeeye<\/em> in <em>Baadbaan<\/em> was picturised on Ashok Kumar and not Dev Anand. There were several other such songs by Hemant Kumar in Dev Anand&#8217;s films\u00a0which did not feature Dev.<\/p>\n<p>And as a fitting finale to this musical journey with the two giants of Hindi film music, lets revisit the exquisitely delicate Hemant-Lata duet from Amiya Chakraborty\u2019s <em>Patita<\/em> (1953), a Shankar Jaikishan classic. With more than 12.5 million views on YouTube, this is easily one of the most popular romantic duets ever.<\/p>\n<p>The long-shirt and dhoti clad bespectacled Hemant Da and the suave style icon Dev Anand \u2013 as different as chalk and cheese in their attire. And yet when they got together, they created gems that continue to sparkle even decades after their creators are gone.<\/p>\n<p><span style=\"color: #c2150a;\"><strong><em>Yaad kiya dil ne kahan ho tum<\/em><\/strong> (<em>Patita<\/em>, 1953) Shankar Jaikishan\/ Hasrat Jaipuri \/ Hemant-Lata<\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/PvwnvoUOa-Q\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h2><strong>The 16 Songs Hemant Kumar sang for Dev Anand<\/strong><\/h2>\n<p><em><strong>1. Aa gup chup gup chup pyar karein<\/strong><\/em>\u00a0(<em>Sazaa,<\/em><em>\u00a0<\/em>1951) S D Burman \/ Sahir Ludhianvi \/ Hemant Kumar and Sandhya Mukherjee. Picturised on Dev Anand and Nimmi.<\/p>\n<p><em><strong>2. Woh chaand nahin hai dil hai kisi diwane ka <\/strong><\/em> (<em>Aandhiyan<\/em>, 1952) Ustad Ali Akbar Khan \/ Pundit Narendra Sharma \/ Hemant Kumar and Asha Bhosle. Picturised on Dev Anand and Nimmi.<\/p>\n<p><em><strong>3. Yeh raat yeh chandni phir kahaan <\/strong><\/em><strong>\u00a0<\/strong>(<em>Jaal<\/em>, 1952) S D Burman \/ Sahir Ludhianvi. Picturised on Dev Anand and Geeta Bali.<\/p>\n<p><strong><em>4. Yaad kiya dil ne kahan ho tum<\/em><\/strong> (<em>Patita<\/em>, 1953) Shanker Jaikishen\/ Hasrat Jaipuri \/ Hemant-Lata. Picturised on Dev Anand and Usha Kiron.<\/p>\n<p><strong><em>5. Rangeeli rangeeli chhabili rani nindiya<\/em><\/strong> (<em>Ferry<\/em>, 1954) Hemant Kumar \/ Rajinder Krishan . Picturised on Dev and Master Babu. This is a small 48 seconds piece in the film.<\/p>\n<p><strong><em>6. Chup hai dharti chup hain chand sitare<\/em><\/strong> (<em>House No. 44,<\/em> 1955) S D Burman \/ Sahir Ludhianvi. Picturised on Dev Anand.<\/p>\n<p><strong><em>7. Teri duniya mein jeene se to behtar hai ke mar jayen<\/em><\/strong> (<em>House No. 44,<\/em> 1955) S D Burman \/ Sahir Ludhianvi. Picturised on Dev Anand.<\/p>\n<p><strong><em>8. Yeh baahron ka sama, chaand taron ka sama<\/em><\/strong> (<em>Milap,<\/em> 1955) N Datta \/ Sahir Ludhianvi. Picturised on Dev Anand and Geeta Bali.<\/p>\n<p><strong><em>9. Shiv ji bihane chale paalki sajaye ke babhuti lagaye ke, naa<\/em><\/strong> (<em>Munimji,<\/em> 1955) SD Burman \/ Shailendra. Picturised on Dev Anand, with Ameeta and Sachin Shankar in the dance and Nalini Jaywant in the audience.<\/p>\n<p><strong><em>10. Dil ki umangein hain jawaan<\/em><\/strong> (<em>Munimji,<\/em> 1955) SD Burman \/ Shailendra \/ Hemant Kumar, Geeta Dutt and Thakur. Picturised on Dev Anand, Pran and Nalini Jaywant.<\/p>\n<p><strong><em>11. Hai apna dil to awara<\/em><\/strong> (<em>Solva Saal<\/em>, 1958) SD Burman \/ Majrooh Sultanpuri. Picturised on Dev Anand and Waheeda Rehman.<\/p>\n<p><strong><em>12. Hai apna dil to awara<\/em><\/strong> (Sad version) (<em>Solva Saal<\/em>, 1958) SD Burman \/ Majrooh Sultanpuri. Picturised on Dev Anand and Waheeda Rehman.<\/p>\n<p><strong><em>13. Yaad aa gayi woh nasheeli nigaahein<\/em><\/strong> (<em>Manzil,<\/em> 1960) S D Burman \/ Majrooh Sultanpuri. Picturised on Dev Anand.<\/p>\n<p><strong><em>14. Yaad aa gayi woh nasheeli nigaahein<\/em><\/strong> (Sad version) (<em>Manzil,<\/em> 1960) S D Burman \/ Majrooh Sultanpuri. Picturised on Dev Anand.<\/p>\n<p><em><strong>15. Na tum humein jano<\/strong><\/em>\u00a0(<em>Baat Ek Raat Ki,<\/em><em>\u00a0<\/em>1962<strong>) <\/strong>S D Burman \/ \u00a0Majrooh Sultanpuri.<\/p>\n<p><strong><em>16. Peechhe peechhe aakar<\/em><\/strong> (<em>House No. 44,<\/em> 1955) S D Burman \/ Sahir Ludhianvi \/<br \/>\nHemant-Lata &#8211; In this song, Hemant Kumar just lends a supportive <em>ho-ho, ha-ha<\/em> to Lata and hence we have not included above.<\/p>\n<p><b>End Notes:<\/b><\/p>\n<p><strong><em>17. Chandni raatein pyar ki baatein<\/em><\/strong> (<em>Jaal<\/em>, 1952) S D Burman \/ Sahir Ludhianvi \/<br \/>\nHemant-Lata &#8211; In this song, Hemant&#8217;s <em>Yeh raat yeh chaandni<\/em> is used in the interlude as a part of the song by Lata and hence we have not included above.<\/p>\n<p><img decoding=\"async\" class=\"aligncenter size-large wp-image-3216\" src=\"http:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/10\/SD-Burman-Oct-Special-Silhouette-1024x407.jpg\" alt=\"SD Burman october special\" width=\"625\" height=\"248\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/10\/SD-Burman-Oct-Special-Silhouette-1024x407.jpg 1024w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/10\/SD-Burman-Oct-Special-Silhouette-400x159.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/10\/SD-Burman-Oct-Special-Silhouette-150x60.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/10\/SD-Burman-Oct-Special-Silhouette-768x305.jpg 768w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/10\/SD-Burman-Oct-Special-Silhouette-300x119.jpg 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/10\/SD-Burman-Oct-Special-Silhouette.jpg 1600w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><\/p>\n<h3>The Genius of SD Burman: Silhouette Exclusive October Special Features<\/h3>\n<p><strong><a href=\"http:\/\/learningandcreativity.com\/silhouette\/s-d-burman-experiments-part-i\/\" rel=\"bookmark\">Pioneering Experiments that Became Trends: SD Burman and His Experiments (Part-I)<\/a>\u00a0<\/strong>&#8211; By Moti Lalwani<\/p>\n<p><strong><a href=\"http:\/\/learningandcreativity.com\/silhouette\/dev-anand-hemant-kumar\/\">Evergreen Hits of Dev Anand-Hemant Kumar<\/a>\u00a0<\/strong>&#8211; By Peeyush Sharma and Antara<\/p>\n<p><strong><a href=\"http:\/\/learningandcreativity.com\/silhouette\/sd-burman-majrooh-sultanpuri\/\">\u2018Deewana Mastana Hua Dil\u2019 \u2013 Mesmerizing Music of SD Burman-Majrooh (Oct 1 Anniversary Special)<\/a>\u00a0<\/strong>&#8211; By Peeyush Sharma<\/p>\n<p><strong><a class=\"cmnt-post\" href=\"http:\/\/learningandcreativity.com\/silhouette\/sd-burman-manzil-song\/#comment-723\">The Tender Musical T\u00eate-\u00e0-t\u00eate in Chupke Se Mile (Genius of SD Burman)<\/a>\u00a0<\/strong>&#8211; By Anand Desai\u00a0and Antara<\/p>\n<p><strong><a class=\"cmnt-post\" href=\"http:\/\/learningandcreativity.com\/silhouette\/kishore-kumar-sd-burman\/#comment-730\">When Kishore Protested and SD Burman Persisted: The Making of Dukhi Man Mere<\/a><\/strong>\u00a0&#8211; By Peeyush Sharma<\/p>\n<p><strong>From the Archives<\/strong><\/p>\n<p><strong><a href=\"http:\/\/learningandcreativity.com\/silhouette\/songs-of-sd-burman-rafi\/\">Tere Mere Sapne Ab Ek Rang Hain \u2013 Eternal Melodies of SD Burman-Rafi<\/a>\u00a0<\/strong>&#8211; By Peeyush Sharma<\/p>\n<p><strong><a href=\"http:\/\/learningandcreativity.com\/silhouette\/s-d-burman\/\">The Incomparable Music Of S D Burman Transcends Generations<\/a><\/strong>\u00a0&#8211; By Antara<\/p>\n<p><strong><a href=\"http:\/\/learningandcreativity.com\/silhouette\/vijay-anand-interview\/\">\u2018Gata Rahe Mera Dil was Patchwork\u2019: In Conversation With Vijay Anand<\/a><\/strong>\u00a0&#8211;\u00a0By Peeyush Sharma<\/p>\n<p><strong><a href=\"http:\/\/learningandcreativity.com\/silhouette\/shakti-samanta-interview\/\">\u2018In Aradhana, Sachin Karta Gave Me My Life\u2019s Biggest Hit\u2019: In Conversation with Shakti Samanta<\/a>\u00a0<\/strong>&#8211;\u00a0By Peeyush Sharma<\/p>\n<p><strong><a href=\"http:\/\/learningandcreativity.com\/silhouette\/hemant-kumar-interview\/\">\u2018The Music Director Knows which Voice would do Full Justice to his Composition\u2019 \u2013 In Conversation with Hemant Kumar<\/a><\/strong>\u00a0&#8211;\u00a0By Peeyush Sharma<\/p>\n<p><strong><a href=\"http:\/\/learningandcreativity.com\/silhouette\/majrooh-sultanpuri-interview\/\">\u2018Bade Achchhe Din Thhe, Bade Pyare Saathi, Aur Guni Bhi\u2019 \u2013 In Conversation with Majrooh Sultanpuri<\/a>\u00a0<\/strong>&#8211;\u00a0By Peeyush Sharma<\/p>\n<p>&nbsp; <\/p>\n<!-- AddThis Advanced Settings generic via filter on the_content --><!-- AddThis Share Buttons generic via filter on the_content -->","protected":false},"excerpt":{"rendered":"<p>Dev Anand and Hemant Kumar together created some of the most memorable songs of Hindi film music. Interestingly, Hemant Kumar sang only 16 songs as playback for Dada Burman and 10 of those were on Dev Anand and all of them were hits! What a stupendous record!<br \/>\nA stroll down their massive all-time hits that continue to mesmerise music and cine buffs.<!-- AddThis Advanced Settings generic via filter on get_the_excerpt --><!-- AddThis Share Buttons generic via filter on get_the_excerpt --><\/p>\n","protected":false},"author":748,"featured_media":3197,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,1759],"tags":[513,533,534,535,1678,542,517],"class_list":["post-3188","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","category-the-song-story","tag-guide-dev-anand","tag-hemant-kumar","tag-lata-mangeshkar","tag-majrooh-sultanpuri","tag-raj-khosla","tag-sahir-ludhianvi","tag-waheeda-rehman"],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/posts\/3188","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/users\/748"}],"replies":[{"embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/comments?post=3188"}],"version-history":[{"count":1,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/posts\/3188\/revisions"}],"predecessor-version":[{"id":4833,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/posts\/3188\/revisions\/4833"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/media\/3197"}],"wp:attachment":[{"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/media?parent=3188"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/categories?post=3188"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/tags?post=3188"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}