{"id":1667,"date":"2013-08-07T12:26:02","date_gmt":"2013-08-07T12:26:02","guid":{"rendered":"http:\/\/learningandcreativity.com\/silhouette\/?p=1667"},"modified":"2022-05-25T19:03:27","modified_gmt":"2022-05-25T13:33:27","slug":"eternal-dialogues-of-bollywood-movies","status":"publish","type":"post","link":"https:\/\/learningandcreativity.com\/silhouette\/eternal-dialogues-of-bollywood-movies\/","title":{"rendered":"Eternal Dialogues Of Bollywood Movies"},"content":{"rendered":"

If you are a true Bollywood movie fan, you should have no trouble voting for the best eternal dialogues from our masala hits over the decades. The formula is pretty same as always \u2013 poor boy meets rich girl, arrogant rich dad of girl throws a fit, weepy mom of boy wails, villainous uncle plots to swindle the millions, boy falls into smuggling trap, girl goes in search of boy and ends up almost getting raped. Boy rescues girl, bashes villains, police arrives. A frantic last minute surgery. \u00a0Family picture.<\/span><\/p>\n

Now think of the dialogues that occur at some point of time in each potboiler churned out of the Bollywood mills.\u00a0 Here\u2019s our shortlist:<\/span><\/p>\n

Duniya ki koi taaqat hamein juda nahin kar sakti<\/strong><\/em>: (No power in the world can separate us) Love birds in any romantic movie, usually on a cliff top or in a temple<\/span><\/p>\n

\"Eternal<\/a>

The hero’s mother makes ends meet by paddling the sewing machine (pic courtesy: rediff.com)<\/p><\/div>\n

Beta, haath mooh dhokar khaana kha le<\/strong><\/em> (Son, wash your hands and face and eat food) Widowed poor mother of hero sewing by the kerosene lamp to her beloved son who swaggers in<\/span><\/p>\n

Beta, chaand si dulhan le aa<\/strong><\/em> (Son, bring a moon-faced bride): Affectionate mother to coy son who has quite obviously found himself a girl<\/span><\/p>\n

Dekho jee, yeh aap theek nahin kar rahe ho<\/strong><\/em> (listen dear, you are getting this wrong): Helpless mother to adamant father who is not willing to bend to the hero or heroine\u2019s wishes<\/span><\/p>\n

Maine tujhe issi liye paal-pos ke badaa kiya thha ke\u00a0tu mujhe yeh din dekhaaye?<\/strong>\u00a0<\/em>(Did I bring you up to see this day) Furious dad to sulking heroine who has just conveyed that she wants to marry the hero<\/p>\n

Mubarak ho! Tum baap banne wale ho<\/strong><\/em> (Congratulations, you are going to be a dad): Doctor to the hero after examining the heroine, a pulse reading is usually enough<\/span><\/p>\n

Kutte, main tera khoon pee jaaoonga<\/strong><\/em> (Dog, I\u2019ll drink your blood): Dharmendra with his flaring nostrils to every villain, who incidentally always happens to be an uncle<\/span><\/p>\n

\"Dharmendra\"Chun chun ke maaroonga<\/strong><\/em>\u00a0(will count and pick and choose and then kill) Dharmendra is easily the best with Math among the action heroes<\/p>\n

Ma, aaj tumhe bataana hi padega ki mera baap kaun hai:<\/strong><\/em> (Mom, you must reveal who my Dad is): Amitabh Bachchan\u2019s eternal line echoed by every Naajayaz son since Laawaris<\/span><\/p>\n

Jashn ki tayyari karo!<\/strong><\/em>: (Get ready for celebrations) Amrish Puri in Tridev and countless other films<\/p>\n

Naheeeeen\u2026.!!<\/strong><\/em> Sprawled heroine to advancing villain<\/span><\/p>\n

Khabardar jo usey haat bhi lagaya to!<\/strong><\/em>(Don\u2019t you dare touch her): tied up hero to lecherous villain moving towards wailing heroine<\/span><\/p>\n

Bhagwan ke liye mujhe chod do!<\/strong><\/em> (For God\u2019s sake, leave me): struggling heroine to villain<\/span><\/p>\n

Inspector sahab, giraftaar kar lo:<\/strong><\/em> (Inspector, arrest him): Hero to waiting policeman after bashing up villain. Typically the police waits for instructions before handcuffing the villain.<\/span><\/p>\n

Iska to bahut khoon bahey chooka hai. Fauran operation karna padega!<\/strong> <\/em>(He\u2019s lost a lot of blood. We need to operate immediately) Doctor to the waiting folks, in front of a door labeled operation theater with a red bulb over it<\/span><\/p>\n

Ab sabh kuch oopar waley ke haath mein hain! 24 ghante me hosh aa jana chahiye warna\u2026<\/strong> <\/em>(Everything is dependent on the Almighty): Exhausted doctor to the folks pacing in the hospital corridor<\/span><\/p>\n

Aaj meri aankhen khul gayee:<\/strong><\/em> (Today my eyes have opened): Every arrogant dad in last scene<\/span><\/p>\n

We can almost predict the dialogue before it is spoken in the formula masala movies and yet we never cease to enjoy them! That’s the magic of Hindi cinema.<\/p>\n

Hilarious additions to Eternal Dialogues of Bollywood contributed by members of Moviemaniacs Facebook Group<\/a><\/strong><\/span><\/p>\n

Babuji ki chhithi aayi hai<\/i><\/b> (we got a letter from dad) gaon ki gori<\/i> to her mother who is usually found stoking the chulha<\/p>\n

Jaiye, aap bade woh hain<\/i><\/b> (You are cho chweet<\/em>) coy heroine batting eyelashes at her hero\/jijaji teasing her<\/p>\n

Maa, main pass ho gaya<\/i><\/b> (Mom, I passed!) hero waving a newspaper to the mother who is busy either on the sewing machine or the chulha<\/i><\/p>\n

Main BA me first class first aaya ma<\/i><\/b> (I have topped my BA class, Mom!) (when the hero is studying BA no other guy can dare come first and the hero\u2019s sidekick will of course, flunk)<\/p>\n

\u00a0<\/i><\/b>Tum mujhe chhod ke nahin ja sakte.<\/i><\/b> (You can\u2019t dump me like that) desperate heroine to helpless hero who must leave her and go for whatever\u2019s sake<\/p>\n

Yeh shaadi nahi ho sakti<\/i><\/b> (this marriage is out of the question) the final statement from the father who can never agree to the son\/daughter\u2019s choice of spouse<\/span><\/p>\n

Maine tumhara rishta pakka kar diya hai aur agle hafte tumhari shaadi hai<\/i><\/b> (I have fixed your marriage. You\u2019re tying the knot next week) a severe looking father to the perplexed daughter who is most definitely in love with a guy the father doesn\u2019t have a clue about<\/p>\n

Main tumhare bachhe ki Maa ban ne wali hoon<\/i><\/b> (I\u2019m going to have your baby) 99% of the time the hone wali maa<\/i> is not yet married to the hone wala baap<\/i><\/p>\n

Kalmoohi, kahan muhn kala karke aayi hai?<\/i><\/b> (K#@&%$, where have you blackened your face) furious mom to the daughter who has sneaked home in the dead of the night only to bump into her mom who is standing on the top of the long staircase arms akimbo<\/p>\n

Main kisiko muhn dikhane ki layak nahi rahi<\/i><\/b> (Can\u2019t show my face to anyone) this dialogue can come from the heroine as well as her mom, depending upon who is in a bigger soup \u2013 the heroine because of her love affair in shambles or the mother because her daughter has put her in a fix<\/p>\n

Hey bhagwan! Yeh din dikhane se pehle mujhe utha kyon nahin lia,<\/i><\/b> (Oh God! Why didn\u2019t you pick me up before showing me this day) Frantic mom after discovering her daughter is all set to be an unwed mother<\/p>\n

Agar tumne Vijay se milne ki koshish ki to mera mara munh dekhogi!<\/i><\/b> (If you even so much as look towards Vijay, you will see me dead) The final ultimatum as a last resort to stop Vijay ki premika from tying the knot with Vijay<\/p>\n

Taalluk hai milord.. bohot hi gehra taalluk hai<\/i><\/b> (there is a link my lord, a very very deep connection) aggressive lawyer in flowing robes in a packed courtroom to a bored judge whose only is to thump the hammer periodically and yell \u201corder order\u201d)<\/p>\n

Main dekh sakti hoon maa… ab main dekh sakti hoon<\/i><\/b> (I can see now, Mom, I can see now) post-operation as the thick bandage is removed from her eyes, the heroine bats her eyelids furiously and the camera pans across her folks pouring over her; the images change from blurred to soft focus to clear. You are not supposed to notice the eye shadow and liner on the heroine\u2019s eyes.<\/p>\n

Main tumhare bina nahin reh sakta<\/i><\/b> (I can\u2019t live without you) the most oft-repeated moth-eaten pick up line<\/p>\n

Main tumhe zinda nahin chodoonga<\/i><\/b> (I won\u2019t let you remain alive) Struggling hero held by five goons yells at the gangleader who brandishes his latest trophies \u2013 the heroine and the hero\u2019s family members including ma, bhabhi, bhatija\/bhateeji, etc)<\/p>\n

Ab hamare khandaan ki izzat tumhare haathon mein hai<\/i><\/b> (all our family\u2019s honour is hanging by a thread in your hands) slogan of laachaar pita,<\/em> can be used in multiple situations \u2013 (1) the heroine\u2019s father places his pagdi<\/em> in front of the hero who is a guest in a shaadi<\/em> ceremony which has suddenly hit the rocks and he must save the dulhan<\/em> from humiliation (2) the heroine has got herself into a nice little soup and only the hero, and the hero alone can save her<\/p>\n

Tumhare aankhon mein aansoo? Tum ro rahi ho<\/i><\/b> (Your tears are about to spill over. Are you by any chance crying?) (the most unnecessary question when the heroine visibly is not chopping onions)<\/p>\n

and the response to this dialogue usually is<\/em><\/p>\n

Yeh toh khushi ke aansoon hain<\/i><\/b> (these are tears of joy, silly) the biggest lie \u2013 you can\u2019t sob buckets when thrilled<\/p>\n

Chhod do mujhe main mar jaana chahti hun<\/i><\/b> (leave me, I\u2019m planning to die) heroine at the edge of a cliff, struggling ever so gently so that the hero can easily hold her back<\/p>\n

Bhagwan, maine aajtak tumse kuch nahin maanga<\/i><\/b> (God, I don\u2019t remember having asked much from you so far) the nastik<\/em> hero who decides to ask a favor from god, making it sound as if he is doing a favor by coming to the temple<\/p>\n

  <\/p>\n","protected":false},"excerpt":{"rendered":"

If you are a true Bollywood movie fan, you should have no trouble voting for the best eternal dialogues from our masala hits over the decades. <\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[917,60,918],"class_list":["post-1667","post","type-post","status-publish","format-standard","hentry","category-critique","tag-bollywood-movies","tag-bollywood","tag-dialogues"],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/posts\/1667","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/comments?post=1667"}],"version-history":[{"count":0,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/posts\/1667\/revisions"}],"wp:attachment":[{"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/media?parent=1667"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/categories?post=1667"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/tags?post=1667"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}