{"id":1390,"date":"2014-03-24T10:50:04","date_gmt":"2014-03-24T10:50:04","guid":{"rendered":"http:\/\/learningandcreativity.com\/silhouette\/?p=1390"},"modified":"2018-05-29T11:10:04","modified_gmt":"2018-05-29T05:40:04","slug":"tribute-majrooh-sultanpuri-film-poet-millenium","status":"publish","type":"post","link":"https:\/\/learningandcreativity.com\/silhouette\/tribute-majrooh-sultanpuri-film-poet-millenium\/","title":{"rendered":"Majrooh Sultanpuri: Film Poet Of The Millennium"},"content":{"rendered":"<div id=\"attachment_1393\" style=\"width: 330px\" class=\"wp-caption alignright\"><img decoding=\"async\" aria-describedby=\"caption-attachment-1393\" class=\"wp-image-1393 size-full\" src=\"http:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/04\/Majrooh-Sultanpuri.jpg\" alt=\"Majrooh Sultanpuri\" width=\"320\" height=\"234\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/04\/Majrooh-Sultanpuri.jpg 320w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/04\/Majrooh-Sultanpuri-300x219.jpg 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/04\/Majrooh-Sultanpuri-150x110.jpg 150w\" sizes=\"(max-width: 320px) 100vw, 320px\" \/><p id=\"caption-attachment-1393\" class=\"wp-caption-text\">Majrooh Sultanpuri (R) with Lata Mangeshkar and Mohd Rafi<br \/>(Pic courtesy: Mohdrafi.com)<\/p><\/div>\n<p>When Majrooh Sultanpuri won the Dada Saheb Phalke award, it led to a heated debate on whether a \u201cmere\u201d lyricist should be conferred the nation&#8217;s highest film honor, rather than a wholesome filmmaker. But one thing remained unquestioned \u2013 Majrooh&#8217;s sheer versatility in writing over 2000 songs in a career spanning five decades.<\/p>\n<p>&#8220;Easily the most versatile lyricist in Hindi cinema, Majrooh Sultanpuri was also the most prolific without ever being profane. In a career spanning half a century, he is the only lyricist who wrote songs for heroes ranging from Saigal to Shah Rukh Khan and leading ladies from Nargis to Madhuri Dixit with aplomb, relinquishing somewhere along the way, his initial qualms about film music being too flippant,&#8221; writes\u00a0Ganesh Anantharaman in his book <a title=\"Buy Bollywood Melodies: A History of the Hindi Film Song from Amazon\" href=\"http:\/\/www.amazon.in\/gp\/product\/0143063405\/ref=as_li_ss_tl?ie=UTF8&amp;camp=3626&amp;creative=24822&amp;creativeASIN=0143063405&amp;linkCode=as2&amp;tag=learcrea-21\">Bollywood Melodies: A History of the Hindi Film Song<\/a>.<\/p>\n<p>Though basically a Unani medicine practitioner and sensitive <em>\u201cshaayar\u201d,<\/em> Majrooh could write any kind of lyrics tailor-made for the situation in the film. Be it the peppy \u201c<em>Hum hain rahi pyar ke<\/em>\u201d (<em>Nau Doh Gyarah)<\/em> or the nonsense lyrics of \u201c<em>C-A-T cat, cat maane billi<\/em>\u201d <em>(Dilli Ka Thug)<\/em> to \u201c<em>Aaj main upar aasman neeche<\/em>\u201d <em>(Khamoshi \u2013 The Musical),<\/em> Majrooh became the undisputed king of the \u201csituational song.\u201d<\/p>\n<p><strong><em><em>C-A-T cat, cat maane billi (<\/em>Dilli Ka Thug,\u00a0<\/em>1958)<\/strong><\/p>\n<p><iframe loading=\"lazy\" width=\"100%\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/GLVJ_QGcPyE?rel=0\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen><\/iframe><\/p>\n<p>Take for instance, the film <em>Abhimaan<\/em>\u00a0(1973) where each of the six songs were not put in as mere musical relief but as links through which the story progressed. Music director S. D. Burman won the Filmfare Award for it and the songs still rate among the evergreen hits. Be it Lata Mangeshkar solos such as <em>&#8220;Piya bina piya bina,&#8221; &#8220;Ab toh hai tumse har khushi apni&#8221;<\/em> or the Lata-Kishore duet which became one of their biggest hits together<em>&#8220;Tere mere milan ki yeh raina&#8221;,<\/em> the songs of <em>Abhimaan<\/em> portrayed Majrooh&#8217;s powerful command over lyrical poetry as well as a deep understanding of a woman&#8217;s psyche.<\/p>\n<p><strong><em><em>Tere mere milan ki yeh raina (<\/em>Abhimaan,\u00a0<\/em>1973)<\/strong><\/p>\n<p><iframe loading=\"lazy\" width=\"100%\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/MQTJ0rSBDKU\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen><\/iframe><\/p>\n<p>With S. D. Burman, Majrooh struck up one of the most lasting relationships. Sometimes the two would create such beautiful compositions that the filmmaker was forced to \u201ccreate\u201d situations to accommodate it.<\/p>\n<p>Who can ever forget \u201c<em>Jalte hain jiske liye<\/em>\u201d rendered in the highly romantic voice of Talat Mahmood that forced Bimal Roy to include a scene of Sunil Dutt singing it to Nutan over the telephone in <em>Sujata<\/em>, though it was not there in the original script.<\/p>\n<p><strong><em>Jalte hain jiske liye (<em>Sujata, 1959)<\/em><\/em><\/strong><\/p>\n<p><iframe loading=\"lazy\" width=\"100%\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/jsaKIKHmz3M\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen><\/iframe><\/p>\n<p>From \u201c<em>Hai apna dil to awara<\/em>\u201d which had the debonair Dev Anand flirting with Waheeda Rehman in <em>Sohlva Saal<\/em> (1958) to the strictly classical \u201c<em>Tere naina talaash karen<\/em>\u201d by Manna Dey in <em>Talaash<\/em> (1969), from the classic roothna-manana song\u00a0<em>&#8220;Achchha ji main haari chalo maan jao na&#8221; <\/em>in<em>\u00a0Kalapani\u00a0<\/em>(1958) to the boisterous song of the three harum-scarum brothers\u00a0in their madly driven jalopy\u00a0<em>&#8220;Baboo, samjho ishaare&#8221;<\/em>\u00a0in <em>Chalti Ka Naam Gadi<\/em>\u00a0(1957), the Majrooh-Burman Dada team delivered hit after hit.<\/p>\n<p><strong><em>Achha ji main haari chalo maan jaao na<\/em><\/strong> (<em>Kalapani<\/em>, 1958) SD Burman \/ Asha Bhosle and Mohd Rafi,\u00a0<\/p>\n<p><iframe loading=\"lazy\" width=\"100%\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/ft-aKA3KX8o?rel=0\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen><\/iframe><\/p>\n<p>Majrooh had got his first break as a lyricist in A R Kardar&#8217;s <em>Shah Jahan<\/em>\u00a0in 1945, penning the last classic by K L Saigal <em>&#8220;Jab dil hi toot gaya&#8221;<\/em>. Saigal loved the song so much that he wanted it played in his last journey, which happened soon after the film&#8217;s release.<\/p>\n<p>His lilting compositions in the Raj Kapoor-Dilip Kumar-Nargis starrer <em>Andaz<\/em> in 1949, was his first big success, remember the lilting Lata Mangeshkar number <em>&#8220;Uthaye jaa unke sitam&#8221;<\/em>? But amidst all the pomp of Bollywood film music the &#8216;<em>shaayar&#8217;<\/em>\u00a0in him who was a popular figure at <em>mushairas<\/em> (poetry gatherings), craved to come out.<\/p>\n<p><strong><em><em>Uthaye jaa unke sitam (<\/em>Andaz,\u00a0<\/em>1949)<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/M71eDgmpjR4\" width=\"100%\" height=\"480\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>In the 1960s, two films stand out among Majrooh&#8217;s repertoire for \u00a0painting a sublime and honest, almost brutal picture of society through his lyrics. You can spot his &#8220;communist leanings&#8221; in <em>Aarti<\/em> (1962):<\/p>\n<p><i>Bane ho ek khaak se,<\/i><br \/>\n<i>To door kya qareeb kya<\/i><\/p>\n<p><i>Lahu ka rang ek hai, <\/i><br \/>\n<i>Amir kya garib kya\u00a0<\/i><i><\/i><\/p>\n<p><i>Gareeb hai voh is liye,<\/i><br \/>\n<i>Tum amir ho gaye<\/i><br \/>\n<i>Ke ek baadshah hua,<\/i><br \/>\n<i>To sau faqeer ho gaye\u00a0<\/i><\/p>\n<p><i>Khata hai yeh samaaj ki<br \/>\nBhala bura naseeb kya<\/i><\/p>\n<p><strong><em><i>Bane ho ek khaak se (<\/i>Aarti<\/em>, 1962)<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/WGC-S_rUkDY\" width=\"100%\" height=\"480\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>The poignancy and agony stand out again in the scorching lyrics of <em>Mamta<\/em> (1965):<\/p>\n<p><em>Rahate the kabhi jin ke dil mein\u00a0<\/em><br \/>\n<em> Hum jaan se bhi pyaron ki tarah\u00a0<\/em><br \/>\n<em> Baithhe hain unhi ke koochein mein\u00a0<\/em><br \/>\n<em> Hum aaj gunahgaaron ki tarah<\/em><\/p>\n<p><strong><em><em>Rahate the kabhi jin ke dil mein (<\/em>Mamta<\/em>, 1965)<\/strong><\/p>\n<p><iframe loading=\"lazy\" width=\"100%\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/x2plQQ80x3k\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen><\/iframe><\/p>\n<p>And the everlasting:<\/p>\n<p><em>Rahein na rahein hum<br \/>\nMehka karenge<br \/>\nBanke kali, banke sabaa<br \/>\nBaag-e-wafa mein<\/em><\/p>\n<p><strong><em><em><em>Rahein na rahein hum<\/em>\u00a0(<\/em>Mamta<\/em>, 1965)<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/FRdqoJPc6bQ\" width=\"100%\" height=\"480\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Roshan created his career best compositions with these lyrics and not surprisingly, <a title=\"Lata Mangeshkar: The Nightingale\u2019s Everlasting Melodies\" href=\"http:\/\/learningandcreativity.com\/lata-mangeshkar\/\">Lata Mangeshkar <\/a>lists &#8220;<em>Rahein<\/em> \u00a0<em>na rahein hum&#8221; <\/em>as one of her 20 most favourite songs.<\/p>\n<p><span style=\"line-height: 1.5;\">It was in <\/span><em style=\"line-height: 1.5;\">Dastak<\/em><span style=\"line-height: 1.5;\"> (1971) that Majrooh wrote one of his memorable ghazals &#8216;<\/span><em style=\"line-height: 1.5;\">Hum hain mataa-e kucha-o, bazaar ki tarah. Uthi hai har nigaah, khariddar ki tarah<\/em><span style=\"line-height: 1.5;\">&#8216;, set to music by Madan Mohan.<\/span><\/p>\n<p>Just as traditional<em> &#8216;shaayars&#8217;<\/em> sign their name in the last couplet of the ghazal, Majrooh wrote, \u201c<em>Majrooh likh rahein hain, woh ahl-e-wafa ka naam<\/em>&#8216; \u2013 perhaps the only time such an attempt was made in a film song.<\/p>\n<p><strong><em><em>Hum hain mataa-e kucha-o (<\/em>Dastak<\/em>, 1970)<\/strong><\/p>\n<p><iframe loading=\"lazy\" width=\"100%\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/Jrdp3LdoiGA?rel=0\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen><\/iframe><\/p>\n<p>From composers like Laxmikant Pyarelal and Chitragupta to O. P. Nayyar and Roshan and later his son Rajesh Roshan, Majrooh worked with all the leading musical lights of the century.<\/p>\n<p><em>\u201cMana janab ne pukara nahin\u201d (Paying Guest), \u201cTeri ankhon ke siva\u201d (Chirag), \u201cYeh dil na hota bechara\u201d (Jewel Thief), &#8220;Chhalkaye jaam&#8221; (Mere Humdum Mere Dost)<\/em>\u00a0are as popular today as they were when they had first hit the market.<\/p>\n<p><strong><em>Teri ankhon ke siva (Chirag, 1969)<\/em><\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/mHlkJL00C24\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>As the golden era of the fifties and sixties, when melody and meaningful lyrics were held paramount, flowed into the rock-and-roll seventies, Majrooh kept pace with the rhythm-oriented music.<\/p>\n<p>His alliance with R. D. Burman served up some of the biggest hits &#8212;\u00a0<em>\u201cO mere sona re\u201d<\/em> and <em>&#8220;Aaja aaja main hoon pyar tera&#8221; (Teesri Manzil)<\/em>, \u201c<em>Chura liya hai tumne jo dilko<\/em>\u201d <em>(Yaadon Ki Baraat)<\/em>, \u201c<em>Bahon mein chale aao<\/em>\u201d <em>(Anamika)<\/em>, \u201c<em>Raat kali ek khwab mein aayee<\/em>\u201d <em>(Buddha Mil Gaya), Yeh ladka hai Allah (Hum Kisi Se Kum Nahin)<\/em>.<\/p>\n<p><strong><em><em>Chura liya hai tumne jo dilko (<\/em>Yaadon Ki Baraat<\/em>, 1973)<\/strong><\/p>\n<p><iframe loading=\"lazy\" width=\"100%\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/xMI__UgwOJM\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen><\/iframe><\/p>\n<p>Born on October 1, 1919 in Uttar Pradesh, his 80-year long life saw Majrooh scale the highest peak in his career when he became known as the \u201cfilm poet of the millennium.\u201d His advancing age did not deter the young heart he had within which could pen lyrics as youthful and fresh describing the first fragrance of romance as\u00a0<em>&#8220;Pehla nasha pehla khumaar&#8221; in Jo Jeeta Wohi Sikandar <\/em>(1992).<\/p>\n<p><strong><em><em>Pehla nasha pehla khumaar (<\/em>Jo Jeeta Wohi Sikandar<\/em>, 1992)<br \/>\n<\/strong><\/p>\n<p><iframe loading=\"lazy\" width=\"100%\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/hXxTe-rYHOY\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen><\/iframe><\/p>\n<p>Till he breathed his last, he was still writing prolifically for composers like A R Rahman and recent films like <em>Kya Kehna.<\/em><\/p>\n<p>He used to say often, \u201c<em>Main to akela hi chala tha, jaanib-e-manzil magar, log saath aate gaye, caaravan banta gaya<\/em>\u201d (I walked alone towards my goal, people joined me and the caravan kept growing.)<\/p>\n<p>The caravan is still on, although the leader is no more, the legacy lives.<\/p>\n<p><strong>Majrooh Sultanpuri &#8211; Biography<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/ws3qr0p2hio\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h5><span style=\"color: #c2150a;\"><strong>Some classic collections of evergreen hit Hindi film songs<\/strong><\/span><\/h5>\n<p><a href=\"http:\/\/www.flipkart.com\/geetmala-ki-chhaon-mein-volume-36-40\/p\/itmdz524rmzjjyz9?pid=AVMDECR2Z3BW3ETZ&amp;affid=partholear\"><img decoding=\"async\" class=\"alignleft wp-image-1395\" src=\"http:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/04\/geetmala-ki-chhaon-mein-volume-34-40.jpeg\" alt=\"Geet Mala ki Chhaon mein volume\" width=\"120\" height=\"163\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/04\/geetmala-ki-chhaon-mein-volume-34-40.jpeg 294w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/04\/geetmala-ki-chhaon-mein-volume-34-40-150x204.jpeg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/04\/geetmala-ki-chhaon-mein-volume-34-40-110x150.jpeg 110w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/04\/geetmala-ki-chhaon-mein-volume-34-40-221x300.jpeg 221w\" sizes=\"(max-width: 120px) 100vw, 120px\" \/><\/a>\u00a0<a href=\"http:\/\/www.flipkart.com\/geetmala-ki-chhaon-mein-vol-26-30\/p\/itmdz5fzw68ysgmz?pid=AVMDFHGPVSDKTEDK&amp;ppid=AVMDECR2Z3BW3ETZ&amp;affid=partholear\"><img decoding=\"async\" class=\"alignleft wp-image-1394\" src=\"http:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/04\/ameen-sayani-presents-geetmala-ki-chhaon-mein-vol-26-to-30.jpeg\" alt=\"Ameen Sayani Presents Geetmala ki Chhaon Mein\" width=\"120\" height=\"148\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/04\/ameen-sayani-presents-geetmala-ki-chhaon-mein-vol-26-to-30.jpeg 325w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/04\/ameen-sayani-presents-geetmala-ki-chhaon-mein-vol-26-to-30-300x369.jpeg 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/04\/ameen-sayani-presents-geetmala-ki-chhaon-mein-vol-26-to-30-150x185.jpeg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/04\/ameen-sayani-presents-geetmala-ki-chhaon-mein-vol-26-to-30-122x150.jpeg 122w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/04\/ameen-sayani-presents-geetmala-ki-chhaon-mein-vol-26-to-30-244x300.jpeg 244w\" sizes=\"(max-width: 120px) 100vw, 120px\" \/><\/a>\u00a0<a href=\"http:\/\/www.flipkart.com\/suhaana-safar-annu-kapoor\/p\/itmdr5fshrnegbew?pid=AVMDR3QY6YHGEHTE&amp;affid=partholear\"><img decoding=\"async\" class=\"alignleft wp-image-1396\" src=\"http:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/04\/suhaana-safar-with-annu-kapoor.jpeg\" alt=\"Suhaana Safar\" width=\"120\" height=\"215\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/04\/suhaana-safar-with-annu-kapoor.jpeg 223w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/04\/suhaana-safar-with-annu-kapoor-150x269.jpeg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/04\/suhaana-safar-with-annu-kapoor-84x150.jpeg 84w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/04\/suhaana-safar-with-annu-kapoor-167x300.jpeg 167w\" sizes=\"(max-width: 120px) 100vw, 120px\" \/><\/a>\u00a0<a href=\"http:\/\/www.flipkart.com\/lata-mangeshkar-ultimate-collection\/p\/itmdz5fzpqmgz5gw?pid=AVMCVG6MWVGSKMGY&amp;srno=t_1&amp;query=lata+mangeshkar&amp;affid=partholear\"><img decoding=\"async\" class=\"alignleft wp-image-1397\" src=\"http:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/04\/Lata-Mangeshkar-The-Ultimate-Collection.jpg\" alt=\"Lata Mangeshkar - The Ultimate Collection\" width=\"120\" height=\"120\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/04\/Lata-Mangeshkar-The-Ultimate-Collection.jpg 275w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/04\/Lata-Mangeshkar-The-Ultimate-Collection-150x150.jpg 150w\" sizes=\"(max-width: 120px) 100vw, 120px\" \/><\/a> <a href=\"http:\/\/www.flipkart.com\/legends-mohd-rafi\/p\/itmdz5fmuc4azxye?pid=AVMCVG6MBNZJGGWV&amp;ppid=AVMD4QCUFYZYAQKS&amp;affid=partholear\"><img decoding=\"async\" class=\"alignleft wp-image-1398\" src=\"http:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/04\/legends-mohd-rafi.jpeg\" alt=\"Legends Mohd Rafi\" width=\"120\" height=\"196\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/04\/legends-mohd-rafi.jpeg 245w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/04\/legends-mohd-rafi-150x245.jpeg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/04\/legends-mohd-rafi-92x150.jpeg 92w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/04\/legends-mohd-rafi-184x300.jpeg 184w\" sizes=\"(max-width: 120px) 100vw, 120px\" \/><\/a> <\/p>\n<!-- AddThis Advanced Settings generic via filter on the_content --><!-- AddThis Share Buttons generic via filter on the_content -->","protected":false},"excerpt":{"rendered":"<p>Majrooh could write any kind of lyrics tailor-made for the situation in the film.<!-- AddThis Advanced Settings generic via filter on get_the_excerpt --><!-- AddThis Share Buttons generic via filter on get_the_excerpt --><\/p>\n","protected":false},"author":4,"featured_media":1391,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[821],"tags":[727,728,729,730,731,732,733,734,735,736,737,535,738,739,524,740,741,742],"class_list":["post-1390","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music-makers","tag-abhimaan","tag-andaz","tag-bollywood-song-lyrics","tag-dada-saheb-phalke-award","tag-film-poet-of-the-millennium","tag-lyricistx-majrooh","tag-majrooh-film-poet","tag-majrooh-ghazals","tag-majrooh-lyricist","tag-majrooh-poet","tag-majrooh-shayar","tag-majrooh-sultanpuri","tag-majrooh-sultanpuri-lyricist","tag-majrooh-sultanpuri-songwriter","tag-s-d-burman","tag-shayar","tag-song-lyrics","tag-songwriter"],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/posts\/1390","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/comments?post=1390"}],"version-history":[{"count":0,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/posts\/1390\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/media\/1391"}],"wp:attachment":[{"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/media?parent=1390"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/categories?post=1390"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/tags?post=1390"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}