{"id":1373,"date":"2014-03-31T09:14:22","date_gmt":"2014-03-31T09:14:22","guid":{"rendered":"http:\/\/learningandcreativity.com\/silhouette\/?p=1373"},"modified":"2024-03-31T20:45:22","modified_gmt":"2024-03-31T15:15:22","slug":"meena-kumari-timeless-beauty-legendary-actress","status":"publish","type":"post","link":"https:\/\/learningandcreativity.com\/silhouette\/meena-kumari-timeless-beauty-legendary-actress\/","title":{"rendered":"The Legend That Was Meena Kumari"},"content":{"rendered":"<p><img decoding=\"async\" class=\"aligncenter size-full wp-image-3093\" src=\"http:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/meena-kumari.jpg\" alt=\"Meena Kumari\" width=\"828\" height=\"344\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/meena-kumari.jpg 828w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/meena-kumari-400x166.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/meena-kumari-150x62.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/meena-kumari-768x319.jpg 768w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/meena-kumari-300x125.jpg 300w\" sizes=\"(max-width: 828px) 100vw, 828px\" \/><\/p>\n<div id=\"attachment_4774\" style=\"width: 410px\" class=\"wp-caption alignleft\"><img decoding=\"async\" aria-describedby=\"caption-attachment-4774\" class=\"wp-image-4774\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/mahjabeen-bano-Meena-Kumari.jpg\" alt=\"Meena Kumari\" width=\"400\" height=\"558\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/mahjabeen-bano-Meena-Kumari.jpg 641w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/mahjabeen-bano-Meena-Kumari-287x400.jpg 287w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/mahjabeen-bano-Meena-Kumari-108x150.jpg 108w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/mahjabeen-bano-Meena-Kumari-300x418.jpg 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/mahjabeen-bano-Meena-Kumari-150x209.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/mahjabeen-bano-Meena-Kumari-215x300.jpg 215w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><p id=\"caption-attachment-4774\" class=\"wp-caption-text\">Mahajabeen Bano who grew up to be Meena Kumari (Pic: Google Image Search)<\/p><\/div>\n<p>When we talk of\u00a0Meena Kumari \u2013 the legendary actress, the films that come to mind immediately are\u00a0<em>Pakeezah\u00a0<\/em>and\u00a0<em>Sahib Bibi Aur Ghulam<\/em>. Reason? Perhaps no other actress would have been able to do justice to those hugely challenging roles, where she had to break herself down in pain, anguish and melancholia to come up with such true to life performances.<\/p>\n<p>Widely acclaimed for her heart-touching performances in tragic and grief-stricken roles, Meena Kumari earned herself the epithet of\u00a0\u201cTragedy Queen\u201d.\u00a0She lived a short life (she\u00a0<span style=\"color: #222222;\">died\u00a0<span class=\"_Nq\" style=\"font-weight: bolder;\">\u00a0<\/span><span class=\"kno-fv _WF\">March 31, 1972 before she could cross 40) but left behind a repertoire of inimitable performances\u00a0in roles that were often tailor-made for her.<\/span><\/span><\/p>\n<p>Meena Kumari was born as Mahjabeen Bano to Ali Baksh and Iqbal Begum on 1st August 1932. While her father was an actor in Parsi theater, her mother was a stage actress before marriage and was related to the renowned Tagore family in Bengal.<\/p>\n<p>Her acting career started as a child artiste at\u00a0the tender age of six\u00a0in the film <em>Leatherface<\/em> in 1939.\u00a0\u00a0Writes Nikhil E Iyer in his article <a href=\"https:\/\/nikhileiyer.wordpress.com\/2013\/04\/01\/meena-kumari-the-singing-maestro\/amp\/\">Meena Kumari, The Music Maestro<\/a>, &#8220;She started her career playing the role of a child actress in few movies like <em>Nai Roshni, Leatherface, Pooja<\/em> and few others. She worked in many more movies playing the role of a child actress\u00a0 like <em>Garib, Pratigya<\/em> and <em>Lal Haveli.<\/em> She achieved a big break in <em>Duniya Ek Sarai<\/em> (1947). There was another movie <em>Bahen<\/em> which released in 1941. In this movie, merely at the age of 8 yrs, she sang a beautiful song with Beena Kumari <em>Tora kajra lagoon mori rani<\/em>. In this song, Meena Kumari is looking very cute and this song was the initial break which she got for her bright life ahead.&#8221;<\/p>\n<p>Just look at the innocent happiness of the charming Mahajabeen Bano in this song from the Nalini Jaywant-Sheikh Mukhtar starrer 1941 movie <em>Bahen (Farzad-e-Watan)<\/em>. This was the first recorded song of Meena Kumari who went on to act in 93 films. Music was by Anil Biswas and lyrics by Safdar Aah Sitapuri. A junior edition of the impish Lolita in <em>Parineeta<\/em> with those unmistakable eyes and smile \ud83d\ude42<\/p>\n<p><strong><em>Tora kajra lagoon mori rani (Bahen, <\/em><\/strong>1941<strong><em>)<\/em><\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/YF8PSE7egF8\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>A superstar and one of the finest actors of her times, Meena Kumari shot to fame with Vijay Bhatt&#8217;s <em>Baiju Bawra<\/em> (1952).\u00a0\u00a0With the new screen name of\u00a0Meena Kumari, she went to enthrall the audience with her histrionics and powerful performances in an illustrious career spanning 30 years.<\/p>\n<div id=\"attachment_4372\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" aria-describedby=\"caption-attachment-4372\" class=\"size-full wp-image-4372\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2018\/07\/and-they-made-classics.jpg\" alt=\"Bimal Roy Meena Kumari Ashok Kumar\" width=\"600\" height=\"300\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2018\/07\/and-they-made-classics.jpg 600w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2018\/07\/and-they-made-classics-150x75.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2018\/07\/and-they-made-classics-400x200.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2018\/07\/and-they-made-classics-300x150.jpg 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><p id=\"caption-attachment-4372\" class=\"wp-caption-text\">Bimal Roy directing Meena Kumari and Ashok Kumar in <em>Parineeta<\/em> &#8211; a still from <a href=\"https:\/\/learningandcreativity.com\/silhouette\/nabendu-ghosh-sciptwriter-author\/\">And They Made Classics<\/a>&#8230;<\/p><\/div>\n<p>A pristine beauty who had remarkable dignity and poise, Meena Kumari stood apart from other actresses in terms of not only amazing acting talent but also a sobriety that became her trademark. Says Iyer, &#8220;Meena Kumari sang 30+ songs too in her career. She was a gifted singer as well apart from being such a wonderful actress.&#8221;<\/p>\n<p><strong><em>Mohe bhool gaye saanwariya (Baiju Bawara, <\/em><\/strong>1952<strong><em>)<\/em><\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/Vsxun4s9l-8\" width=\"100%\" height=\"480\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Watch her in <em>Aarti<\/em> or <em>Dil Apna Aur Preet Parai<\/em> or even <em>Bhabhi Ki Chudiyan<\/em>, Meena Kumari successfully created an aura even in a simple white sari and a bun at the nape of her neck.<\/p>\n<p><strong><em>Kabhi to milegi (Aarti<\/em><\/strong>, 1962)<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/UMZWtjM7Xa8\" width=\"100%\" height=\"480\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><em>Aarti<\/em> was another feather in the crowded cap of Meena Kumari. An off-beat storyline of a love triangle where the title role was that of a confident and successful doctor who falls in love with a demoralized but good-hearted struggler. Adding to the triangle was the ambitious, money-centric surgeon Ashok Kumar.<\/p>\n<div id=\"attachment_3090\" style=\"width: 410px\" class=\"wp-caption alignright\"><img decoding=\"async\" aria-describedby=\"caption-attachment-3090\" class=\"wp-image-3090\" src=\"http:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/aarti-meena-kumari.jpg\" alt=\"Aarti (Meena Kumari)\" width=\"400\" height=\"300\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/aarti-meena-kumari.jpg 480w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/aarti-meena-kumari-400x300.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/aarti-meena-kumari-150x113.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/aarti-meena-kumari-300x225.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><p id=\"caption-attachment-3090\" class=\"wp-caption-text\"><em>Ab kya misaal doon main tumhare shabaab ki<\/em> (Meena Kumari in <em>Aarti<\/em>, 1962)<\/p><\/div>\n<p>Director Phani Mazumdar got sterling performances out of Meena Kumari, Pradeep Kumar and Ashok Kumar, accentuated further by an unforgettable music score by Roshan and inspiring lyrics from Majrooh Sultanpuri.<\/p>\n<p><em>Ab kya misaal doon main tumhare shabaab ki <\/em>is a classic song that expresses the beauty of a woman as a reflection of the most wonderous elements of nature. Small wonder then that the camera caught Meena Kumari in all her beauty and charm.<\/p>\n<p>Notice the striking imagery in these lines:<br \/>\n<em>Insaan ban gayi hai kiran maahataab ki <\/em><\/p>\n<p><em>chehre mein ghul gaya hai haseen chandni ka noor<\/em><br \/>\n<em> aankhon mein hai chaman ki jawan raat ka suroor<\/em><br \/>\n<em> gardan hai ek jhuki hui daali gulab ki<\/em><\/p>\n<p><em>gesu khule to shaam ke dil se dhuan uthe<\/em><br \/>\n<em> chhule kadam to jhukke na phir aasman uthe<\/em><br \/>\n<em> sau baar jhilmilaye shama aaftab ki<\/em><\/p>\n<p>Or sample the song\u2026. <em>Baar baar tohe kya samjhaaye. <\/em>The line starts as a question and ends up as an answer. The way the tune changes notes in the repetition of the first line of the <em>mukhda<\/em> has you floored at the outset!<\/p>\n<div id=\"attachment_3091\" style=\"width: 410px\" class=\"wp-caption alignright\"><img decoding=\"async\" aria-describedby=\"caption-attachment-3091\" class=\"wp-image-3091\" src=\"http:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/aarti.jpg\" alt=\"Meena Kumari and Pradeep Kumar in Aarti\" width=\"400\" height=\"279\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/aarti.jpg 476w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/aarti-400x279.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/aarti-150x105.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/aarti-300x209.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><p id=\"caption-attachment-3091\" class=\"wp-caption-text\">Baar baar tohe kya samjhaaye (Meena Kumari and Pradeep Kumar in <em>Aarti<\/em>)<\/p><\/div>\n<p>Meena Kumari looks ravishing. Watch the light and shadow flicker over her serene, dignified face with that charming smile that says&#8230; oh come on&#8230; don&#8217;t pretend innocence. Dignity, charm, beauty all packed in a sari-clad, bindi-and-flower-in-the-hair charm. Pure magic!<\/p>\n<p>Roshan&#8217;s music is superbly romantic and so is Majrooh Sahab&#8217;s mischief-cloaked Q&amp;A dipped in romance. Observes Manek Premchand, the author of <em>Romancing the Song<\/em> and several other popular books on music and cinema, \u201cWhat a song this is, a <em>Laavni<\/em> in <em>Khamaaj<\/em>! An amazing work of art! You know what I rate as perhaps the highest point of this song? It&#8217;s a divine touch the maestro Roshan gives at 4.12&#8230;after Rafi says <em>\u2018Kya\u2019<\/em> near the end, Lata should be singing <em>\u2018Tere bin saajan&#8230;\u2019.<\/em> But no, Roshan has silenced her, and it&#8217;s the <em>bansuri<\/em> that comes on instead&#8230;a masterpiece move! But that&#8217;s not all, in those few seconds Meena Kumari gives him that divine glance, before lip-syncing Lata again&#8230;with an O o o&#8230;aesthetic treatment of a very high kind indeed!\u201d<\/p>\n<p>Pradeep Kumar looks the typical shy jholawala. He romances sweetly but with some obvious hesitation.<br \/>\n<em>ek baat kaheta hoon tumse, na karna inkar<br \/>\nkya&#8230;?<br \/>\naa tohe sajani le chaloon nadiyan ke paar<\/em><br \/>\nMohd Rafi and Lata Mangeshkar quite obviously enjoyed the song, the emoting happens in the way they render it.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/sAjy3E3lQPU\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>\u2018Tragedy king\u2019 Dilip Kumar and \u2018tragedy queen\u2019 Meena Kumari broke away from their typical tragic roles to play a prince and princess of different kingdoms in a humorous and light film which was full of sword fights, songs and dances and of course, this rather \u201croyal Holi\u201d song.<\/p>\n<p>Sung by queen of the melodies <a href=\"http:\/\/learningandcreativity.com\/lata-mangeshkar\/\">Lata Mangeshkar<\/a> &#8220;<em>Jyoti kalash chhalke<\/em>&#8221; from <em>Bhabhi Ki Chudiyan<\/em> is a mesmerizing beginning to the morning. Written by Pandit Narendra Sharma and composed by Sudhir Phadke, this ethereal Lata Mangeshkar number\u00a0brings out Meena Kumari in all her serenity and compassion.<\/p>\n<p>The song, almost a hymn, touches a rare spiritual level evoking a sense of languid peace and sublimity\u00a0in the listener and the viewer like few other songs can.<\/p>\n<p><em><strong>Jyoti kalash chhalke <\/strong><\/em>(<em><strong>Bhabhi Ki Chudiyan<\/strong><\/em>, 1961)<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/ajb-SgmNevg\" width=\"100%\" height=\"480\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>\u201c<em>Ajeeb dastan hai yeh<\/em>\u201d is an evergreen and immortal song from <em>Dil Apna Aur Preet Parai<\/em>.<\/p>\n<p>When you watch this lilting melody on screen, you can&#8217;t help marveling at the charisma of Meena Kumari and the way she emotes the pain of her broken heart hidden behind a brave smile (her lover Rajkumar has been forced to marry Nadira).<\/p>\n<p><em><strong>Ajeeb dastan hai yeh (Dil Apna Aur Preet Parai)<\/strong><\/em><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/ryjFAVMS30Y\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Interestingly, Meena Kumari achieved a rare feat in 1962, creating history in <em>Filmfare<\/em> awards as the only actress who competed with herself for the Best Actress award. In the running for the award were three films &#8211; <em>Aarti, Main Chup Rahungi <\/em>and <em>Sahib Biwi aur Ghulam<\/em>. She picked up the award for <em>Sahib Biwi aur Ghulam<\/em>. No other actress found even a place in the nominations that year!<\/p>\n<p>In\u00a0<em>Sahib Bibi Aur Ghulam&#8217;s <\/em>iconic<em> &#8220;Na jao saiyyan, chhudake baiyyan&#8221;<\/em>\u00a0Meena Kumari\u00a0 plays \u00a0the frustrated and desperate\u00a0<em>Chhoti Bahu,<\/em>\u00a0who throws decorum to the winds \u00a0and drowns herself in alcohol in a bid to stop her wayward husband from going to the nautch girl.<\/p>\n<div id=\"attachment_3092\" style=\"width: 410px\" class=\"wp-caption alignright\"><img decoding=\"async\" aria-describedby=\"caption-attachment-3092\" class=\"wp-image-3092\" src=\"http:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/sahib-bibi-aur-ghulam.jpg\" alt=\"Sahib Bibi aur Ghulam\" width=\"400\" height=\"229\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/sahib-bibi-aur-ghulam.jpg 483w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/sahib-bibi-aur-ghulam-400x229.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/sahib-bibi-aur-ghulam-150x86.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/sahib-bibi-aur-ghulam-300x172.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><p id=\"caption-attachment-3092\" class=\"wp-caption-text\">Na jaao sainyyan, chhudaake bainyya (Meena Kumari in <em>Sahib Bibi aur Ghulam<\/em>)<\/p><\/div>\n<p>The outpouring of feeling and expressions in this song is matchless. Meena Kumari&#8217;s expressions find perfect voice in Geeta Dutt&#8217;s <em>bhaav gayaki.<\/em>.. portraying Chhoti Bahu&#8217;s heart-rending plea to prevent her husband <span class=\"text_exposed_show\">from drowning further in debauchery.<\/span><\/p>\n<div class=\"text_exposed_show\">\n<p>Hemant Kumar&#8217;s music and Shakeel Badayuni&#8217;s lyrics combined with Geeta Dutt&#8217;s straight-from-the-heart singing and Meena Kumari&#8217;s awe-inspiring histrionics to create a peerless scene crafted by Abrar Alvi and Guru Dutt.<\/p>\n<\/div>\n<p>Both <a title=\"Geeta Dutt \u2013 The Skylark Who Sang From The Heart\" href=\"http:\/\/learningandcreativity.com\/geeta-dutt\/\">Geeta Dutt<\/a> and Meena Kumari bring out all their inner pain and anguish in this stunning portrayal.\u00a0Interestingly, the lives of these two remarkable ladies would uncannily mirror each other over the next two decades, says Aditya Pant, in the website <em><a title=\"Geeta Dutt &amp; Meena Kumari \u2013 Mirrored Lives!\" href=\"http:\/\/www.geetadutt.com\/blog\/?p=559\">Geetadutt.com<\/a><\/em>.<\/p>\n<p>&#8220;It was in the early 1950s when both Meena Kumari and Geeta Roy\u2019s lives started mirroring each other\u2019s. During the recording of a song of <em>Baazi<\/em>, Geeta Roy met Guru Dutt for the first time and this meeting apparently blossomed into love and ultimately culminated in their marriage in 1953. Meena Kumari\u2019s experience was no different. She too met her future husband, Kamal Amrohi, at work, i.e. on the sets of a film. Meena Kumari and Kamal Amrohi eventually got married in 1952.<\/p>\n<p>With the success of <em>Baiju Bawara<\/em> in 1952, Meena Kumari established herself as one of the top actresses of the time.<\/p>\n<div id=\"attachment_1375\" style=\"width: 261px\" class=\"wp-caption alignright\"><img decoding=\"async\" aria-describedby=\"caption-attachment-1375\" class=\"wp-image-1375 size-full\" src=\"http:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/Meena-Kumari-in-Gomti-Ke-Kinaare1.jpg\" alt=\"Hand painted poster featuring Meena Kumari in Gomti Ke Kinaare\" width=\"251\" height=\"350\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/Meena-Kumari-in-Gomti-Ke-Kinaare1.jpg 251w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/Meena-Kumari-in-Gomti-Ke-Kinaare1-150x209.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/Meena-Kumari-in-Gomti-Ke-Kinaare1-108x150.jpg 108w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/Meena-Kumari-in-Gomti-Ke-Kinaare1-215x300.jpg 215w\" sizes=\"(max-width: 251px) 100vw, 251px\" \/><p id=\"caption-attachment-1375\" class=\"wp-caption-text\">A stunning hand painted Diwakar Karkare portrait of the queen of tragedy (Pic: <a href=\"http:\/\/learningandcreativity.com\/rare-bollywood-film-posters\/\">SMM Ausaja<\/a>)<\/p><\/div>\n<p>&#8220;In the following year, with her strong performance in Bimal Roy\u2019s <em>Parineeta<\/em> (based on Sarat Chandra\u2019s eponymous novel) she won her second consecutive Filmfare award. Musically speaking, the highlight of the film in my opinion was <em>Chand Hai Wohi<\/em>, sung with great feeling by Geeta.\u00a0The nuances of a woman&#8217;s unflinching devotion to the man she has secretly married and her inability to reveal her \u2018secret\u2019 is brought out brilliantly in this song.&#8221;<\/p>\n<p><span style=\"line-height: 1.5;\">&#8220;The coincidental similarities between the lives of Meena Kumari and Geeta Dutt continued. In the second half of the 1950\u00a0decade their husbands conceived two films with their wives in the lead role. Guru Dutt planned <em>Gauri<\/em>, which unfortunately did not progress beyond a few days of shooting. Kamal Amrohi planned his magnum opus <em>Pakeezah<\/em>, which again went into cold storage for many years, apparently due to the troubled relationship between Meena Kumari and Kamal Amrohi. Thankfully, the project was revived and released almost 15 years after it was first conceived.<\/span><\/p>\n<p>As the years progressed, the married lives of both the artistes were in shambles. It was at this time that Guru Dutt offered <em>Sahib Bibi Aur Ghulam<\/em> to Meena Kumari. This tale of a woman\u2019s desperation to gain her husband\u2019s love and attention, and eventually finding solace in drinking, couldn\u2019t have been closer to her real life. Geeta Dutt\u2019s personal situation at this time was no different. When Geeta Dutt sang\u00a0<em>Na Jao Saiyan<\/em>\u00a0for Meena Kumari on screen, the resultant feeling was uncannily real, almost as if the actress and the singer were reliving their own lives.&#8221; (<em>reference <a title=\"Geeta Dutt &amp; Meena Kumari \u2013 Mirrored Lives!\" href=\"http:\/\/www.geetadutt.com\/blog\/?p=559\">Geetadutt.com<\/a><\/em>)<\/p>\n<p>Almost all the songs in <em>Dil Ek Mandir<\/em> (1963) were huge hits. However the high-pitched \u201c<em>Ruk ja raat, thahar ja re chanda<\/em>\u201d surpasses the others in terms of sheer beauty of Shankar Jaikishan&#8217;s composition along with Lata Mangeshkar&#8217;s ethereal voice. Meena Kumari brings alive the sheer desperation of a wife struggling to hold on to fleeting time as her husband (Rajkumar) battles a life-threatening ailment.<\/p>\n<div id=\"attachment_8516\" style=\"width: 410px\" class=\"wp-caption alignleft\"><img decoding=\"async\" aria-describedby=\"caption-attachment-8516\" class=\"wp-image-8516\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/Meena-Kumari-1.jpg\" alt=\"Meena Kumari\" width=\"400\" height=\"479\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/Meena-Kumari-1.jpg 2400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/Meena-Kumari-1-125x150.jpg 125w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/Meena-Kumari-1-334x400.jpg 334w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/Meena-Kumari-1-768x920.jpg 768w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/Meena-Kumari-1-855x1024.jpg 855w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/Meena-Kumari-1-300x360.jpg 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/Meena-Kumari-1-150x180.jpg 150w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><p id=\"caption-attachment-8516\" class=\"wp-caption-text\">Meena Kumari<\/p><\/div>\n<p>Meena Kumari also did a few light romantic comedy films including\u00a0<em>Kohinoor<\/em> (1960), where\u00a0\u2018Tragedy king\u2019 Dilip Kumar and \u2018Tragedy queen\u2019 Meena Kumari broke away from their typical tragic roles to play a prince and princess of different kingdoms in a humorous and light film which was full of sword fights, songs and dances.<\/p>\n<p>Exploiting her range of histrionics, directors chose Meena Kumari for roles that demanded thought, poetry, lucidity and the powerful ability to get under the skin of the character.<\/p>\n<p>For instance, when you watch Meena Kumari in <em>Bahu Begum<\/em>, you feel as if <a href=\"http:\/\/learningandcreativity.com\/sahir-ludhianvi\/\">Sahir Ludhianvi<\/a> wrote this introspective song specially with her in mind.<\/p>\n<p>Exploring the similarities between the lives of Meena Kumari and Geeta Dutt, Aditya Pant adds, &#8220;The year 1964 turned out to be an emotionally devastating year for Meena Kumari as well as Geeta Dutt. Geeta Dutt lost her husband under tragic circumstances, while Meena Kumari got a divorce. Both women found solace in alcohol and this fatally messed up their health. Meena Kumari and Kamal Amrohi did get together again, and <em>Pakeezah<\/em> was revived. Geeta Dutt had no such luck as her husband was gone forever. She found herself in dire straits soon after and her life got caught in a downward spiral.&#8221;<\/p>\n<p>&#8220;Fans of Meena Kumari and Geeta Dutt cannot erase the year 1972 from their memories. First Meena Kumari succumbed to cirrhosis of the liver in March 1972, followed by Geeta Dutt who died of the same ailment a few months later.<\/p>\n<p>And like a candle that shines the brightest before extinguishing, Meena Kumari gave us\u00a0<em>Pakeezah<\/em>, and Geeta Dutt gave us poignant songs in\u00a0<em>Anubhav<\/em>, before leaving the world forever.&#8221; \u00a0(<em>reference<\/em>\u00a0<em>Geetadutt.com<\/em>)<\/p>\n<div id=\"attachment_2679\" style=\"width: 410px\" class=\"wp-caption alignright\"><img decoding=\"async\" aria-describedby=\"caption-attachment-2679\" class=\"wp-image-2679\" src=\"http:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/02\/Madan-Mohan-with-Meena-Kumari-Usha-Kiran-Talat-Mahmood-and-other-guests.jpg\" alt=\"At a film premiere - Talat Mahmood with Meena Kumari, Usha Kiran, music director Madan Mohan and other guests\" width=\"400\" height=\"329\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/02\/Madan-Mohan-with-Meena-Kumari-Usha-Kiran-Talat-Mahmood-and-other-guests.jpg 455w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/02\/Madan-Mohan-with-Meena-Kumari-Usha-Kiran-Talat-Mahmood-and-other-guests-400x329.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/02\/Madan-Mohan-with-Meena-Kumari-Usha-Kiran-Talat-Mahmood-and-other-guests-300x247.jpg 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/02\/Madan-Mohan-with-Meena-Kumari-Usha-Kiran-Talat-Mahmood-and-other-guests-150x123.jpg 150w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><p id=\"caption-attachment-2679\" class=\"wp-caption-text\">At a film premiere &#8211; Talat Mahmood with Meena Kumari, Usha Kiran, music director Madan Mohan and other guests<\/p><\/div>\n<p>Meena Kumari&#8217;s very fruitful and creative association with poet-filmmaker <a href=\"http:\/\/learningandcreativity.com\/gulzar-multi-faceted-director\/\">Gulzar <\/a>not only stemmed from their shared love of poetry, it also led to the making of Gulzar&#8217;s first film as a director and one of Meena Kumari&#8217;s last performances on screen. Gulzar&#8217;s <em>Mere Apne<\/em> (1971), a remake of <a href=\"http:\/\/learningandcreativity.com\/tapan-sinha\/\">Tapan SInha<\/a>&#8216;s celebrated Bengali film <em>Apanjan<\/em>, saw Meena Kumari give a stellar performance as\u00a0a spunky old lady,\u00a0who finds refuge and respect\u00a0among a band of vagabond outlaws but pays with her life in a bid to stop two warring factions in a bloody political battle.<\/p>\n<p>Less than a\u00a0year later, <em>Pakeezah<\/em> 1972, proved to be her swan song.\u00a0Directed by her ex-husband Kamal Amrohi, the film <em style=\"line-height: 1.5;\">Pakeezah<\/em><span style=\"line-height: 1.5;\"> took 15 years to complete. The movie was first conceived\u00a0when Meena Kumari and Kamal Amrohi were married. The mahurat was held in 1956. But the film went through several changes in cast and crew and characterisation. The music director of the film <span style=\"text-decoration: underline;\"><strong><a href=\"http:\/\/learningandcreativity.com\/silhouette\/ghulam-mohammad-music-director\/\">Ghulam Mohammad<\/a><\/strong><\/span> passed away before the film could reach a denouement. Finally the\u00a0shelved film was restarted on the insistence of Nargis and Sunil Dutt but by then Meena Kumari&#8217;s health had deteriorated and she had separated from Kamal Amrohi. <\/span><\/p>\n<p>Unfortunately there has been a confusion about the date of release of <em>Pakeezah<\/em>. The ever reliable<em> Hindi Film Geet Kosh<\/em> by Harminder Singh Hamraaz records it as December 1971.<\/p>\n<p>Explains Peeyush Sharma, founder secretary of the prestigious, Vintage Hindi Music Lovers Association in Bangalore \u00a0and Consulting Editor, <em>Silhouette Magazine<\/em>,\u00a0&#8220;I had watched <em>Pakeezah<\/em> in Calcutta&#8217;s Menoka Cinema in January 1972. In those days films released in different cities on different dates. The Indo-Pak War which had delayed film releases was over by December 16, 1971. Hence <em>Pakeezah<\/em> was released but sadly did not do well in Bombay. The poor returns scared distributors and it was only later that they released <em>Pakeezah<\/em> in other cities in 1972. Hence, it competed for the Filmfare awards in 1973.&#8221;<\/p>\n<p>Not surprisingly then, some sites including <em>Wikipedia<\/em> and <em>IMDb<\/em> record the release date of <em>Pakeezah<\/em> as February 4, 1972 although the film released in late December 1971. Meena Kumari passed away on\u00a0March 31, 1972 leaving behind <em>Pakeezah<\/em> as her last superlative performance.<\/p>\n<p>Though <em>Pakeezah<\/em>\u00a0had opened to a lukewarm response initially, people thronged theaters after Meena Kumari&#8217;s death to get a glimpse of the queen of their hearts. Who can forget the romantic song \u201c<em>Mausam hai aashiqana<\/em>\u201d from <em>Pakeezah.<\/em><\/p>\n<p><em>Jo kahee gayee naa mujhase<br \/>\nWoh zamaana keh raha hai<br \/>\nKe fasaana ban gayee hai<br \/>\nMeree baat chalte chalte<\/em><\/p>\n<p>These lines<em>\u00a0<\/em>from<em> \u201cChalte chalte\u201d<\/em> (<em>Pakeezah) <\/em>seem to be echoing Meena Kumari&#8217;s own life, an artist who not only created lyricism on screen but also wrote beautiful poetry herself.<\/p>\n<p><img decoding=\"async\" class=\"aligncenter wp-image-1378\" src=\"http:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/trivia-1024x268.jpg\" alt=\"Trivia\" width=\"625\" height=\"164\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/trivia-1024x268.jpg 1024w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/trivia-1024x268-400x105.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/trivia-1024x268-768x201.jpg 768w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/trivia-1024x268-300x79.jpg 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/trivia-1024x268-150x39.jpg 150w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><\/p>\n<p><em>Anecdotes contributed by Sundeep Pahwa of <a href=\"https:\/\/www.facebook.com\/groups\/wodinyaadkaro\/\">Wo Din Yaad Karo Facebook Group<\/a><\/em><\/p>\n<div id=\"attachment_1379\" style=\"width: 250px\" class=\"wp-caption alignright\"><img decoding=\"async\" aria-describedby=\"caption-attachment-1379\" class=\"wp-image-1379 size-full\" src=\"http:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/kohinoor1.jpg\" alt=\"Dilip Kumar and Meena Kumari in Kohinoor\" width=\"240\" height=\"180\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/kohinoor1.jpg 240w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/03\/kohinoor1-150x113.jpg 150w\" sizes=\"(max-width: 240px) 100vw, 240px\" \/><p id=\"caption-attachment-1379\" class=\"wp-caption-text\">Dilip Kumar and Meena Kumari in <em>Kohinoor<\/em><\/p><\/div>\n<p>Meena Kumari\u2019s regular doctor in 50s and 60s was Dr V N Sinha. His clinic in the Khar\/Bandra area of Bombay attracted a large number of patients from the film industry. It is believed Meena Kumari along with Dilip Kumar persuaded him to produce a film. S U Sunny was roped in along with Naushad Sahib who was also his patient. The film made was <em>Kohinoor<\/em>, a Golden Jubliee hit, which presented the tragedy king Dilip Kumar and tragedy queen Meena Kumari in a never-before comic avatar. After the film\u2019s success, Dr Sinha continued in his profession and never made any film thereafter.<\/p>\n<p>&#8212;&#8212;&#8211;<\/p>\n<p>One of the finest Loris <em>\u201cAaja re aaa nindiya\u201d<\/em> (by <a href=\"http:\/\/learningandcreativity.com\/lata-mangeshkar\/\">Lata Mangeshkar<\/a>) was picturised on Meena Kumari by Bimal Roy in his classic Hindi directorial debut <em>Do Bigha Zamin<\/em>. It was a small cameo but Meena Kumari left her mark. This lori was later on surpassed by another gem <em>\u201cNanhi kali sone chali hawaa dheere aana\u201d<\/em> (by <a href=\"http:\/\/learningandcreativity.com\/geeta-dutt\/\">Geeta Dutt<\/a>) in another Bimal Roy classic <em>Sujata<\/em>.<\/p>\n<p>&#8212;&#8212;&#8212;-<\/p>\n<p>A few of Meena Kumari\u2019s films never saw completion. One of them was <em>Seema<\/em>, announced in the early 70s and shot for a few days. The film starred Meena Kumari in the role of a nun and the cast included Rajesh Khanna and Mumtaz. The film was directed by Suraj Prakash and the writer of <em>Seema<\/em> was Brij Katyal. Another film which was never released is <em>Birhan<\/em>.<\/p>\n<p><strong>More to read<\/strong><\/p>\n<p><strong><a href=\"http:\/\/learningandcreativity.com\/silhouette\/inimitable-meena-kumari\/\">No One Quite Like Her \u2013 \u00a0The Inimitable Meena Kumari<\/a><\/strong><\/p>\n<p><strong><a href=\"http:\/\/learningandcreativity.com\/silhouette\/geeta-dutt\/\">Geeta Dutt \u2013 The Skylark Who Sang From The Heart<\/a><\/strong><\/p>\n<p><strong><a href=\"http:\/\/learningandcreativity.com\/silhouette\/s-d-burman\/\">The Incomparable Music Of S D Burman Transcends Generations<\/a><\/strong><\/p>\n<p><strong><a href=\"http:\/\/learningandcreativity.com\/silhouette\/sahir-ludhianvi\/\">Jinhe Naaz Hai Hind Par Voh Kahaan Hain: Songs of Sahir<\/a><\/strong><\/p>\n<p><strong><a href=\"http:\/\/learningandcreativity.com\/silhouette\/gulzar-multi-faceted-director\/\">Gulzar: Redefining Poetry and Purpose In Cinema<\/a><\/strong><\/p>\n<p><strong><a href=\"http:\/\/learningandcreativity.com\/silhouette\/waheeda-rehman\/\">Waheeda Rehman: Quintessential Beauty With Intense Acting Prowess<\/a><\/strong><\/p>\n<p><strong><a href=\"http:\/\/learningandcreativity.com\/silhouette\/lata-mangeshkar\/\">The Nightingale\u2019s Everlasting Melodies<\/a><\/strong> <\/p>\n<!-- AddThis Advanced Settings generic via filter on the_content --><!-- AddThis Share Buttons generic via filter on the_content -->","protected":false},"excerpt":{"rendered":"<p>Widely acclaimed for her heart-touching performances in tragic and grief-stricken roles, Meena Kumari earned herself the epithet of \u201cTragedy Queen\u201d. Pain and anguish was part of her life and she brought them to the fore in her performances that became iconic.<!-- AddThis Advanced Settings generic via filter on get_the_excerpt --><!-- AddThis Share Buttons generic via filter on get_the_excerpt --><\/p>\n","protected":false},"author":4,"featured_media":2808,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[424],"tags":[60,699,527,700,701,702,703,704,429,639,705],"class_list":["post-1373","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-indian-cinema-retrospectives","tag-bollywood","tag-dil-ek-mandir","tag-geeta-dutt","tag-hindi-films","tag-indian-cinema","tag-kamal-amrohi","tag-meena-kumari","tag-meena-kumari-actress","tag-pakeezah","tag-sahib-bibi-aur-ghulam","tag-tragedy-queen"],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/posts\/1373","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/comments?post=1373"}],"version-history":[{"count":2,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/posts\/1373\/revisions"}],"predecessor-version":[{"id":8517,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/posts\/1373\/revisions\/8517"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/media\/2808"}],"wp:attachment":[{"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/media?parent=1373"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/categories?post=1373"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/tags?post=1373"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}