{"id":1239,"date":"2014-07-20T00:45:56","date_gmt":"2014-07-19T19:15:56","guid":{"rendered":"http:\/\/learningandcreativity.com\/silhouette\/?p=1239"},"modified":"2023-07-20T15:39:19","modified_gmt":"2023-07-20T10:09:19","slug":"geeta-dutt","status":"publish","type":"post","link":"https:\/\/learningandcreativity.com\/silhouette\/geeta-dutt\/","title":{"rendered":"Geeta Dutt &#8211; The Skylark Who Sang From The Heart"},"content":{"rendered":"<p><span style=\"color: #c2150a;\"><em>(All pictures used in this article are courtesy Geeta Dutt&#8217;s son Arun Dutt, <\/em><em><a href=\"https:\/\/www.facebook.com\/groups\/magicalgeetadutt\/\"><span style=\"color: #c2150a;\">T<span style=\"text-decoration: underline;\">he magical voice of Geeta Dutt Facebook Group<\/span>,<\/span><\/a> <span style=\"color: #c2150a;\"><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.geetadutt.com\/\">Geetadutt.com<\/a><\/span> and <a href=\"http:\/\/learningandcreativity.com\/lakshmipriya\/\"><span style=\"text-decoration: underline;\">Pakanati Lakshmi Priya<\/span><\/a><\/span>)<\/em><\/span><\/p>\n<div id=\"attachment_1241\" style=\"width: 162px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/learningandcreativity.com\/geeta-dutt\/\"><img decoding=\"async\" aria-describedby=\"caption-attachment-1241\" class=\"wp-image-1241 size-full\" src=\"http:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-1.jpg\" alt=\"Geeta Dutt\" width=\"152\" height=\"186\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-1.jpg 152w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-1-150x184.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-1-123x150.jpg 123w\" sizes=\"(max-width: 152px) 100vw, 152px\" \/><\/a><p id=\"caption-attachment-1241\" class=\"wp-caption-text\">Geeta Dutt<\/p><\/div>\n<p><em>Mera sundar sapna beet gaya<\/em><\/p>\n<p>When a teenager had sung these lines in <em>Do Bhai<\/em> (1947), in a song that became a rage, little did she know that one day these lines would become hauntingly true in her own life. This one song catapulted the doe-eyed, stunningly beautiful 16-year-old from an obscure singer into stardom overnight. Geeta (Roy) Dutt had arrived. In two years of phenomenal success, she established herself as the undisputed number one singer in the nation in 1949, leaving behind well-established singers like Rajkumari and Shamshad Begum.<\/p>\n<div class=\"clear\">\n<div id='gallery-1' class='gallery galleryid-1239 gallery-columns-3 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/learningandcreativity.com\/silhouette\/geeta-dutt\/geeta-dutt-5\/'><img decoding=\"async\" width=\"268\" height=\"400\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-5-268x400.jpg\" class=\"attachment-medium size-medium\" alt=\"Geeta Dutt\" aria-describedby=\"gallery-1-1248\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-5-268x400.jpg 268w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-5-300x447.jpg 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-5-150x224.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-5-101x150.jpg 101w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-5-201x300.jpg 201w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-5.jpg 644w\" sizes=\"(max-width: 268px) 100vw, 268px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-1248'>\n\t\t\t\tGeeta Dutt met the then struggling Guru Dutt during the recording of Tadbeer se bigdi hui taqdeer bana le (Baazi, 1951), who fell in love with her beauty and voice at the first sight\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/learningandcreativity.com\/silhouette\/geeta-dutt\/geeta-dutt-6\/'><img decoding=\"async\" width=\"352\" height=\"400\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-6-352x400.jpg\" class=\"attachment-medium size-medium\" alt=\"Geeta Dutt\" aria-describedby=\"gallery-1-1249\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-6-352x400.jpg 352w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-6-768x873.jpg 768w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-6-300x341.jpg 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-6-150x170.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-6-132x150.jpg 132w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-6-264x300.jpg 264w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-6.jpg 845w\" sizes=\"(max-width: 352px) 100vw, 352px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-1249'>\n\t\t\t\tMera sundar sapna beet gaya was Geeta (Roy) Dutt&#8217;s first hit song\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/learningandcreativity.com\/silhouette\/geeta-dutt\/geeta-dutt-8\/'><img decoding=\"async\" width=\"291\" height=\"400\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-8-291x400.jpg\" class=\"attachment-medium size-medium\" alt=\"Geeta Dutt\" aria-describedby=\"gallery-1-1250\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-8-291x400.jpg 291w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-8-300x412.jpg 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-8-150x206.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-8-109x150.jpg 109w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-8-218x300.jpg 218w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-8.jpg 699w\" sizes=\"(max-width: 291px) 100vw, 291px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-1250'>\n\t\t\t\tGeeta Dutt had the unique ability to sing any kind of song with the authentic tone, feeling, passion and emotion as demanded by the composition and the situation it was being picturised in.\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<\/div>\n<div class=\"clear\"><\/div>\n<p>\u201cWas there ever a playback singer who conveyed feelings better?\u201d writes Ganesh Anantharaman in his book <a href=\"http:\/\/www.flipkart.com\/bollywood-melodies-history-hindi-film-song\/p\/9780143063407?pid=9780143063407&amp;srno=t_1&amp;query=bollywood+melodies&amp;affid=partholear\"><em>Bollywood Melodies: A History of the Hindi Film Song<\/em><\/a>{1}. \u201cGeeta (Roy) Dutt may have had the sketchiest of training, but she succeeded as a singer because she knew that playback singing is not so much about technique as it is about taking the listener along into the world of feelings. In her ability to be true to the mood of the song, her capacity to evoke the same mood in the listener, Geeta was supreme. It was on the strength of this ability that she was to hold her own against so phenomenal a talent like Lata Mangeshkar between 1947 and 1957, the first decade in Hindi cinema for both. Lata seemed perfect; Geeta rang true.\u201d<\/p>\n<div id=\"attachment_1243\" style=\"width: 385px\" class=\"wp-caption alignright\"><a href=\"http:\/\/learningandcreativity.com\/geeta-dutt\/geeta-dutt-3\/\" rel=\"attachment wp-att-14918\"><img decoding=\"async\" aria-describedby=\"caption-attachment-1243\" class=\"wp-image-1243\" src=\"http:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-3.jpg\" alt=\"Geeta Dutt\" width=\"375\" height=\"304\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-3.jpg 573w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-3-400x325.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-3-300x243.jpg 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-3-150x122.jpg 150w\" sizes=\"(max-width: 375px) 100vw, 375px\" \/><\/a><p id=\"caption-attachment-1243\" class=\"wp-caption-text\">\u201cGeeta (Roy) Dutt may have had the sketchiest of training, but she succeeded as a singer because she knew that playback singing is not so much about technique as it is about taking the listener along into the world of feelings.&#8221;<\/p><\/div>\n<p>Born into a rich zamindar&#8217;s family as Geeta Ghosh Roy Chowdhuri in Faridpur, East Bengal (now Bangladesh) in 1930, Geeta Dutt stumbled into a singing career quite by chance when composer\/music director Hanuman Prasad overheard her singing at her modest Dadar apartment where her parents had settled after moving to Bombay. Just a couple of lines in <em>Bhakta Prahlad<\/em> (1946) marked her debut followed by a few more music assignments through the year.\u00a0Says Dr Mahesh Sagar, an ardent fan and researcher of Geeta Roy&#8217;s music, &#8220;Interestingly, two films released in 1945 <em>Aadhaar<\/em> and <em>Sri Krishnaarjun Yuddh<\/em> feature Geeta Roy&#8217;s voice but it is possible that <em>Bhakta Prahlad<\/em> songs were recorded before these two films although the film may have been released a year later. In fact, Geeta Roy had sung almost 25 songs in 1945-46 period before <em>Do Bhai<\/em> (1947).&#8221;<\/p>\n<p>But those two lines in <em>Bhakta Prahlad<\/em> sung in her dulcet voice impressed the legendary music composer-singer <a title=\"The Incomparable Music Of S D Burman Transcends Generations\" href=\"http:\/\/learningandcreativity.com\/s-d-burman\/\">SD Burman<\/a> enough to come hunting for her and he convinced the rather reluctant producer to sign her.<\/p>\n<div id=\"attachment_5485\" style=\"width: 838px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/learningandcreativity.com\/silhouette\/geeta-dutt\/incomparable-sachin-dev-burman-sd-burman-book\/\" rel=\"attachment wp-att-5485\"><img decoding=\"async\" aria-describedby=\"caption-attachment-5485\" class=\"size-full wp-image-5485\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Incomparable-Sachin-Dev-Burman-SD-Burman-Book.png\" alt=\"Incomparable Sachin Dev Burman (SD Burman) Book\" width=\"828\" height=\"315\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Incomparable-Sachin-Dev-Burman-SD-Burman-Book.png 828w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Incomparable-Sachin-Dev-Burman-SD-Burman-Book-150x57.png 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Incomparable-Sachin-Dev-Burman-SD-Burman-Book-300x114.png 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Incomparable-Sachin-Dev-Burman-SD-Burman-Book-768x292.png 768w\" sizes=\"(max-width: 828px) 100vw, 828px\" \/><\/a><p id=\"caption-attachment-5485\" class=\"wp-caption-text\">Incomparable Sachin Dev Burman by HQ Chowdhury<\/p><\/div>\n<p>&nbsp;<\/p>\n<p>The music of <em>Do Bhai <\/em>became a hit with <em>Mera sundar sapna beet gaya <\/em>topping the charts. Geeta Roy\u2019s fresh and melodious voice combined vivacity and pathos in such a way, that despite a pronounced \u201cBengali lilt\u201d the song touched the pulse of thousands of music lovers. In the same film she sang the evocative <a title=\"Listen to this evocative song Yaad karoge...\" href=\"http:\/\/learningandcreativity.com\/geeta-dutt\/geeta-dutt-6\/\"><em>Yaad karoge, yaad karoge, ik din humko yaad karoge<\/em><\/a>. It was remarkable for a teenager to sing with such maturity. When my 10-year-old daughter hums <em>Mera sundar sapna beet gaya <\/em>today as her \u201cfavourite song\u201d, I can\u2019t help being amazed at the reach and appeal of Geeta Dutt\u2019s voice and rendition that transcends time and connects with generations 70 years her junior.<\/p>\n<p><span style=\"color: #c2150a;\"><em><strong>Mera sundar sapna beet gaya<\/strong>\u2026<\/em> (<em>Do Bhai<\/em>, 1947) SD Burman \/ Raja Mehdi Ali Khan \/ Geeta Dutt<\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/uBQ60nKcZPg\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p>Says Lakshmi Priya, film memorabilia enthusiast, die-hard Geeta Dutt fan and one of the admins of the <a href=\"https:\/\/www.facebook.com\/groups\/magicalgeetadutt\/\">The magical voice of Geeta Dutt Facebook Group<\/a>, \u201cGeeta Dutt fans laugh and weep along with her songs and her personal life. I am a huge fan of hers from childhood by just listening to the two dozen songs from the HMV records and cassettes we had. Being a Telugu, I can tell that she has many Telugu fans too.\u201d<\/p>\n<div id=\"attachment_1244\" style=\"width: 385px\" class=\"wp-caption alignright\"><a href=\"http:\/\/learningandcreativity.com\/geeta-dutt\/singing-vande-mataram-at-the-inauguration-of-the-first-international-film-festival-in-india-geeta-dutt-anil-biswas-and-lata\/\"><img decoding=\"async\" aria-describedby=\"caption-attachment-1244\" class=\"wp-image-1244\" src=\"http:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Singing-Vande-Mataram-at-the-inauguration-of-the-first-International-Film-Festival-in-India-Geeta-Dutt-Anil-Biswas-and-Lata.jpg\" alt=\"Geeta Dutt, Anil Biswas and Lata Mangeshkar\" width=\"375\" height=\"528\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Singing-Vande-Mataram-at-the-inauguration-of-the-first-International-Film-Festival-in-India-Geeta-Dutt-Anil-Biswas-and-Lata.jpg 480w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Singing-Vande-Mataram-at-the-inauguration-of-the-first-International-Film-Festival-in-India-Geeta-Dutt-Anil-Biswas-and-Lata-284x400.jpg 284w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Singing-Vande-Mataram-at-the-inauguration-of-the-first-International-Film-Festival-in-India-Geeta-Dutt-Anil-Biswas-and-Lata-300x423.jpg 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Singing-Vande-Mataram-at-the-inauguration-of-the-first-International-Film-Festival-in-India-Geeta-Dutt-Anil-Biswas-and-Lata-150x211.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Singing-Vande-Mataram-at-the-inauguration-of-the-first-International-Film-Festival-in-India-Geeta-Dutt-Anil-Biswas-and-Lata-107x150.jpg 107w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Singing-Vande-Mataram-at-the-inauguration-of-the-first-International-Film-Festival-in-India-Geeta-Dutt-Anil-Biswas-and-Lata-213x300.jpg 213w\" sizes=\"(max-width: 375px) 100vw, 375px\" \/><\/a><p id=\"caption-attachment-1244\" class=\"wp-caption-text\">Singing Vande Mataram at the inauguration of the first International Film Festival in India (Lata Mangeshkar, Anil Biswas and Geeta Dutt)<\/p><\/div>\n<p>\u201cWhat a depth of feeling Geeta brought to the Meera bhajans in the film!\u201d writes Ganesh Anantharaman, referring to the evocative Meera bhajans she sang in the Dilip Kumar-Nargis starrer <em>Jogan<\/em> (1950). \u201cShe ranks \u201c<a title=\"Listen to the song Mat jaa jogi\" href=\"http:\/\/http:\/\/learningandcreativity.com\/geeta-dutt\/singing-vande-mataram-at-the-inauguration-of-the-first-international-film-festival-in-india-geeta-dutt-anil-biswas-and-lata\/\"><em>Mat jaa jogi<\/em><\/a>\u201d as her best solo and you can\u2019t but agree as the raw pain of <em>Jogan<\/em> pierces through you in Geeta\u2019s most evocative Bhairavi. \u201c<em>Pyaare darshan deejo aaj<\/em>\u201d, \u201c<em>Main to girdhar ke ghar jaoon<\/em>\u201d and \u201c<em>Aeri main to prem diwani<\/em>\u201d are all sung with an authenticity that makes you wonder how someone in just her late teens could sing with such grasp of the sublime. But then, Geeta was gifted. Every other Meera rendition in Hindi films, even Lata\u2019s comes only a close second in emotional appeal.\u201d<\/p>\n<p>This precisely was the uncanny ability of Geeta Dutt that made her race past her contemporaries \u2013 the ability to sing any kind of song with the authentic tone, feeling, passion and emotion as demanded by the composition and the situation it was being picturised in. From a bhajan to a club song, from a haunting melancholic song to a peppy romantic number, she could traverse the entire gamut of music, seemingly effortlessly.<\/p>\n<p>&nbsp;<\/p>\n<p>Says <a href=\"http:\/\/jumble-rumble-thoughts.blogspot.com\/\">Maitreyee B Chowdhury<\/a>, web columnist, poet and creative writer and author of <a href=\"http:\/\/learningandcreativity.com\/silhouette\/uttam-kumar-suchitra-sen-bengali-cinemas-first-couple\/\">&#8216;Uttam Kumar and Suchitra Sen: Bengali Cinema&#8217;s First Couple&#8217;<\/a>, \u201cI think that&#8217;s why she was one of the greatest singers we had. Most great singers have this unique quality of adapting their voice to a given situation. Also given the fact that Indian singers sing for cinema, their voice needs to adapt to the different situations during which the song would be picturized.\u201d<\/p>\n<p>This unique versatility to blend in her voice with any kind of music and composition helped Geeta Roy carve out a niche and cement her place even when the Lata Mangeshkar phenomenon was sweeping through the world of Hindi playback, following the runaway success of <em>Aayega Aanewala<\/em> in <em>Mahal <\/em>(1950). Geeta Dutt\u2019s chart-busting <em>Tadbeer se bigdi hui taqdeer bana le<\/em> in Guru Dutt\u2019s directorial debut <em>Baazi<\/em> (1951) was the turning point where \u201cGeeta Roy\u2019s vivacity was matched every inch by Geeta Bali on-screen\u201d. S D Burman had turned a ghazal by <a href=\"http:\/\/learningandcreativity.com\/silhouette\/sahir-ludhianvi\/\">Sahir Ludhianvi<\/a> into a sensual club song much to the chagrin of the famed lyricist-poet and the ploy worked as <em>Baazi<\/em> proved a hit on the strength of that song alone.<\/p>\n<p><span style=\"color: #c2150a;\"><strong><em><strong>Tadbeer se bigdi hui taqdeer bana le<\/strong> <\/em><\/strong>(<em>Baazi<\/em>, 1951) SD Burman \/ Sahir Ludhianvi \/ Geeta Dutt<\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/cgwfvDh7cPc\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>Geeta Roy became Geeta Dutt<\/strong><\/p>\n<div id=\"attachment_2435\" style=\"width: 410px\" class=\"wp-caption alignright\"><a href=\"http:\/\/learningandcreativity.com\/silhouette\/the-language-versatility-of-geeta-dutt-a-rare-depth-of-feeling\/\"><img decoding=\"async\" aria-describedby=\"caption-attachment-2435\" class=\"wp-image-2435\" src=\"http:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/11\/GeetaGuruTalat.jpg\" alt=\"Geeta Dutt and Guru Dutt with Talat Mahmood\" width=\"400\" height=\"280\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/11\/GeetaGuruTalat.jpg 960w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/11\/GeetaGuruTalat-400x280.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/11\/GeetaGuruTalat-768x537.jpg 768w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/11\/GeetaGuruTalat-300x210.jpg 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/11\/GeetaGuruTalat-150x105.jpg 150w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/a><p id=\"caption-attachment-2435\" class=\"wp-caption-text\">Talat Mahmood at the marriage ceremony of Geeta Dutt and Guru Dutt.<\/p><\/div>\n<p>This song became not only a landmark in Geeta Roy\u2019s music career but also in her personal life as she met the then struggling Guru Dutt during its recording, who fell in love with her beauty and voice at the first sight. Even though Guru Dutt Shivshankar Padukone was originally from Mangalore, his upbringing in Calcutta had made him and his family comfortable and fluent with the Bengali language and culture. \u201cThis language kinship and the naturally congenial Geetaji&#8217;s mannerisms and humility, despite her fame and fortune, drew her closer to Guru&#8217;s family.\u201d <em>(<em>source: Geetadutt.com<\/em>) <\/em>Geeta Roy and Guru Dutt tied the knot in May 1953 and the celebrated singer officially became Geeta Dutt.<\/p>\n<p>Music was always an integral part of her upbringing as Geeta Roy&#8217;s mother Amiya Roy Chowdhury was a lyricist-poet herself and her brother Mukul Roy a composer and producer (<a title=\"Family Tree of Geeta Dutt (nee Roy) and Guru Dutt\" href=\"http:\/\/www.geetadutt.com\/blog\/?p=69\" target=\"_blank\" rel=\"noopener\">Geeta Dutt&#8217;s family tree<\/a>).<\/p>\n<p><span style=\"color: #c2150a;\"><em><strong><strong>Mujhko tum jo mile<\/strong><\/strong><\/em> (<em>Detective<\/em>, 1958) &#8211; Mukul Roy \/ Shailendra \/ Geeta Dutt and Hemant Kumar. This evocative romantic duet was composed by Geeta Dutt&#8217;s brother Mukul Roy<\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/r_AKKWy4ayg\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Recounting memories of her legendary aunt Tapati Dutta, Geeta Dutt (Roy\u2019s) niece says, &#8220;She would have the typical two curly locks of hair across her forehead, a bunch of bangles on one arm, lovely sarees and hand-picked jewellery. Her steady companion would be her batua bag (a little pouch) in which she carried her favourite <em>zarda paan<\/em>. Her brothers Ranjit Roy and Mukul Roy also enjoyed their <em>paan<\/em> and the family tradition continued.&#8221; <a href=\"http:\/\/learningandcreativity.com\/geeta-dutt-singer\/\"><em><span style=\"text-decoration: underline;\">Read Tapati Dutta&#8217;s\u00a0memoirs about Geeta Dutt<\/span>.<\/em><\/a><\/p>\n<div id=\"attachment_3065\" style=\"width: 410px\" class=\"wp-caption alignright\"><a href=\"http:\/\/learningandcreativity.com\/geeta-dutt-singer\/\"><img decoding=\"async\" aria-describedby=\"caption-attachment-3065\" class=\"wp-image-3065\" src=\"http:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-Talat-Mahmood-Mukul-Roy-Hasrat-Jaipuri.jpg\" alt=\"Geeta Dutt, Talat Mahmood, Hasrat Jaipuri and Mukul Roy\" width=\"400\" height=\"323\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-Talat-Mahmood-Mukul-Roy-Hasrat-Jaipuri.jpg 551w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-Talat-Mahmood-Mukul-Roy-Hasrat-Jaipuri-400x323.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-Talat-Mahmood-Mukul-Roy-Hasrat-Jaipuri-150x121.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-Talat-Mahmood-Mukul-Roy-Hasrat-Jaipuri-300x242.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/a><p id=\"caption-attachment-3065\" class=\"wp-caption-text\">Geeta Dutt seated on extreme right with Mukul Roy next to her. Talat Mahmood is seen next with Hasrat Jaipuri bending over Talat Mahmood in a recording studio.<\/p><\/div>\n<p>Guru Dutt repeated <em>Baazi<\/em>\u2019s entire cast and much of the crew in <em>Jaal<\/em> (1952) and Geeta Dutt firmly entrenched herself in the super league of singers with the S D Burman composed club song \u201c<em>Soch samajh kar dil ko lagaana<\/em>\u201d. Her songs with OP Nayyar too climbed the charts although the first two films they did together &#8211; <em>Baaz <\/em>and <em>Aasman<\/em>, bombed at the box-office. They more than made up for these failures with the runaway success of Guru Dutt\u2019s <em>Aar Paar<\/em> in the four solos and three duets she sang \u2013 each of them a landmark in its genre. Think of a <em>roothna-manana<\/em> song and \u201c<em>Aye lo main haari piya<\/em>\u201d comes to mind. Think of those seductive cabaret numbers of Hindi films and \u201c<em>Babuji dheere chalna\u201d<\/em> is sure to figure in the list.<\/p>\n<p><em>Mr &amp; Mrs 55<\/em> again had O P Nayyar giving music to a peppy romance that looks at the vagaries of the newly introduced divorce law. Geeta Dutt sang six of the nine songs in the movie \u2013 her effervescent voice matching the exuberance and beauty of <a href=\"http:\/\/learningandcreativity.com\/madhubala\/\">Madhubala<\/a> perfectly.<\/p>\n<p>Can we ever forget the gloriously youthful <em>&#8216;Thandi Hawa Kali Ghata&#8217;<\/em>, the delectable romantic duet <em>&#8216;Udhar Tum Haseen Ho&#8217;<\/em> and the somber and serious <em>\u2018Preetam aan milo\u2019<\/em> (where Geeta Dutt had to contend with C H Atma\u2019s earlier non-film version) \u2013 each markedly different from the other in mood and style.<\/p>\n<div id='gallery-2' class='gallery galleryid-1239 gallery-columns-3 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/learningandcreativity.com\/silhouette\/geeta-dutt\/geeta-dutt-guru-dutt-2\/'><img decoding=\"async\" width=\"296\" height=\"400\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-Guru-Dutt1-296x400.jpg\" class=\"attachment-medium size-medium\" alt=\"Geeta Dutt and Guru Dutt\" aria-describedby=\"gallery-2-1252\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-Guru-Dutt1-296x400.jpg 296w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-Guru-Dutt1-300x405.jpg 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-Guru-Dutt1-150x203.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-Guru-Dutt1-111x150.jpg 111w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-Guru-Dutt1-222x300.jpg 222w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-Guru-Dutt1.jpg 390w\" sizes=\"(max-width: 296px) 100vw, 296px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-1252'>\n\t\t\t\tMusic had brought Geeta Dutt and Guru Dutt together. But when these two immeasurably talented people settled down to lead their life together, things went awry after a few years of happiness.\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/learningandcreativity.com\/silhouette\/geeta-dutt\/jh\/'><img decoding=\"async\" width=\"307\" height=\"400\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/JH-307x400.jpg\" class=\"attachment-medium size-medium\" alt=\"Geeta Dutt At Home\" aria-describedby=\"gallery-2-1253\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/JH-307x400.jpg 307w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/JH-300x391.jpg 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/JH-150x196.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/JH-115x150.jpg 115w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/JH-230x300.jpg 230w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/JH.jpg 503w\" sizes=\"(max-width: 307px) 100vw, 307px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-1253'>\n\t\t\t\tHappiness of a blessed married life lasted only briefly for Geeta Dutt.\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/learningandcreativity.com\/silhouette\/hemant-kumar\/hemen-gupta-hemant-kumar-geeta-dutt\/'><img decoding=\"async\" width=\"400\" height=\"386\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/09\/Hemen-Gupta-Hemant-Kumar-Geeta-Dutt-400x386.jpg\" class=\"attachment-medium size-medium\" alt=\"Hemen Gupta, Hemant Kumar, Geeta Dutt\" aria-describedby=\"gallery-2-4312\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/09\/Hemen-Gupta-Hemant-Kumar-Geeta-Dutt-400x386.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/09\/Hemen-Gupta-Hemant-Kumar-Geeta-Dutt-150x145.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/09\/Hemen-Gupta-Hemant-Kumar-Geeta-Dutt-768x741.jpg 768w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/09\/Hemen-Gupta-Hemant-Kumar-Geeta-Dutt-1024x988.jpg 1024w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/09\/Hemen-Gupta-Hemant-Kumar-Geeta-Dutt-300x290.jpg 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/09\/Hemen-Gupta-Hemant-Kumar-Geeta-Dutt-32x32.jpg 32w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/09\/Hemen-Gupta-Hemant-Kumar-Geeta-Dutt.jpg 1036w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-4312'>\n\t\t\t\tDirector Hemen Gupta, Hemant Kumar and Geeta Dutt &#8211; Hemen Gupta&#8217;s Ferry and Anandmath both had music by Hemant Kumar and outstanding songs by Geeta Dutt and Hemant Kumar\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>Guru Dutt signed up a rank newcomer Waheeda Rehman for a multi-film contract, with the first film being the Raj Khosla directed mystery thriller C.I.D., and Geeta Dutt\u2019s sensual solo <em>&#8216;Jaata Kahan Hai Diwane&#8217;<\/em> (along with the five other songs in the film) was not only a smash hit, it pitchforked <a href=\"http:\/\/learningandcreativity.com\/silhouette\/waheeda-rehman\/\">Waheeda Rehman<\/a> into reckoning.<\/p>\n<div id=\"attachment_1122\" style=\"width: 310px\" class=\"wp-caption alignright\"><a href=\"http:\/\/learningandcreativity.com\/silhouette\/s-d-burman\/geeta-dutt-and-sd-burman\/\" rel=\"attachment wp-att-1122\"><img decoding=\"async\" aria-describedby=\"caption-attachment-1122\" class=\"wp-image-1122\" src=\"http:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/04\/Geeta-Dutt-and-SD-Burman.jpg\" alt=\"Geeta Dutt and SD Burman\" width=\"300\" height=\"314\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/04\/Geeta-Dutt-and-SD-Burman.jpg 886w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/04\/Geeta-Dutt-and-SD-Burman-143x150.jpg 143w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/04\/Geeta-Dutt-and-SD-Burman-382x400.jpg 382w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/04\/Geeta-Dutt-and-SD-Burman-768x804.jpg 768w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/04\/Geeta-Dutt-and-SD-Burman-300x314.jpg 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/04\/Geeta-Dutt-and-SD-Burman-150x157.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/04\/Geeta-Dutt-and-SD-Burman-287x300.jpg 287w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-1122\" class=\"wp-caption-text\">Geeta Dutt and SD Burman<\/p><\/div>\n<p>Geeta Dutt by now was a mother of one, and firmly ensconced as one of the most sought after singers. But her marriage was slowly slipping into rocky waters with her husband giving priority to his work rather than the family, preferring to spend more time in solitude on his farm to mull over his film projects.<\/p>\n<p>As Waheeda Rehman tells Nasreen Munni Kabir, in the recently released book <em><a href=\"http:\/\/www.amazon.in\/gp\/product\/0670086924\/ref=as_li_ss_tl?ie=UTF8&amp;camp=3626&amp;creative=24822&amp;creativeASIN=0670086924&amp;linkCode=as2&amp;tag=learcrea-21\">Conversations with Waheeda Rehman<\/a><\/em>{2}, \u201cIf anyone asked me what he loved the most in the world, it was his work. His work came first and then his wife and children. He was obsessed with film-making.\u201d<\/p>\n<p><strong>SD Burman &#8211; the Mentor<\/strong><\/p>\n<p>S D Burman fully exploited Geeta Dutt\u2019s unique potential from one end of the spectrum to the other, placing his trust in his prodigee&#8217;s talent. \u00a0In 1957 came <em>Pyaasa<\/em>, arguably Guru Dutt\u2019s best known work, which was voted by TIME magazine as one of top one hundred movies ever made in this world!<\/p>\n<p>\u201cIn Guru Dutt\u2019s <em>Pyaasa<\/em>, Burman exploited Geeta\u2019s potential, within the scope of a single film, like no other composer did. \u201c<em>Jaane kya tuney kahi<\/em>\u201d needed just the right amount of oomph, whereas \u201c<em>Aaj sajan mohe ang lagaa lo<\/em>\u201d required Geeta to transcend the patent eroticism of the lyrics and convey a love that was ultimately spiritual. Till date, there hasn\u2019t been another singer who sounded so convincing in two totally antithetical renditions,\u201d writes Ganesh Anantharaman.<\/p>\n<p><span style=\"color: #c2150a;\"><strong><em>Jaane kya tuney kahi<\/em><\/strong> (<strong><em>Pyaasa<\/em><\/strong>, 1957) SD Burman \/ Sahir Ludhianvi \/ Geeta Dutt<\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/pNk8BMxnGYI\" width=\"100%\" height=\"380\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p>For \u201c<em>Jaane kya tuney kahi<\/em>\u201d, SD Burman had replicated his earlier Bengali hit (\u201c<em>Mono dilo na bondhu<\/em>\u201d), which he had sung himself in his inimitable rusty voice. It was left to Geeta Dutt to transform a characteristically folksy song into one that has an enchanting-sultry effect which help Gulabo lure the poet Vijay through the streets of Calcutta in the dead of the night.<\/p>\n<p>On the other hand, \u201c<em>Aaj sajan mohe ang lagaa lo<\/em>\u201d has definite shades of the Bangla <em>kirtan<\/em> in its composition and yet it is song of love and devotion \u2013 love more spiritual than physical.<\/p>\n<p><span style=\"color: #c2150a;\"><strong><em>Aaj sajan mohe ang lagaa lo<\/em><\/strong> (<strong><em>Pyaasa<\/em><\/strong>, 1957) SD Burman \/ Sahir Ludhianvi \/ Geeta Dutt<\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/YcNipDRn54c\" width=\"100%\" height=\"380\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p>Says Debasish Bhattacharya, a connoisseur of Indian music and dance who had trained under the legendary dancer Amala Shankar, \u201cGeeta Roy had a good training in Hindustani Classical along with typical Bangla <em>angiks<\/em> of <em>Palligeeti<\/em> (folk) and <em>Kirtan <\/em>(devotional). Later, she joined the Hindi film industry and her quality of God-gifted voice coupled with her understanding of lyrics, musical score and filmic situation made all her songs stand out. These are still loved due to her unique way of rendering. Her immortal songs have an ever-lasting appeal over generations.&#8221;<\/p>\n<div id=\"attachment_2439\" style=\"width: 410px\" class=\"wp-caption alignright\"><a href=\"http:\/\/learningandcreativity.com\/silhouette\/geeta-dutt-sings-for-four-music-directors\/geeta-dutt-and-rafi\/\" rel=\"attachment wp-att-2439\"><img decoding=\"async\" aria-describedby=\"caption-attachment-2439\" class=\"wp-image-2439\" src=\"http:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/11\/Geeta-Dutt-and-Rafi.jpg\" alt=\"Geeta Dutt and Mohd Rafi\" width=\"400\" height=\"289\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/11\/Geeta-Dutt-and-Rafi.jpg 960w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/11\/Geeta-Dutt-and-Rafi-400x289.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/11\/Geeta-Dutt-and-Rafi-768x554.jpg 768w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/11\/Geeta-Dutt-and-Rafi-300x217.jpg 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/11\/Geeta-Dutt-and-Rafi-150x108.jpg 150w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/a><p id=\"caption-attachment-2439\" class=\"wp-caption-text\">Geeta Dutt and Mohd Rafi gave a number of hits together<\/p><\/div>\n<p>Music director Anil Biswas who was a close friend of Burman Dada had shared an interesting anecdote about Pyaasa during his talks with Peeyush Sharma. According to Anil Biswas, when Mohd. Rafi\u00a0started his rehearsals with Burman Dada for <em>Pyaasa<\/em>, Geeta Dutt\u2019s <em>Aaj sajan moge ang laga lo janam safal \u00a0ho jaye\u00a0<\/em>had been\u00a0recorded\u00a0as also\u00a0Hemant Kumar\u2019s <em>Jaane woh kaise log the jinke pyar ko pyar mila. <\/em><\/p>\n<p><em>&#8220;<\/em>The first song rehearsed was the duet with Geeta Dutt, <em>Hum aap ki ankhon mein is dil ko basa den toh&#8230;\u00a0<\/em>The recording of the duet was accomplished. Two days later, when the recorded version came to SD Burman on a spool, he made Rafi sit and listen to it intently, asking him to pay attention to Geeta\u2019s singing and point out where she had made mistakes. After listening to it for two or three times, Rafi fell at SD Burman\u2019s feet and said, he knew exactly where he had faltered and promised it would never happen again. SD Burman drew him into an embrace and blessed him.&#8221; (<em>Read the complete anecdote in\u00a0<span style=\"text-decoration: underline;\"><a href=\"http:\/\/learningandcreativity.com\/silhouette\/songs-of-sd-burman-rafi\/\">Tere Mere Sapne Ab Ek Rang Hain \u2013 Eternal Melodies of SD Burman-Rafi<\/a>)<\/span><\/em><\/p>\n<p><span style=\"color: #c2150a;\"><em><strong>Hum aap ki ankhon mein is dil ko basa den to<\/strong><\/em> (<em>Pyaasa<\/em>, 1957) &#8211; SD Burman \/ <a href=\"http:\/\/learningandcreativity.com\/silhouette\/sahir-ludhianvi-songs-poetry\/\">Sahir <\/a>Ludhianvi \/ Geeta Dutt and Rafi<\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/GWaIQ_uF1ZU\" width=\"100%\" height=\"380\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p>\u201c<a title=\"Listen to the song Aan milo shyam saanware\" href=\"http:\/\/learningandcreativity.com\/geeta-dutt\/geeta-dutt-5\/\"><em>Aan milo shyam saanware<\/em><\/a>\u201d (<em>Devdas<\/em>, 1955), the duet with Manna Dey has the unmistakable touch of the Baul folk music of Bengal. <em>\u201c<a title=\"Listen to this lovely lullaby Nanhi kali sone chali\" href=\"http:\/\/learningandcreativity.com\/geeta-dutt\/geeta-dutt-9\/\">Nanhi kali sone chali<\/a>\u201d<\/em> (<em>Sujata<\/em>, 1959) is one of the most popular and heart-touching lullaby ever where Geeta Dutt\u2019s voice rings maternal love in every note.<\/p>\n<div id=\"attachment_1245\" style=\"width: 339px\" class=\"wp-caption alignright\"><a href=\"http:\/\/learningandcreativity.com\/geeta-dutt\/geeta-dutt-and-guru-dutt-in-happier-times\/\"><img decoding=\"async\" aria-describedby=\"caption-attachment-1245\" class=\"size-full wp-image-1245\" src=\"http:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-and-Guru-Dutt-in-happier-times.jpg\" alt=\"Geeta Dutt and Guru Dutt\" width=\"329\" height=\"274\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-and-Guru-Dutt-in-happier-times.jpg 329w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-and-Guru-Dutt-in-happier-times-300x250.jpg 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-and-Guru-Dutt-in-happier-times-150x125.jpg 150w\" sizes=\"(max-width: 329px) 100vw, 329px\" \/><\/a><p id=\"caption-attachment-1245\" class=\"wp-caption-text\">Geeta and Guru Dutt in happier times<\/p><\/div>\n<p>Music directors used Geeta Dutt&#8217;s mellifluous voice for experimenting with different genres. Madan Mohan&#8217;s\u00a0<em>\u2018Hum Panchhi Mastaane\u2019<\/em>\u00a0from\u00a0<em>Dekh Kabira Roya<\/em>\u00a0 (1957) picturised on Ameeta and Shubha Khote (an outstanding Lata-Geeta duet), has two ladies skipping down the streets of Bombay of yore, playing the mouth-organ, which typically is played by men in Hindi films.<\/p>\n<p>Says Gajendra Khanna, music enthusiast, record collector, archivist and admin for <a href=\"http:\/\/geetadutt.com\/\">geetadutt.com<\/a>,<a href=\"http:\/\/shamshadbegum.com\/\">shamshadbegum.com<\/a>, <a href=\"http:\/\/madamnoorjehan.com\/\">madamnoorjehan.com<\/a> and <a href=\"http:\/\/anmolfankaar.com\/\">anmolfankaar.com<\/a>, &#8220;<em>Jaagir<\/em>\u2019s \u2018<em>Tumse Nazar Mili<\/em>\u2019 (Geeta Dutt) is a typical song with a Jazz feel which many would not identify with Madan Mohan. He has composed many songs inspired of this genre which many fail to notice in his repertoire.\u00a0 <em>Ek Shola<\/em>\u2019s fabulous \u2018<em>Hum Kaala Tum White<\/em>,\u00a0<em>Ab Apna Hai Day Night<\/em>\u2019, sung by Mohd Rafi and Geeta Dutt is pure delight with Madan Mohan giving us the Goan flavour.&#8221;<\/p>\n<div id=\"attachment_2962\" style=\"width: 635px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/learningandcreativity.com\/silhouette\/mast-songs-of-madan-mohan\/\"><img decoding=\"async\" aria-describedby=\"caption-attachment-2962\" class=\"wp-image-2962 size-large\" src=\"http:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/06\/Madan-Mohan-and-Geeta-Dutt-1024x621.jpg\" alt=\"Madan Mohan and Geeta Dutt\" width=\"625\" height=\"379\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/06\/Madan-Mohan-and-Geeta-Dutt-1024x621.jpg 1024w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/06\/Madan-Mohan-and-Geeta-Dutt-400x242.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/06\/Madan-Mohan-and-Geeta-Dutt-150x91.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/06\/Madan-Mohan-and-Geeta-Dutt-768x466.jpg 768w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2016\/06\/Madan-Mohan-and-Geeta-Dutt-300x182.jpg 300w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><\/a><p id=\"caption-attachment-2962\" class=\"wp-caption-text\">(L) Madan Mohan and Geeta Dutt at a recording session as Premnath looks on. (R) Posing for the camera at a function.<\/p><\/div>\n<p>The bubbly exuberance of <em>Aye dil mujhe bata de<\/em> (<em>Bhai Bhai<\/em>, 1956)\u00a0was Geeta Dutt in her elements. &#8220;This quintessential <em>bindaas<\/em> number with the rare combination of Geeta Dutt and Madan Mohan has remained evergreen even after all these sixty years. It is a supreme pleasure to listen to this full throated fabulous rendition anytime and enjoy the uplifting \u2018<em>dil-se\u2019<\/em> effect that only Geeta could have brought to the song. Needless to say, this one song has has also made Shyama immortal!&#8221;\u00a0say Peeyush Sharma\u00a0and Sangeeta Gupta in their essay on\u00a0the <a href=\"http:\/\/learningandcreativity.com\/silhouette\/mast-songs-of-madan-mohan\/\"><span style=\"text-decoration: underline;\">Mast Songs of Madan Mohan<\/span>.<\/a><\/p>\n<p>Another Geeta Dutt\u2013Madan Mohan gem that was shot on Helen in <em>Night Club<\/em> (1958) comes to mind:<\/p>\n<p><em>Kahan phir hum kahan phir tum kahan wo raatein, <\/em><br \/>\n<em>dhadakte dil se ho jayen zara do batein.<\/em>&#8221;<\/p>\n<p><span style=\"color: #c2150a;\"><strong><em>Ae dil mujhe bataa de tu kis pe aa gaya hai, <\/em><\/strong>(<em>Bhai Bhai<\/em>, 1956) &#8211; Madan Mohan \/ Rajendra Krishan\u00a0 \/ Geeta Dutt<\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/i3lU1pg0fq8\" width=\"100%\" height=\"380\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p>Geeta Dutt\u2019s music came straight from her heart, she poured her emotions and feelings into every note. And this passion did not fail to reach the audience. But on the personal front, her heart was going through turbulence with her marriage falling apart.<\/p>\n<div id=\"attachment_5486\" style=\"width: 780px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/learningandcreativity.com\/silhouette\/geeta-dutt\/sailab-launch-geeta-dutt-mukul-roy-geeta-bali\/\" rel=\"attachment wp-att-5486\"><img decoding=\"async\" aria-describedby=\"caption-attachment-5486\" class=\"size-full wp-image-5486\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/SAILAB-LAUNCH-Geeta-Dutt-Mukul-Roy-Geeta-Bali.jpg\" alt=\"SAILAB LAUNCH Geeta Dutt Mukul Roy Geeta Bali\" width=\"770\" height=\"381\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/SAILAB-LAUNCH-Geeta-Dutt-Mukul-Roy-Geeta-Bali.jpg 770w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/SAILAB-LAUNCH-Geeta-Dutt-Mukul-Roy-Geeta-Bali-150x74.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/SAILAB-LAUNCH-Geeta-Dutt-Mukul-Roy-Geeta-Bali-300x148.jpg 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/SAILAB-LAUNCH-Geeta-Dutt-Mukul-Roy-Geeta-Bali-768x380.jpg 768w\" sizes=\"(max-width: 770px) 100vw, 770px\" \/><\/a><p id=\"caption-attachment-5486\" class=\"wp-caption-text\">SAILAB LAUNCH: (L to R) Paro, Miss Henderson, Krishin Chander, Chandu, Producer &amp; Music Director Mukul Roy, Geeta Bali, Miss Chandu, Baburao Patel (Editor of Filmindia), Sushila Rani Patel, Producer VM Vyas, Miss Geeta Roy, Director Guru Dutt and Director Ravindra Dave.<br \/>(Pic courtesy: SMM Ausaja)<\/p><\/div>\n<p>The temperamental Guru Dutt shelved some of the film projects after shooting a couple of reels such as <em>Gouri<\/em> (which also starred Geeta Dutt in the lead) and <em>Raaz<\/em>, which was abandoned after almost one-fourth of the film had been canned and Professor which was similarly halted abruptly. This not only made managing finances difficult, it also deprived Guru Dutt of some surefire successes. <em>Raaz<\/em> was later made by Raj Khosla as the superhit <i>Woh Kaun Thi<\/i>. R D Burman used the music he composed for <em>Raaz<\/em> in his first big success <em>Chhote Nawab<\/em> and <em>Professor<\/em> was later made by F C Mehra into a movie by the same name, starring Shammi Kapoor in the title role and became a huge hit.<\/p>\n<p><img decoding=\"async\" class=\"aligncenter size-full wp-image-2470\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/12\/gd1.jpg\" alt=\"Geeta Dutt\" width=\"1000\" height=\"679\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/12\/gd1.jpg 1000w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/12\/gd1-400x272.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/12\/gd1-768x521.jpg 768w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/12\/gd1-300x204.jpg 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/12\/gd1-150x102.jpg 150w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/p>\n<p>Guru Dutt\u2019s magnum opus <em>Kaagaz Ke Phool<\/em> came in 1959 in which Guru Dutt himself starred in the lead role with Waheeda Rehman. The film was in a way reflective of his own views on life and the transitory nature of fame and success in the film world.<\/p>\n<div id=\"attachment_1887\" style=\"width: 310px\" class=\"wp-caption alignright\"><a href=\"http:\/\/learningandcreativity.com\/silhouette\/hemant-kumar-interview\/geeta-dutt-and-hemant-kumar\/\" rel=\"attachment wp-att-1887\"><img decoding=\"async\" aria-describedby=\"caption-attachment-1887\" class=\"size-full wp-image-1887\" src=\"http:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2007\/06\/Geeta-Dutt-and-Hemant-Kumar.jpg\" alt=\"Geeta Dutt and Hemant Kumar during the recording of Palatak, 1963\" width=\"300\" height=\"237\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2007\/06\/Geeta-Dutt-and-Hemant-Kumar.jpg 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2007\/06\/Geeta-Dutt-and-Hemant-Kumar-150x119.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-1887\" class=\"wp-caption-text\">Geeta Dutt and Hemant Kumar during the recording of Palatak, 1963<br \/>(Pic courtesy: From the collections of Sounak Gupta)<\/p><\/div>\n<p>Geeta Dutt came up with one of her best renditions in the heart-rending <em>Waqt ne kiya kya haseen sitam<\/em>, composed by S D Burman and penned by Kaifi Azmi where she poured out her pain, anguish and pathos in every word. It became an ironical echo of her own life, caught in a quagmire\u00a0\u00a0\u00a0However, the box-office disaster of <em>Kaagaz Ke Phool<\/em> (which ironically is now considered a classic) left them shattered, financially and emotionally.<\/p>\n<p><strong>Hemant Kumar-Geeta Dutt &#8211; an unparalleled combination<\/strong><\/p>\n<p>Hemant Kumar as a music director brought out the best in Geeta Dutt. Right from the first Hindi film he gave The hymn <em>Jai Jagdish Hare<\/em> in <em>Anandmath<\/em>, on the ten incarnations of the Lord Vishnu or <em>Dasavatara<\/em>, drawn from the <em>Geet Govind<\/em> written by the 12<sup>th<\/sup> century Oriya saint poet Jayadeva was a real test of finesse and skillful dexterity on the part of the singers.<\/p>\n<p>While typically a song has just one melody and can be sung as a solo, duet or chorus, <em>Jai Jagdish Hare<\/em> has two different melodies running parallel and sung by two different singers with different lyrics and that too most part simultaneously. According to Nirmal Phophalia, a music connoisseur, the recording of the song posed a separate challenge. \u00a0Hemant Kumar and Geeta Dutt had to share a single mike and the six-footer Hemant da was way too tall for Geeta Dutt. The mike had to be brought to one level which obviously could\u00a0not be regulated while singing live. A wooden plank was placed before Geeta Dutt to climb\u00a0on whenever she had to raise her pitch in the song and retreat every time her voice was to fade out. Geeta Dutt ended up climbing up and down the plank to record her part of the song. Not surprisingly, the recording took long hours to finally reach a result that even today sends its listeners into a trance!<\/p>\n<p>As <span style=\"text-decoration: underline;\"><a href=\"http:\/\/learningandcreativity.com\/silhouette\/hemant-kumar-interview\/\">Hemant Kumar had remarked in an exclusive interview<\/a><\/span> to Peeyush Sharma, &#8220;Geeta was very gifted. Her voice was very, very sweet. I have never heard such a honey coated voice.&#8221;<\/p>\n<p>Says Sounak Gupta, an ardent Geeta Dutt fan and the owner of the <em>YouTube<\/em> channel <em><a href=\"https:\/\/www.youtube.com\/user\/GeetaDuttDevotee\">GeetaDuttDevotee<\/a><\/em>, \u201cIf only Kanan Devi (the legendary actress of the 30s and 40s) and Geeta Dutt could have been in good touch with each other! Kanan Devi was a mother figure to the industry (in Kolkata) &#8211; next to all her juniors have accepted the fact, a number of times! I recall, Kanan Devi had once introduced a Geeta-song on an LP &#8211; &#8220;<em>Sukanthi, protibhamoyee gayika Geeta Dutter gaoa gaan<\/em>&#8230;&#8221; How wonderfully she had described Geeta Dutt &#8211; &#8216;<em>sukanthi<\/em>&#8216; (sweet-voiced), &#8216;<em>protibhamoyee<\/em>&#8216; (immensely talented) &#8211; as she describes, some sort of unparalleled affection (which was certainly not &#8216;imposed&#8217; &#8211; it comes so naturally!) is so clear in her voice &#8211; as if she is describing her own sister or daughter! Wish Geetaji had got Kanan Devi&#8217;s soft touch of affection in her bad days! Probably the land distance between the workplaces of the two greats couldn&#8217;t let that happen!\u201d<\/p>\n<div id=\"attachment_2431\" style=\"width: 330px\" class=\"wp-caption alignright\"><img decoding=\"async\" aria-describedby=\"caption-attachment-2431\" class=\"size-full wp-image-2431\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/11\/Geeta_Guru_Kala_Bazar.jpg\" alt=\"Geeta Dutt and Guru Dutt in a shot from the Vijay Anand-directed film Kala Bazar\" width=\"320\" height=\"195\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/11\/Geeta_Guru_Kala_Bazar.jpg 320w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/11\/Geeta_Guru_Kala_Bazar-300x183.jpg 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/11\/Geeta_Guru_Kala_Bazar-150x91.jpg 150w\" sizes=\"(max-width: 320px) 100vw, 320px\" \/><p id=\"caption-attachment-2431\" class=\"wp-caption-text\">Geeta Dutt and Guru Dutt in a shot from the Vijay Anand-directed film Kala Bazar<\/p><\/div>\n<p>Geeta Dutt&#8217;s three children &#8211; Tarun, Arun and Nina adored their mother. In an interview, Arun recalled, &#8220;Mummy was an extrovert, a fun-loving, happy person, extremely generous, while my father was an introvert, an intense man. She was very sentimental and would fall for any sob story. Though they had their problems, she never let us witness them. We were more attached to her- we hardly saw him [Guru Dutt].&#8221; <em>(<em>source: Geetadutt.com<\/em>)<\/em>{3}<\/p>\n<p>Alongside, in distant Bengal, Geeta Dutt\u2019s songs were on every Bengali cine buffs lips as her dulcet voice crooned for Bengal\u2019s Queen of Hearts <a href=\"http:\/\/learningandcreativity.com\/rahe-na-rahe-humlegendary-actress-suchitra-sen-bids-adieu\/\">Suchitra Sen<\/a> in some of biggest hits of the late 50s. <em>\u201cTumi je amar\u201d<\/em> (<em>Harano Sur, <\/em>1957) caught the fascination of the youth, portraying a romance that was passionate yet dignified. <em>(<a href=\"http:\/\/learningandcreativity.com\/geeta-dutt-bengali-songs\/\">Read more about Geeta Dutt&#8217;s Bangla songs<\/a>)<\/em><\/p>\n<p><strong><em>Tumi je amar <\/em><\/strong><em>(<strong>Harano Sur<\/strong>,<\/em> 1957<em>)<\/em><\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/gD0Yza1AiBc\" width=\"100%\" height=\"480\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>With music directors Hemant Mukherjee (better known as Hemant Kumar in Bombay film industry) (<a href=\"http:\/\/learningandcreativity.com\/uttam-kumar-suchitra-sen-bengali-cinemas-first-couple\/\"><em>Harano Sur<\/em><\/a>) and Nachiketa Ghosh (<em>Prithibi Amare Chaaye, <\/em>1957 and <em>Indrani, 1958<\/em>), Geeta Dutt came up with songs that were hauntingly melodious, youthful and heartwarming. At a time when Sandhya Mukherjee&#8217;s voice was synonymous with Suchitra Sen, Hemant Mukherjee and Nachiketa Ghosh picked Geeta Dutt.<\/p>\n<div id=\"attachment_2430\" style=\"width: 458px\" class=\"wp-caption alignright\"><img decoding=\"async\" aria-describedby=\"caption-attachment-2430\" class=\"size-full wp-image-2430\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/11\/geeta_guru3.jpg\" alt=\"\" width=\"448\" height=\"331\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/11\/geeta_guru3.jpg 448w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/11\/geeta_guru3-400x296.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/11\/geeta_guru3-300x222.jpg 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2015\/11\/geeta_guru3-150x111.jpg 150w\" sizes=\"(max-width: 448px) 100vw, 448px\" \/><p id=\"caption-attachment-2430\" class=\"wp-caption-text\">Geeta Dutt and Guru Dutt with their children<\/p><\/div>\n<p>Says Maitreyee, \u201cMy favourite song by Geeta Dutt is from an Uttam Kumar Suchitra Sen film <em>Indrani<\/em> called <em>&#8216;Jhanak jhanak konok kaankon baaje&#8217;<\/em>. The song has a very light hearted quality about it and reminds me of an old world charm that is not to be seen today.\u201d Geeta Dutt used a faint tinge of Hindi accent in the words <em>jhanak jhanak<\/em> to make them ring like the bangles (<em>kaankon<\/em>) and with Suchitra Sen lip-synching them with an understated glamor, the effect was mesmerizing.<\/p>\n<p><em>Indrani<\/em>&#8216;s songs were a musical treat, be it the other solo by Geeta Dutt &#8220;<em>Sundoro, jaano na ki tumi ke aami kaar<\/em>&#8221; or the enchanting romantic duet with Hemant Mukherjee &#8220;<em>Neer chhoto khoti neyi<\/em>&#8220;, picturised on Bengal&#8217;s iconic screen couple <a href=\"http:\/\/learningandcreativity.com\/uttam-kumar-suchitra-sen-bengali-cinemas-first-couple\/\">Uttam Kumar and Suchitra Sen<\/a>.<\/p>\n<p><em><strong>Jhanak jhanak konok kaankon baaje<\/strong> (<strong>Indrani<\/strong>, <\/em>1958)<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/7vHD8zMjYHw\" width=\"100%\" height=\"480\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>In <em>\u2018Eyi sundor swarnali sandhya\u2019<\/em> (<em>Hospital<\/em>, 1960) Geeta Dutt\u2019s voice resonates with such delicate love and togetherness that it carries the listener away into a delightful world of melody and romance. Picturised on a boat with <a href=\"http:\/\/learningandcreativity.com\/rahe-na-rahe-humlegendary-actress-suchitra-sen-bids-adieu\/\">Suchitra Sen<\/a> and <a href=\"http:\/\/learningandcreativity.com\/silhouette\/ashok-kumar-actor-indian-cinema\/\">Ashok Kumar<\/a>, the song made Geeta Dutt scale heights of fame even when her career in the world of Hindi playback itself was teetering on the edge.<\/p>\n<p><strong><em>Eyi sundor swarnali sandhya<\/em><\/strong> (<strong><em>Hospital<\/em><\/strong>, 1960)<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/f4ClG8cdvLg\" width=\"100%\" height=\"480\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"color: #141823;\">In fact, the Hindi songs of her early career have a Bengali lilt. For instance, in <em>&#8220;Mera sundar sapna beet gaya&#8221;<\/em> Geeta Dutt croons, &#8220;<em>main prem mein sab kuuch haar gayi&#8221;<\/em> &#8211; rather than the typical <em>kuch<\/em> she pronounces it as\u00a0<em>kuuch<\/em>, stressing on the <em>uu<\/em>\u00a0syllable. These finer nuances and subtle variations made Geeta Dutt stand apart from the rest<\/span><span style=\"color: #141823;\">!<\/span><\/p>\n<p><em>\u2018Nishiraat baanka chand akashe\u2019<\/em> was another delectable Geeta Dutt beauty that is became the hallmark of soft moonlit romance in Bengali\u00a0movies. Picturised on Mala Sinha and Uttam Kumar, this song is one of the best known Bengali songs of Geeta Dutt. Also, her non-film Adhunik Bengali songs were just as popular, sample &#8216;<em>Sur bhora door nilimaye&#8217;.<\/em><\/p>\n<p><strong><em>Nishiraat baanka chand akashe<\/em><\/strong><em> (<\/em><strong><em>Prithibi Amare Chaaye<\/em><\/strong><em>, <\/em>1957)<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/Kk1QO65wb94\" width=\"100%\" height=\"480\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Tormented by Guru Dutt\u2019s reported fascination with Waheeda Rehman and his reluctance to let her sing for other banners, Geeta Dutt was being forced into limiting her range and was slipping rapidly into depression and professional ruin.<\/p>\n<p>&#8220;Even when we wanted to reach her, she was not able to make herself available, for several reasons. I have also done several Bangla songs with her, whatever I could,&#8221; <span style=\"text-decoration: underline;\"><a href=\"http:\/\/learningandcreativity.com\/silhouette\/hemant-kumar-interview\/\">Hemant Kumar had remarked to Peeyush Sharma in the interview <\/a><\/span>when asked why he had so few songs with Geeta Dutt.<\/p>\n<p>Composers who may have preferred her mature vocals to Asha\u2019s had no choice but to groom Asha to take over as Geeta was just not available for rehearsals or recordings,\u201d writes Ganesh Anantharaman. Agrees Debasish Bhattacharya, \u201cGeeta Dutt had huge talent to emote and gel perfectly with the requirements of the situation. Many artists do have similar talent, but her own style of singing the songs made magic. Even in her earlier career Asha Bhosle used to imitate her singing style as confessed by the former herself. Most probably Asha could come full way only after Geeta&#8217;s bowing out.\u201d<\/p>\n<p><span style=\"color: #c2150a;\"><em><strong>Kaise koi jeeye<\/strong><\/em> (<em>Baadbaan<\/em>, 1954) Timir Baran &amp; SK Pal \/ Indeevar \/ Geeta Dutt and Hemant Kumar in one of the most evocative tandems of Hindi film music<\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/SBzvXaEdQWw\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div id=\"attachment_1246\" style=\"width: 385px\" class=\"wp-caption alignright\"><a href=\"http:\/\/learningandcreativity.com\/silhouette\/geeta-dutt\/geeta-roy-yaad-karoge-ek-din-humko-yaad-karoge\/\"><img decoding=\"async\" aria-describedby=\"caption-attachment-1246\" class=\"wp-image-1246\" src=\"http:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/GEETA-ROY-YAAD-KAROGE...Ek-din-humko-yaad-karoge....jpg\" alt=\"Geeta (Roy) Dutt\" width=\"375\" height=\"402\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/GEETA-ROY-YAAD-KAROGE...Ek-din-humko-yaad-karoge....jpg 551w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/GEETA-ROY-YAAD-KAROGE...Ek-din-humko-yaad-karoge...-374x400.jpg 374w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/GEETA-ROY-YAAD-KAROGE...Ek-din-humko-yaad-karoge...-300x321.jpg 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/GEETA-ROY-YAAD-KAROGE...Ek-din-humko-yaad-karoge...-150x161.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/GEETA-ROY-YAAD-KAROGE...Ek-din-humko-yaad-karoge...-140x150.jpg 140w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/GEETA-ROY-YAAD-KAROGE...Ek-din-humko-yaad-karoge...-280x300.jpg 280w\" sizes=\"(max-width: 375px) 100vw, 375px\" \/><\/a><p id=\"caption-attachment-1246\" class=\"wp-caption-text\">Yaad karoge, yaad karoge, ik din humko yaad karoge<\/p><\/div>\n<p>In 1962, Guru Dutt made <em>Sahib Bibi Aur Ghulam<\/em>, a story based on Bimal Mitra\u2019s eponymous novel that looks at a decadent feudal family of Bengal through the eyes of Bhootnath (played by Guru Dutt himself) and Chhoti Bahu (Meena Kumari in one of her best performance).<\/p>\n<p>\u201cThis was the year their only daughter Nina was born, in August. But things were getting worse day by day between Geetaji and Guru. Guru Dutt even tried to stop Geetaji sing any of the songs for this movie. But Geetaji went to court and had herself reinstated to sing half of the songs. The three songs Geetaji sings reflect her life at this stage of her career.\u201d (<em>source: Geetadutt.com<\/em>)<\/p>\n<p>Hemant Kumar, the master of the melancholic melodies, gave Geeta Dutt three of her best known songs in this film \u2013 the haunting and poignant <em>\u2018Koi door se awaz de chale aao\u2019<\/em>, the hopeful and uplifting <em>&#8216;<a title=\"LIsten to the song Piya aiso jiya mein\" href=\"http:\/\/learningandcreativity.com\/geeta-dutt\/geeta-dutt-3\/\">Piya aiso jiya mein samaaye gayo re<\/a>&#8216;<\/em> and desperate cry of an anguished wife to keep her husband from leaving her <em>\u2018Na jaao sainya chhudake bainya\u2019. <\/em>In a mirror reflection of this heart-wrenching song she sang, Geeta Dutt sought refuge in the bottle to drown her dejection and despair.<\/p>\n<p><strong><em>Na jaao sainya chhudake bainya<\/em><\/strong><em> (<strong>Sahib Bibi Aur Ghulam<\/strong>, <\/em>1962)<\/p>\n<p><iframe loading=\"lazy\" width=\"100%\" height=\"380\" src=\"https:\/\/www.youtube.com\/embed\/ngSGrVacPQk\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/p>\n<p>Guru Dutt, who had grown depressed and unstable following the failure of <em>Kaagaz Ke Phool <\/em>and the widening chasm in his personal life, died in October 1964 from an overdose of sleeping pills. \u201cGeetaji suffered a mental breakdown after the death of her husband. For nearly three months she could not even recognize her own children.\u201d (<em>source: Geetadutt.com<\/em>).<\/p>\n<p><strong><em>Koi door se awaz de chale aao<\/em><\/strong><em> (<strong>Sahib Bibi Aur Ghulam<\/strong>, <\/em>1962)<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/5Cop546PrY8\" width=\"100%\" height=\"480\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div id=\"attachment_1247\" style=\"width: 385px\" class=\"wp-caption alignright\"><img decoding=\"async\" aria-describedby=\"caption-attachment-1247\" class=\"wp-image-1247\" src=\"http:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/GEETA-DUTT-in-the-Bengali-film-Badhubharan-1967.jpg\" alt=\"Geeta Dutt in Badhu Baran\" width=\"375\" height=\"435\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/GEETA-DUTT-in-the-Bengali-film-Badhubharan-1967.jpg 509w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/GEETA-DUTT-in-the-Bengali-film-Badhubharan-1967-345x400.jpg 345w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/GEETA-DUTT-in-the-Bengali-film-Badhubharan-1967-300x348.jpg 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/GEETA-DUTT-in-the-Bengali-film-Badhubharan-1967-150x174.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/GEETA-DUTT-in-the-Bengali-film-Badhubharan-1967-129x150.jpg 129w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/GEETA-DUTT-in-the-Bengali-film-Badhubharan-1967-259x300.jpg 259w\" sizes=\"(max-width: 375px) 100vw, 375px\" \/><p id=\"caption-attachment-1247\" class=\"wp-caption-text\">Geeta Dutt played the female lead in the Bengali film Badhu Baran (1967)<\/p><\/div>\n<p>\u201cAs she recovered, she had to support their three children by performing live shows as Guru Dutt had accumulated huge debts,\u201d notes Ganesh Anantharaman.<\/p>\n<p>At the young age of 41, on 20th July, 1972, Geeta Dutt bid adieu to this world, but not before leaving listeners with three outstanding melodies composed by Kanu Roy in <em>Anubhav<\/em> (1971). <em>&#8216;Mujhe jaan na kaho meri jaan<\/em> is timeless,\u201d says Samina De. The haunting romanticism of \u2018<em>Mujhe jaan na kaho\u2019<\/em> along with the whimsical and teasing \u2018<em>Koi Chhup Ke Se Aake<\/em>\u2019 and \u2018<em>Mera dil jo mera hota\u2019<\/em> in <em>Anubhav<\/em> drove home the fact that Geeta Dutt had lost none of the magic in her voice. Talk about signing off with a flourish and you can\u2019t find a better example than Geeta Dutt\u2019s swan song <em>Anubhav<\/em>.<\/p>\n<p>For her fans, Geeta Dutt continues to reign supreme and they find solace and delight in digging out some of her nearly untraceable work, which they share and discuss in the <a href=\"https:\/\/www.facebook.com\/groups\/magicalgeetadutt\/\">group<\/a>. Till some time ago, much of Geeta Dutt\u2019s work, between 1948-1950, was barely available on records. But the legendary singer&#8217;s fans have left no stone unturned to hunt out the rare records and put them out on the website, <em>YouTube<\/em> and other media sharing sites to make them accessible to fans and music connoisseurs.<\/p>\n<div id='gallery-3' class='gallery galleryid-1239 gallery-columns-3 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/learningandcreativity.com\/silhouette\/geeta-dutt\/geeta-dutt-10\/'><img decoding=\"async\" width=\"332\" height=\"400\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-10-332x400.jpg\" class=\"attachment-medium size-medium\" alt=\"Geeta Dutt\" aria-describedby=\"gallery-3-1256\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-10-332x400.jpg 332w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-10-125x150.jpg 125w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-10-300x361.jpg 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-10-150x181.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-10-249x300.jpg 249w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Geeta-Dutt-10.jpg 641w\" sizes=\"(max-width: 332px) 100vw, 332px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-3-1256'>\n\t\t\t\tA consummate harmonium player during her glory days. Her stage shows those days were said to be magical.\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/learningandcreativity.com\/silhouette\/geeta-dutt\/pannalal_ghosh_geeta-1024x1018\/'><img decoding=\"async\" width=\"400\" height=\"398\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Pannalal_ghosh_geeta-1024x1018-400x398.jpg\" class=\"attachment-medium size-medium\" alt=\"Geeta Dutt with Pandit Pannalal Ghosh\" aria-describedby=\"gallery-3-1257\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Pannalal_ghosh_geeta-1024x1018-400x398.jpg 400w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Pannalal_ghosh_geeta-1024x1018-768x764.jpg 768w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Pannalal_ghosh_geeta-1024x1018-300x298.jpg 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Pannalal_ghosh_geeta-1024x1018-150x150.jpg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2014\/07\/Pannalal_ghosh_geeta-1024x1018.jpg 1024w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-3-1257'>\n\t\t\t\tGeeta Dutt having a chat about the flute with the maestro flutist Pandit Pannalal Ghosh \n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/learningandcreativity.com\/silhouette\/waqt-ne-kiya-songs-kaifi-azmi\/geeta_dutt_rare_pic\/'><img decoding=\"async\" width=\"367\" height=\"400\" src=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/05\/geeta_dutt_rare_pic-367x400.jpeg\" class=\"attachment-medium size-medium\" alt=\"Geeta Dutt with Kaifi Azmi\" aria-describedby=\"gallery-3-3634\" srcset=\"https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/05\/geeta_dutt_rare_pic-367x400.jpeg 367w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/05\/geeta_dutt_rare_pic-138x150.jpeg 138w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/05\/geeta_dutt_rare_pic-768x836.jpeg 768w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/05\/geeta_dutt_rare_pic-300x327.jpeg 300w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/05\/geeta_dutt_rare_pic-150x163.jpeg 150w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/05\/geeta_dutt_rare_pic-275x300.jpeg 275w, https:\/\/learningandcreativity.com\/silhouette\/wp-content\/uploads\/sites\/3\/2017\/05\/geeta_dutt_rare_pic.jpeg 808w\" sizes=\"(max-width: 367px) 100vw, 367px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-3-3634'>\n\t\t\t\tGeeta Dutt with Kaifi Azmi at a recording (Pic courtesy: GeetaDutt.com)\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>Says Gajendra Khanna, admin of <em>Geetadutt.com<\/em> who along with Lakshmi Priya and others has created the website, which has a wealth of information on the singer and her works, &#8220;It is a labour of love dedicated to Geeta ji and all those who appreciate her music. Thanks to work of many fellow Geeta lovers most of the songs are available today!&#8221;<\/p>\n<p>\u201cThe most exciting discovery was the <em>Mujhe wo dekhkar<\/em> song from the film <em>Zalzala,&#8221; <\/em>explains Lakshmi\u00a0Priya. As her fan, I hear her songs so passionately that sometimes I am overcome by emotions, totally overwhelmed by the feeling in her renditions that I stay away from hearing her songs for a few days. That is the kind of fans she has. She may be having a limited number of fans but each of them worship her like a goddess. If only music groups were there when she was alive, a Tushar Bhatia, a Parag Sankla, a Mahesh Sagar, a Sounak Gupta, a Gajendra Khanna, etc would have been there for her ever and ever.\u201d<\/p>\n<p><strong><em>Mujhe jaan na kaho meri jaan<\/em><\/strong>(<strong><em>Anubhav<\/em><\/strong><em>,<\/em> 1971)<\/p>\n<p><iframe loading=\"lazy\" width=\"100%\" height=\"380\" src=\"https:\/\/www.youtube.com\/embed\/8eX-dFk3J7I\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/p>\n<p>Apart from Hindi and Bengali, Geeta Dutt sang songs in a number of Indian languages including Marathi, Gujarati, Maithili, Bhojpuri, among others.<\/p>\n<p>Says Dr Mahesh Sagar, who has chronicled all of Geeta Dutt&#8217;s songs (in all languages, released and unreleased records, sample discs et al) &#8220;It is interesting to note that Geeta Dutt song for Mala Sinha in Hindi, Bangla and Nepali films. She also mentored Mala Sinha in her early days and was the one who recommended her to Kidar Sharma. This was the first Nepali film starring Mala Sinha and her husband C P Lohani. The music was by Jaidev. Lata, Asha, Usha, Manna Dey along with Geeta were the singers along with Nepali singers Aruna Lama and C P Lohani.&#8221; Of course, Geeta Dutt&#8217;s songs for Mala Sinha are today among the most beautiful songs ever made &#8211; sample, <em>Nishiraat baanka chaand<\/em> and <em>Tumi bina e phagun biphale jaaye<\/em> (both from<em> Prithibi Amare Chai<\/em>) and\u00a0<em>Shudhu ektukhani chaoa<\/em> (the duet with Kishore Kumar in <em>Lukochuri<\/em>) among others.<\/p>\n<p><a href=\"https:\/\/youtu.be\/ZZhc0s2luuw\"><span style=\"text-decoration: underline;\">View the Nepali film\u00a0<em>Maitighar&#8217;s\u00a0<\/em>opening credits with Geeta Dutt here<\/span><\/a>.<\/p>\n<p>Observes Lakshmi Priya, \u201cI feel she is a cursed <em>Gandharva Kanya<\/em>, who came briefly to earth to entertain her fans and vanished once the curse was lifted. Does it sound as if I am going overboard ? No! What else can explain the fact that there has not been another singer who can sing like her? We get copies of other voices but of Geeta Duttt, I have yet to find. She was nonpareil.\u201d<\/p>\n<p><em><strong>Koi chupke se aake<\/strong> <\/em>(<em><strong>Anubhav<\/strong><\/em>, 1971)<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/NYVm3j8sTuA\" width=\"100%\" height=\"480\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"color: #c2150a;\"><strong>Some rare beauties by Geeta Dutt recommended by her fans<\/strong><\/span><\/p>\n<p><strong>Gajendra Khanna: <\/strong><em><strong>Tadapta chhod kar mujhko kahaan tum reh gaye pyaare<\/strong><\/em> (<em><strong>Kisi Ki Yaad,<\/strong> <\/em>1950).<\/p>\n<p>Such was her mastery over her art that she can never disappear from our collective consciousness. Her voice had multiple facets and that rare ability to convey all merely by inflecting its pitch or tone. Her range is immense which can mesmerise anyone, totally capturing one\u2019s attention and finally giving the listener an adrenaline rush like no other singer can. It is often that the nectar in her voice has had that effect on me. I have a special fascination for the phase when she was still Geeta Roy, the singer who rose like a meteor and captured the imagination of a generation gone by.<\/p>\n<p><em>(Gajendra Khanna, one of the writers in Geetadutt.com has a <a title=\"Tadapta Chhod Kar Mujhko Kahaan Tum Reh Gaye Pyaare \u2026 Geeta ji, Where Are You?\" href=\"http:\/\/www.geetadutt.com\/blog\/?p=956\" target=\"_blank\" rel=\"noopener\">blog post <\/a>dedicated to this song)<\/em><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/79NnOXcM3PI\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>Lakshmi Priya: <em>Mujhe dekhkar woh jab muskuraayenge<\/em><\/strong> (<strong><em>Zalzala<\/em><\/strong><em>, <\/em>1952)<\/p>\n<p>Whenever I hear this song from the film <em>Zalzala<\/em> (1952), I have this fantasy of my darling singer Geetaji and the musicians gathered around a large microphone, which must have funneled the sounds they produced down to a diaphragm, which vibrated and moved the cutting needle and\u00a0translated that acoustical energy into a groove in the wax master recording. Oh! What a rare combination of angelic delicacy and extraordinary power, that was capable of such a bravura moment as this rendering ,of my most favorite song of hers composed by my most favorite composer, the one and only Pankaj Mullick \u2013 the great !!!<\/p>\n<p><em>(Lakshmi Priya, one of the writers in Geetadutt.com has a <a title=\"A fan\u2019s tribute\" href=\"http:\/\/www.geetadutt.com\/blog\/?p=1212\" target=\"_blank\" rel=\"noopener\">blog post<\/a> dedicated to this song)<\/em><\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/SFTkrnSCSMY\" width=\"100%\" height=\"480\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><em><strong>Jaani bhromora kaino (Gauri)<\/strong><\/em><\/p>\n<p>A truly rare song from the shelved film <em>Gauri<\/em>, in which Guru Dutt had cast his wife Geeta Dutt as the heroine but then abandoned the film after shooting a few reels. Music maestro\u00a0<a title=\"The Incomparable Music Of S D Burman Transcends Generations\" href=\"http:\/\/learningandcreativity.com\/s-d-burman\/\">S D Burman<\/a> had first recorded this song with Geeta Dutt (on the 13th Nov 1957), he later sang it himself as a private song in 1961 and then reused it for <em>Dr Vidya<\/em> (1962).<\/p>\n<p>This rare song, issued on a white label disc, was found by Suresh Chandvankar who shared it with Gajendra Khanna. The date of the recording was written on the disc cover. The retrieved song was uploaded by Parag Sankla to his <a href=\"https:\/\/www.youtube.com\/channel\/UCj4Et96S3viA7uDBUjnoywQ\">YouTube channel<\/a>.<br \/>\nWhat a remarkable song with haunting, delightful music&#8230;!<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/giwQGhEw-zQ?rel=0&amp;showinfo=0\" width=\"100%\" height=\"480\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>Parag Sankla:\u00a0<em>Haule haule hawaa dole<\/em><\/strong> <strong>(Non-Film)<\/strong><\/p>\n<p><em>Haule haule hawaa dole<\/em> begins with Geeta almost whispering the words <em>\u201cHaule haule..haayein dole\u201d<\/em> in her dreamy voice. The rhythm picks up and we have this fast paced song rendered so effortlessly by Geeta. It is kind of surprising that a song where the girl is calling for her \u201cKing of hearts\u201d and is saying <em>\u201csaawan suhawan aaya, piya mere tum naa aaye\u201d<\/em> is not a slow and deeply expressing song. Quite unlike the opening words, the song is far from a <em>&#8220;Haule haule&#8221;<\/em> song. It is very fast-paced.<\/p>\n<p>This was one of the few non-film songs that one could hear very frequently on the radio in the late forties\/early fifties. The Bengali nuance\/accent in her voice is quite manifest and, if anything, it makes the song even more enjoyable. This also negates the (wrongly) oft- expressed view about Geeta&#8217;s early singing style that <em>&#8220;Gaati to achha hai magar roti bahut hai&#8221;<\/em>. The delight of anticipation suffuses this song with a unique charm all its own. The beats of Tabla before the words <em>\u201cGhan ghan badaraa gaaje, jhan jhan paayal baaje\u201d<\/em> are simple indication of the genius of Pandit Nikhil Ghosh. The lyrical beauty of the song is timeless and feels so fresh even after sixty plus years since it was recorded.<\/p>\n<p><em>(Parag Sankla, one of the writers in Geetadutt.com has a massive repository of all Geeta Dutt songs, including the rarest of the rare on his <span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.youtube.com\/channel\/UCj4Et96S3viA7uDBUjnoywQ\">YouTube channel<\/a><\/span>)<\/em><\/p>\n<p><span style=\"color: #c2150a;\"><strong><em>Haule haule hawa dole<\/em><\/strong> (Hindi Non film) Pandit Nikhil Ghosh \/ Pandit Bharat Vyas \/ Geeta Dutt<\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/ndoxnS7lLDc?rel=0\" width=\"100%\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>References<\/strong><\/p>\n<p>[1] <a href=\"http:\/\/www.flipkart.com\/bollywood-melodies-history-hindi-film-song\/p\/9780143063407?pid=9780143063407&amp;srno=t_1&amp;query=bollywood+melodies&amp;affid=partholear\">Bollywood<\/a><em><a href=\"http:\/\/www.flipkart.com\/bollywood-melodies-history-hindi-film-song\/p\/9780143063407?pid=9780143063407&amp;srno=t_1&amp;query=bollywood+melodies&amp;affid=partholear\"> Melodies: A History of the Hindi Film Song<\/a><\/em><br \/>\n[2] <em><a href=\"http:\/\/www.amazon.in\/gp\/product\/0670086924\/ref=as_li_ss_tl?ie=UTF8&amp;camp=3626&amp;creative=24822&amp;creativeASIN=0670086924&amp;linkCode=as2&amp;tag=learcrea-21\">Conversations with Waheeda Rehman<\/a><\/em><br \/>\n[3] <em><a href=\"http:\/\/www.geetadutt.com\/\">Geetadutt.com<\/a><\/em><\/p>\n<p><em><a href=\"http:\/\/www.geetadutt.com\/skylark.html\">Geeta Dutt \u2013 The Skylark: The first ever biography of melody queen Geeta Dutt by Haimanti Banerjee can be accessed here.<\/a><\/em><\/p>\n<p><strong>More to read<\/strong><\/p>\n<p><strong><a href=\"http:\/\/learningandcreativity.com\/geeta-dutt-bengali-songs\/\">Eternal Wait : The Story Of The Dark Girl By The Meghna (Geeta Dutt)<\/a><\/strong><br \/>\n<strong><a href=\"http:\/\/learningandcreativity.com\/s-d-burman\/\">The Incomparable Music Of S D Burman Transcends Generations<\/a><\/strong><br \/>\n<strong><a href=\"http:\/\/learningandcreativity.com\/sahir-ludhianvi\/\">Jinhe Naaz Hai Hind Par Voh Kahaan Hain: Songs of Sahir<\/a><\/strong><br \/>\n<strong><a href=\"http:\/\/learningandcreativity.com\/gulzar-multi-faceted-director\/\">Gulzar: Redefining Poetry and Purpose In Cinema<\/a><\/strong><br \/>\n<strong><a href=\"http:\/\/learningandcreativity.com\/waheeda-rehman\/\">Waheeda Rehman: Quintessential Beauty With Intense Acting Prowess<\/a><\/strong><br \/>\n<strong><a href=\"http:\/\/learningandcreativity.com\/lata-mangeshkar\/\">The Nightingale\u2019s Everlasting Melodies<\/a><\/strong> <\/p>\n<!-- AddThis Advanced Settings generic via filter on the_content --><!-- AddThis Share Buttons generic via filter on the_content -->","protected":false},"excerpt":{"rendered":"<p>Was there ever a playback singer who conveyed feelings better? On Geeta Dutt&#8217;s death anniversary, a humble tribute to the ethereal singer who had a short lived career but left an indelible mark in the world of music.  <\/p>\n<p>This tribute to the Queen of Bhaav Gayaki is published with enthusiastic and whole-hearted support and participation from members of The Magical Voice of Geeta Dutt Facebook Group, who have lovingly and with utmost care retrieved, preserved, archived and shared Geeta Dutt&#8217;s immortal music and memorabilia for all music lovers for years to come. <!-- AddThis Advanced Settings generic via filter on get_the_excerpt --><!-- AddThis Share Buttons generic via filter on get_the_excerpt --><\/p>\n","protected":false},"author":4,"featured_media":3069,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[822,7],"tags":[527,643,644,645,646,647,648],"class_list":["post-1239","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-golden-voices","category-music","tag-geeta-dutt","tag-geeta-dutt-and-guru-dutt","tag-geeta-dutt-bengali-songs","tag-geeta-dutt-biography","tag-geeta-dutt-death-anniversary","tag-geeta-dutt-singer","tag-geeta-dutt-songs"],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/posts\/1239","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/comments?post=1239"}],"version-history":[{"count":2,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/posts\/1239\/revisions"}],"predecessor-version":[{"id":5049,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/posts\/1239\/revisions\/5049"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/media\/3069"}],"wp:attachment":[{"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/media?parent=1239"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/categories?post=1239"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/learningandcreativity.com\/silhouette\/wp-json\/wp\/v2\/tags?post=1239"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}