When we talk of re-birth of Feluda on screen with Sandip Ray’s adaptations of Satyajit Ray’s Feluda stories we discuss the populist strategy of old wine in a new bottle largely. But this is not simply a question of old wine...

When voice becomes visible, it fails as a controlling entity of the narrative; rather the voice itself becomes uncontrollable and uncanny. ...

Slumdog Millionaire as a film not only centers on the sets of a game show, but totally follows the ideology of it....